Just a quick review today as I am off to Niagara Falls for the weekend. I’ll more than likely post tomorrow as well but it will probably be a bit later than my usual posting time. Anyway, enjoy and have a great weekend!
Bursting at the seams with nostalgia, wit, humour, and seductiveness. Adventureland is a rambunctious, yet sweetly subtle coming-of-age romantic comedy oozing with angst and clever diction that resonates not only with young ones, but adults as well. Investing a substantial amount in the directionless, hormone driven motivations of youth, their lack of aspirations, and facing the difficult transition into adulthood. Adventureland benefits from an idealistic, simplistic nature and a slew of staggering performances. Greg Mottola, who wrote and directed this retro love story. Substitutes the profanity and raunchiness of his previous effort Superbad, with a tale of heartfelt infatuation and whimsical comedy that even seizes its timeless cliches.
In the year 1987, James (Eisenberg) plans to travel through Europe in the summer before heading off to attend an Ivy League school. After graduation, his parents inform him of their major career setbacks and that he will not be going to Europe or doing any of his future endeavours unless he obtains a job. Upon being rejected at almost every decent place of employment, James manages to find a place in the rundown amusement park, Adventureland. When James faces an unlikely, possibly dangerous situation, he is rescued by a striking co-worker named Em (Stewart). As he continues to struggle through the summer, he finds himself falling for Em. Finding caring, reliable friends in other various employees as well as Paulette (Wiig) and Bobby (Hader), who are Adventureland managers. James begins to find his current situation not only tolerable, but favourable. Befriending a machine repair man named Mike (Reynolds), James begins to learn life lessons as he transfers into adulthood.
Absorbing the comical imperfections and endearing elements of Adventureland’s charismatic leads inflicts a dizzying, subdued, ageless state among the viewer. Starring Jesse Eisenberg, Kristen Stewart, and Ryan Reynolds supported, rather, accompanied by Bill Hader and Kristen Wiig, Adventureland has no shortage of capable employees. Eisenberg’s quirky, bordering sociopathic awkwardness is entrancingly comical and infectious. Reynolds, who’s role is ingeniously uncharacteristic, is predictably stellar as his performance is particularly polarizing and deviously convincing. Hader and Wiig, in limited roles, still manage to produce the most uproarious laughs and also showcase their more serious, professional talents. As for Stewart, she unleashes pheromones that will leave you defenceless and willingly vulnerable to her undeniable attractiveness and warmth.
One of the more outstanding qualities about Adventureland, albeit, lesser known qualities is its fluidity and authenticity. Never, at any point, does the dialogue, interactions, or story ever appear forced. This is imperative to a film that so broadly relies on the believability of its circumstances and connectivity of its cast. This can be attributed to Mottola’s invested, realistic script and firm, but flexible direction. He elegantly captures the distinct vibe and flow of the films intentional historic feel and exaggerates the situation to unnecessary severity. His ability to control the captivation his immature characters want so recklessly to exist is remarkable. Coincidentally, the reason Adventureland resonates so strongly with its audience is evoked through the time and effort poured into the film in its entirety by the cast and crew.
Adventureland: 9 out of 10.