Daily Archives: August 28, 2013

The World’s End (2013)

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The “Cornetto” trilogy has always been about humour, heart, and homage. And even though it’s been six long years since we last visited a quirky, enthralling, and action-packed world created by Simon Pegg and Edgar Wright…”The World’s End” was well worth the wait. That being said, the fact that Pegg, Wright, and company were able to pull it off is no surprise at all. It’s simply a rarity for a trilogy to be so evenly brilliant, so skepticism is understandable. Nevertheless, “The World’s End” is a fitting conclusion to such a fantastical series. Undoubtedly, it’s sad to see one of the most critically and all-around successful trilogies come to a close…but much like our way of life, nothing lasts forever. “The World’s End” is a superlative finale to a near-perfect trilogy and while not as strong as “Shaun of the Dead” and “Hot Fuzz,” it isn’t far off…

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Gary King (Pegg) is somewhat of a low-life and a borderline alcoholic. One day, having been reminded of his youth and happier times. Gary sets out to track down his old friends in order to convince them to complete a pub crawl they all failed to accomplish when they were younger. Upon successfully persuading Peter (Marsen), O-Man (Freeman), Steven (Considine), and Andy (Frost) to accompany him on this idiotic journey, the crew head back to their hometown of Newton Haven. After the group finishes up the first few pints, they begin to realize that something is amiss. However, deciding to carry on, Gary and his pals soon come to terms that this night will not go as originally planned.

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For all of it’s playful hilarity and jaw-dropping action, I don’t think the public expected “The World’s End” to be so decidedly earnest, disheartening, and tragic. Without question, it’s the most serious and honest chapter of the trilogy. After removing layer upon layer of relatable fears and experiences, such as dissipating youth and failed relationships, not to mention the triviality and flaws of the human race. It’s quite upsetting to realize how deep and truthful this satirical, bittersweet rabbit hole is. No matter how disingenuous and unfazed this group of pub-crawlers appears to be facing down their impending doom, they reek of mortality, mistakes, vulnerability, and imperfection. That being said, the final confrontation, themes, and the film as a whole is funny and unforgettable. Yet resonates a harsh, inevitable wake-up call.

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Perhaps the most important thing about “The World’s End” is that it didn’t let the previous entries down. Granted, it is somewhat a blend of the first two entries, brandishing similar plot points and themes. In addition, the premises and specific style of the “Cornetto” trilogy is becoming a bit stale and a tad bit predictable. That being said, “The World’s End’s” candidness, fresh comedy, and fast-paced violence is enough to differentiate it from the others. Each entry carries its own merit and traits that make them like no other. It feels like the right time for Wright and company to move on and bring to fruition their bright, limitless futures. With the “Cornetto” trilogy, Nick Frost, Simon Pegg, and Edgar Wright have created something that is truly invaluable, priceless… They should take unmeasurable pride in what they have accomplished.

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Without question, Edgar Wright is the most responsible for the triumph of not only “The World’s End,” but the “Cornetto” trilogy as a whole. His refusal to make pictures inside the norm is easily the most promising aspect of his career thus far and is what makes this trilogy so utterly brilliant. Wright continues to employ a Guy Ritchie-esque style melded with his unwavering, youthful wonder and cinephile heart. Essentially, this is what makes Wright’s films so intoxicating and enjoyable. But more importantly, what sets him apart as a filmmaker is the passion and humbleness in which he derives vision and creativity. He conjures up films that he, as a cinephile would cherish, which is the reason he is so respected and relevant to movie lovers every where. Sure, things might get a little hectic here and there, especially when your filming a battle to save all mankind, but I wouldn’t have it any other way.

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One thing that no one will ever accuse the “Cornetto” trilogy of having is shallow ensembles. And with “The World’s End,” we are treated to much of the same. Starring the exuberant, trustworthy duo of Simon Pegg and Nick Frost, a wonderful supporting cast that features Martin Freeman, Paddy Considine, and Eddie Marsen, in addition to a plethora of brief cameos. “The World’s End” arguably contains the strongest cast in the trilogy. Freeman is sort of the unsung star of the group, having landed the role of Bilbo Baggins in Peter Jackson’s “Hobbit” trilogy. He continues to provide evidence as to why he earned the job in the first place and apart from his reprising role on “Sherlock,” Freeman has never been better. Marsen and Considine, both severely underused in the business today, have an undeniable comedic charisma that is on full display in “The World’s End” and will hopefully garner them the attention they deserve.

As predicted, it’s Pegg and Frost who take the reigns of this fantastic adventure, with one significant change. Nick Frost is the responsible, sensible wet blanket, well, for as long as he can muster it anyhow and Simon Pegg is the  idiotic, chaotic friend, who isn’t really much of a pal at all. Now, aside from the closing of the trilogy, the biggest tragedy here is the disconcerting underuse and lack of acknowledgement from filmmakers everywhere towards Frost. Who, continues to be an under-appreciated talent and arguably gives the performance of his career in “The World’s End.” As for Pegg, who’s chagrin, heedless, and selfish performance is unfathomably effective. Pegg, who has gone on to star in several big-budget blockbusters, makes a fortuitous return to his humble beginnings and certainly adds another invaluable notch to his already stellar repertoire.

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Just a brief shout-out to Alice Lowe, Reece Shearsmith, Michael Smiley, Bill Nighly, and Steve Oram for their brief, but memorable roles in “The World’s End.” It’s nice to see Wright give a little extra screen time to the great, up-and-coming filmmakers for, his homeland.

Funny, heartfelt, and all-around awesome. “The World’s End” is the closing chapter die-hard “Cornetto” fans and cinephiles were hoping for and so much more.

The World’s End: 9 out of 10.

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