I Origins (2014)

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The cleverness of Mike Cahill’s latest, “I Origins” stretches way beyond the title itself, but it’s as good a place to start as any. Presenting the fairly new prospect of cataloging the entire human race through iris recognition, “I Origins” takes a fantastical twist into much more profound philosophical territory. An arduous trek for validation to all that we consider hallow and priceless. A search for individual definition and a unanimous understanding of our universe, both spiritually and scientifically.

Looking through a lens of such broad, unfathomable depth, it feels down-right irresponsible to define “I Origins” by the placement of this witty, otherwise utterly precise homophone, but if the contact fits… Regardless, I’m sure this relative synopsis of “I Origins” will only further discourage those intimidated by the sheer magnitude of what Cahill proposed with “Another Earth,” from ever seeing it. You know, alternate universes, tears in the very fabric of space and what not. If these topics flabbergast and frighten you, what’s beyond will surely send you into fits of cardiac-arrest, as I assure you the scale of “I Origins'” grasp couldn’t possibly reach any further.

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It’s difficult to break-down what Cahill is proposing with “I Origins” into manageable portions while trying simultaneously not to get caught up in their scope. I mean, we’re literally left to decipher the direction of our compass as a conscious being. That being said, one can’t help but become transfixed by what’s on display here. The science of it all is enough on its own to discombobulate and overwhelm, like a virus. And that’s a mere superficial blemish compared to where “I Origins” delves. A place where belief and fact collide like charged particles in an acceloator. Leaving us aware of our predetermined doom, scattered about desperately searching for answers to unanswerable questions. Yet, perhaps what’s most engaging, conversely infuriating about “I Origins” is that it doesn’t exactly provide a formidable solution. However, much like the things we cling to for meaningless solace during our brief existence, it does act as a sedative, a distraction, a numbing agent.

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This war between religion and science is nothing new and as a result, predictably so, “I Origins” offers nothing imperative to its resolution. “I Origins” simply explores where either road will lead you. That said, one must invest genuinely to reap its benefits. If there’s been one thing consistent about Mike Cahill’s body of work it’s that the viewer must be willing, at any given moment, to entrust their experience entirely to Cahill and his vision. We might be asked to skip a few steps along the way, forgive the occasional absence of slight details or the probability of suspect coincidences. In the end however, our reward outweighs the risk.

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The performances aren’t imperative to a successful experience here. One can’t help but feel that “I Origins” would’ve been better off as a documentary rather than a romantic drama infused with frequently incomprehensible elements of sci-fi. But, each character does come off as believable, creating the right amount of sympathy and intrigue. Michael Pitt keeps getting stronger, Brit Marling is as entrancing as ever, Steven Yeun will have to settle for ‘Walking Dead’ fame at the moment, and Astrid Berges-Frisbey is surprisingly memorable. Most importantly though, it’s clear that each cast member understood the insignificance and subtlety that defined their respective characters. Yes, they’re to represent humanity, but buy and large, they’re a progressing agent.

Without question, “I Origins” is Mike Cahill’s most visually impressive picture to date. Where his previous efforts, such as “Another Earth” tackled the macro universe, “I Origins” is a veritable microscope. Cahill has really solidified his delicate touch and flaunts it. Some might find the visual contrasts too dissonant, ranging from cringe-worthy dismemberment to angelic symbolism, but there’s no denying the stimulation that accompanies it. Yet, perhaps the biggest surprise of Cahill’s latest is the musical accompaniment composed by Will Bates and Phil Mossman. A film that can barely keep grounded is lifted to even dizzier heights by a soundtrack of such epic proportions.

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I choose to believe that too much ambition is never a bad thing. I applaud Mike Cahill endlessly for the leaps of faith and fact he took to arrive at his fully formed vision and will never condemn him for exercising it. It’s a cloudy, often beautiful, yet oddly empty vision, but something to marvel nonetheless. Unfortunately, we live within the bounds of reality, so at its core, “I Origins” is mere assumptions and hypothesis. There’s a lot of material to digest split by merit and belief. Coincidentally, what this concoction of opposites accomplishes is a hollow victory. Easy on the eyes rather than thought-provoking fodder. However, it’s occasional spurts of brilliance rooted in research and passion makes “I Origins” noteworthy, watchable. Nevertheless, tackling the human eye’s ‘Irreducible Complexity’ head on is admirable no matter which way you slice it.

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I ORIGINS: 8 OUT OF 10

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About Joseph@thecinemamonster

Aspiring writer who absolutely adores film and television. thecinemamonster.com

Posted on August 13, 2014, in Science Fiction and tagged , , , , , , , , , . Bookmark the permalink. 12 Comments.

  1. HMMM – I know nothing about this movie but it’s from the team that did Another Earth??

  2. Spectacular review Joseph. Seems we’re about right on par as far as our appreciations of this one goes. Definitely a bold move here and not quite properly handled but man it gives some food for thought, doesn’t it?

  3. Mike Cahill is an interesting filmmaker. Haven’t seen this one yet, but I liked After Earth. I think he needs to be a tad wary of going over-board with the grandiose thought-provocations, but then you can’t fault someone for being ambitious and engaging. Excellent write-up Joseph!

    Adam.

    • Cahill is, without question, bold and inventive. Another Earth is phenomenal. This isn’t exactly up to speed and it does suffer from over-the-top intentions, but like you said, I won’t fault Cahill for being intelligent and courageous :). Thanks Adam. Hopefully you get to check this out soon!

  4. Great review, I enjoyed reading it! Cahill sounds like a director I’d be interested in catching up on his movies.

  5. Great to see another review of this – I wrote one recently, but haven’t noticed many bloggers having seen it.

    I actually scored it a 7.5 as well, for many of the same reasons. I loved the grand scope of the idea, but I also appreciated some of the more subtle human aspects that came from the characters themselves. I thought that using the human eye to symbolize the religion vs science argument was unique and clever, and even though a lot of people will scoff at it, for me it was a wonder.

    Nice review!

    • Hey, thanks very much :). Totally agree! I’m thinking about changing my rating to an 8. The more I think about it, the more I love it! I added your site to the blogroll and went over to read/comment on your review, hope you got it! You’re welcome back here anytime!

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