Outrageously hilarious, satisfyingly poignant, and spewing with talent. Knocked up is a fresh take on the odd-couple cliche with just enough raunchiness, growth, and sweetness to win over even the most skeptical or disgruntled viewer. While it may not be sending the best message on courtship. Knocked up is a romantic comedy that has adapted to the times and through all its mishaps and immaturity, ultimately does right by convention and emotion. Taking full advantage of its sleazy premise to subtly convey socio-political themes to an uninhibited generation. Knocked up has the ideal balance of comedy, romance, and relevance to be taken seriously by its viewers while still remaining vastly entertaining. Written and directed by prolific genre advocate and veteran Judd Apatow. Knocked Up is an obscure love-story about two unexpected parents dealing with the unpredictability of life.
Ben Stone (Rogen) is a laid-back slacker who lives off funds he received as compensation for an injury he suffered earlier in his life. He lives with several roommates and works on a porn website they all own and operate. Alison Scott (Heigl), an on-air reporter, lives in the pool house of her sister home. The two meet by chance at a club and spend a night together, which ends with them having sex. After some time has passed, Alison finds out she is pregnant and is persuaded by her mother to abort the baby. Upon deciding to keep the baby, Alison informs Ben of the situation and that he is the father. What follows is an unflinching look at relationships and life.
Even though some of Apatow’s overly stereotypical and decidedly vulgar humour may turn the occasional viewer off. The timing and circumstance in which these crude, at times foreseeable jokes are delivered is undeniably impeccable and results in out-loud fits of laughter. Aside from Apatow’s comedic preferences which is, without question an acquired taste. His ability to mask the simplicity and triviality of his characters predicaments is unrivalled. It would be easy to confuse the commonness of Knocked Up as weakness and label it unintelligent. Actually, it’s quite the contrary. Apatow’s clever, insightful story showcases his diverse range. It seems that he is always making something out of nothing. Whether it’s an awkwardly shy young adult shaving his nether regions or two intoxicated adults absorbing the night life, Apatow finds the silver lining.
Apart from the fact that Apatow’s most recent efforts haven’t been as strong as his earlier work. His scripts have always remained grounded and charming, and Knocked Up is no different. The follow-up to the massively successful, The 40 Year Old Virgin. Knocked Up never loses sight of its characters aspirations or history, no matter how bizarre and sociopathic they may be. Knocked Up is Apatow’s most complete, honest, and endearing effort to date. His quirky, intelligent, and heartfelt script really puts Knocked Up a notch above the rest. However, without the right cast to accompany such odd, complex roles beaming with hilarity and emotional depth. Knocked Up would become another meaningless entry into a genre that becomes less and less respected with each new, half-assed release. Thank heavens that this is not the case.
One of the most rewarding aspects of compiling a cast with history is never having to worry about chemistry. The majority of Knocked Up’s cast has previously worked together on earlier Apatow projects such as Freaks and Geeks and The 40 Year Old Virgin. Starring Seth Rogen, Katherine Heigl, Jason Segel, Paul Rudd, Leslie Mann, and Jonah Hill. Plus a slew of other big name stars. Knocked Up has arguably one of the most prominent and comedically talented casts to ever grace a romantic comedy. Side note, there is also a hilarious cameo from James Franco.
It was quite the surprise to see the range Rogen has in his repertoire, considering he doesn’t use it very often. For Knocked Up, Rogen, without question gives the most vulnerable, believable performance. Sporting a face ripe with the fear, love, and courage. Rogen perfectly captures the unsteady eagerness of a soon-to-be parent. As for Rogen’s co-star, Katherine Heigl. She offers a splendid rendition of an individualistic, tough feminist brought to the brink of her sanity. Pushing her body mentally and physically to the limit, Heigl gives a truly outstanding performance.
With an astounding script, lively performances, and strong direction. Knocked Up is a touching romantic comedy full of hilarity.
Knocked Up: 9 out of 10.
A weaker outing from the brilliant Judd Apatow. This is 40’s familiar (possibly overused) cast is not as effective this go around. Once again treading relevant waters. Apatow is known for his ability to keep his pictures heartfelt and grounded while still being able to evoke hilarity out of common situations. This time, the comedic twists, nor the emotion are as potent as his previous efforts. This “sort of” sequel to Knocked Up is “sort of” not near as entertaining. For all of this mouthing off, it actually wasn’t that bad. It still has more depth and laughs than any spoof or hackneyed comedy picture. But if it wasn’t for the performances of John Lithgow and Albert Brooks, I would have completely discarded this film. Also starring Apatow’s family, who’ve become quite frustrating as they’ve become more orbited as well as the always hilarious Paul Rudd. This is 40 has the potential but fails without consistency.
A few years after the events in Knocked Up. Pete and Debbie begin to struggle with their age and the needs of their two daughters as they continue to grow. While undertaking initiatives to better themselves physically and emotionally, Pete and Debbie begin to unearth buried tribulations. They decide to confront their parents about the neglected youth they suffered through and the financial problems surrounding the family. On top of that, Debbie and Pete become more involved in their own children’s lives which has, initially, a negative effect. While Pete and Debbie continue to learn as they go, unforeseen events begin to destroy their relationship.
You can obtain as many guest appearances from relevant celebrities you feel necessary. But unless you entwine them into the story with meaning, it becomes painfully apparent that it is just a ploy to keep the sinking afloat. With This is 40, the issues present, more than Apatow’s other chapters, seem to deal with problems outside the norm which renders its overall theme ineffective. The pop culture references and endless annoyances of youth don’t add any hilarity to the film. In fact, conversely it dwindles its intended broadness and damages its overall relevance. This Is 40 is Apatow’s most emotional picture to date, but the humour is faded and the connectivity is not as strong or as universal as in his previous films. While it may conjure up some big laughs, its overall tone and reliability suffers.
I couldn’t resist putting a picture of this in the review.
This Is 40: 6 out of 10.