Daily Archives: May 19, 2013
Splicing the airy, almost weightlessness of picturesque terrain, brilliantly compacted dialogue, and unflinching violence into a vividly powerful love story. Badlands is Terrence Malick’s expressionistic piece that still remains his most ambitious release to date. Aside from his striking direction, Malick’s suave, eventful script is not to be overlooked. Although remaining somewhat sparse, Badlands contains his most frequent, inspired diction. However, it’s still no substitute for the atmospheric, elemental panoramas of the surrounding landscapes. A vicious, obsessive love condensed into a runtime that’s compressed when compared to other Malick pictures. Badlands leads Martin Sheen and Sissy Spacek capture the youth and indifference of two wayward lovers bent on mayhem and adventure. Taking into account the immaturity and easily corruptible or persuaded minds of innocence, Malick completes his descent into the warped brains of impulsive souls.
Kit (Sheen), a young garbage collector, stumbles upon Holly (Spacek) during one of his routine pickups. When the two strike up an unusual relationship, they need to keep it a secret from Holly’s overprotective father. After Kit struggles to find a new job upon being fired as a garbage man, the unwanted pressure from Holly’s dad begins to excessively bother Kit. When Holly’s father shoots her dog as punishment for sneaking around behind his back with Kit, the two decide to take matters into their own hands. Kit guns down Holly’s father with a pistol as she watches unfazed. The two then flee from the law doing whatever is necessary to keep themselves alive and running.
The first full length feature directed by Terrence Malick. Badlands is based loosely upon a real-life couple who committed a series of murders in 1958. Badlands essentially might be a work of fiction, but it never sacrifices authenticity. Wanting Badlands to play out rather like a fairy tale, Malick takes his two leads from small beginnings to overwhelming heights. Everything from its delusional, flamboyant characters, desensitization towards violence, and enjoyable ending eerily resembles a morose, adult fable.
With Badlands, Malick controls his two leads more so than his later efforts. Yet somehow still manages to let Sheen and Spacek evolve and define their own characters. Martin Sheen is deliciously rebellious and devilishly unfazed by his evil mannerisms and actions. Sheen emits the youthful good looks and sparks of angst to captivate the pure and polite Spacek, as well as the audience. Getting caught up in the imaginative whirlwind of an early teens thought process. Spacek quickly crumbles under her hearts desire and radiates the lack of decisiveness that accompanies adoration. From the get go, Spacek is the muse and relishes her role. Switching from a playful, fruitful existence to a questionably calm and emotionless teen, Spacek performs admirably. At times, living as if they’re free from the world. Sheen and Spacek sweetly endure one another until their time runs out.
As for Malick, it is apparent he was a force from the start. If you’re looking, they’re tiny hints as to what we could expect from him for years to come throughout Badlands. Conversely, it’s a real treat to see Malick let loose. It’s supremely bewildering to watch him work, boundless. Without question, Badlands is Malick’s most unrestrained effort. Blending elements of what make Malick the illustrious, imaginative filmmaker we know today and some of his more unrefined, rough edges from early in his career. Badlands is an unhampered, limitless dive into the brilliant mind of Terrence Malick.
Featuring some of Malick’s most captivating camerawork and dialogue. Badlands is a wonderful first film that showcases the early beauty and intellect we’ve come to expect from the extremely talented Terrence Malick.
Badlands: 9 out of 10.