I’m a Cyborg, But That’s OK (2006)
A film that transcends genre labelling with its innovation, ingenuity, and insanity. “I’m A Cyborg, But That’s Ok” is approximately a romantic comedy, but with dark, at times violent, and bizarre twists, containing moments that differ vastly on the cinematic spectrum. “I’m A Cyborg, But That’s Ok” ranges from deviously psychotic to sweetly honest, impassioned, and comical. Writer and director Chan-wook Park somewhat diverges from his usual business of trifling with the ugliness inside humanity to display a more compassionate, creative, and comedic side to his craft that isn’t all doom and gloom. Although its tone is highly unpredictable, shifting from affectionate and charming to tragic and unrestrained, “I’m A Cyborg, But That’s Ok” shouldn’t be too jarring for the occasional viewer. Charismatic, witty, and undeniably enthralling, Chan-wook Park has proven he isn’t just a one-trick pony.
Young-goon works in a factory constructing radios and believes that she is a cyborg. She is institutionalized after she cuts her wrist, shoves a set of wires inside her forearm, and then plugs the cord into a wall outlet in an attempt to recharge herself. Young-goon refuses to eat and only licks batteries in order to recharge. Il-soon, who is also a patient, becomes infatuated with Young-goon. Il-soon thinks of himself as a master-thief and believes he can steal physical and personal traits of other humans. After a brief stage in which the two form an awkward relationship, the two begin to help one another with insane schemes.
Very rarely does a film come along that is such a genuine hybrid. But it does make sense that it would come from the mind of Chan-wook Park. Who has busted stereotypical cinema on numerous occasions, including drama, horror and thriller. Now, with “I’m A Cyborg, But That’s Ok,” Park tackles perhaps his most difficult challenge to date, the romantic comedy. This film is easily one of the most crazy, obscure, and confusing films I’ve ever come across, but it is also one of the best. I don’t think I’ve ever stumbled upon a film that evokes such emotional diversification as “I’m A Cyborg, But That’s Ok” does. While it may be paced slower than Park’s other outings, it is deliberate. During this screen-time, “I’m A Cyborg, But That’s Ok” stretches the viewer’s brain by provoking countless reactions and striking numerous nerves, a truly unprecedented experience.
Chan-wook Park is one of the most iconic, revered, and important filmmakers of our time and “I’m A Cyborg, But That’s Ok” is a terrific example why. Park brilliantly showcases every single one of his illustrious facets throughout this atypical rom-com. Whether it may be his grounded, elemental framing that captures even the slightest detail and movement of his characters or the disheartening brutality of his dynamic scripts. Regardless, what truly makes Park such a praised figure in the cinematic community is his ability to evolve. After completing the “Vengeance” trilogy and generally sticking to darker pictures with heavy, brooding themes. Chan-wook Park unpredictably chose to unleash this hidden gem. While it remains true to his brute force and unruly material. “I’m A Cyborg, But That’s Ok” touches so many fresh ideals and bursts genre and theme misconceptions.
The cast assembled for “I’m A Cyborg, But That’s Ok” is remarkably put together, as there is not a single weakness. From its two quirky, maladjusted leads down to every patient and caretaker at this unsettling asylum we’ve been invited to take temporary residence in. The supporting characters alone make “I’m A Cyborg, But That’s Ok” worth the watch. They astoundingly portray mental illness accurately but add a comical, yet heartbreaking depth and individuality to each role that generates unlimited sympathy and laughs from the audience. Kudos should also be given to the actors who portray the doctors and nurses in the film who perfectly adapt to their roles.
Nonetheless, “I’m A Cyborg, But That’s Ok” has only two leads and they are Jung Ji-Hoon and Im Soo-jung. Essentially what makes Jung Ji-Hoon and Im Soo-Jung work so well together is their ability to feed off one another’s unbalanced behaviour and lunacy. The two have an undeniable chemistry filled with demented and sociopathic tendencies. Despite these flaws, they manage to portray an eccentric, dysfunctional relationship to full comedic and emotional potential.
From the unparalleled mind of Chan-wook Park comes this incredibly unique experience that should appease just about any cinephile.
I’m a Cyborg, But That’s OK: 9 out of 10.