Well, it might be only the third edition of The Guest List, but I think it’s already a huge success. It’s accomplished exactly what I had hope, introduced fellow film lovers to one another, spurred on some debate, and definitely stirred the pot. And I can already tell that this week’s edition featuring James from Mr. Rumsey’s Film Related Musings is only going to improve upon the segment. If you don’t know who James is or haven’t already followed/subscribed to his website, I highly recommend you do so right now. You’ll find some solid reviews, terrific articles, and a lovely segment entitled “Who’s That?” when you head on over. I promise, you won’t be disappointed!
Now, I have to get some administrative stuff out of the way. For those of you who have signed up for The Guest List segment, could you please post a comment below on when I can be expecting your article. I am very organized about my posting and would love to get a schedule going with this segment.
If you’d like to submit your very own top 10 to The Guest List, here’s how to do it! First, shoot me an e mail (email@example.com) with your name, website info (if you have one), and the topic you have chosen for your top 10. If I like what I see, I’ll give you the all clear and you can begin composing your entry. Make sure to include a descriptive, yet brief introduction and a picture or clip for every entry in your top 10. Use my own top 10s as references. Then, send it back to me and we will discuss a date of publish.
Also guys, please if you haven’t already, check out my TIFF 2013 reviews. I wouldn’t usually beg like this, but I worked extremely hard on them. It is totally worth your while, there are a bunch of films reviewed that haven’t even be released yet with plenty more write-ups to come. So head on over to a review or two by clicking on the picture under the sidebar entitled TIFF 2013.
Okay, now that the boring stuff is all taken care of, I am going to turn things over to James, enjoy!
Top 10 Films of the 2000s: by James
Thanks Joseph for allowing me to spread my opinions out across your blog here! This is my pick of the top ten films of the last decade. There are endless films which could have made it into here but didn’t, such as Oldboy, so feel free to criticise, praise, rant or rave at me and my choices in the comment section below! For now though, take a look at what I did pick out:
10: Spirited Away
This charming tale of a young girl who ends up in a mysterious place inhabited by gods and monsters is the only animated film to make it onto this list, and it truly deserves its place here. It’s some of the finest animated storytelling of all time, and a personal favourite to re-watch.
9: Battle Royale
Shockingly different to the previous entry; Battle Royale has kids killing each other off in all sorts of ways after being forced into a nightmarish situation. For its satirical commentary and also sheer entertaining spectacle Battle Royale makes it onto this list.
One of the first films that introduced me to Almodóvar, Volver quickly became one of my favourite films for it’s well handled and performed story of loss and redemption. If I said any more I would spoil it, but please do seek it out if you haven’t already seen it.
7: Kill Bill: Volume 1
I often describe the final third of this film as being perfect cinema; and anyone who listens long enough will hear me rant and rave about the use of colour and music, the well-handled action, and the enormous sense of fun that Tarantino seems to be having which then crosses on over to the audience. The rest of the film isn’t too far off this level of entertainment either, making Kill Bill an obvious entrant into my list here.
6: The Pianist
Adrien Brody is incredible here as he takes us through the destruction of the Warsaw ghetto. This isn’t an easy or an uplifting watch, but it’s certainly one that lingers in your mind for a long time after the credits roll.
This is one stunning film. The focus on the splendour of the visuals may not be for everyone, but Hero really deserves more praise than it often gets. It is not a fast paced action film; rather it’s an exploration of movement.
4: City of God
Now this is where the list becomes really tricky, I can play around with the ordering of these last four movies endlessly and quite happily put any four of them in first place. City of God is a tale of violence set in Rio de Janeiro and is essential viewing if you haven’t already seen it. The directing style and rawness to the film makes it a pretty special watch.
3: No Country for Old Men
Javier Bardem is an unforgettable presence in what is arguably the Cohen brothers’ best film, and yet its success is not all down to those three. Josh Brolin, Tommy Lee Jones and Kelly Macdonald all contribute fantastic work and collectively make this one of the best and most important films of the decade.
2: Lost in Translation
My personal favourite out of all the films on this list, or in this decade, Lost in Translation is the deceptively simple story of two people who meet in Tokyo and form a relationship that’s more meaningful than they could have previously imagined. It features excellent performances by both Bill Murray and Scarlett Johansson, who have brought characters to life here that I have grown far too attached to and fond of. This is easily one of my absolute favourite films.
I know of no other film which so confidently, nor so successfully breaks itself apart and exposes itself. This is unquestionably a fantastically handled film that is about film; it’s about itself, the creation of itself and then the evolution of itself. Not only is it incredibly clever though, it doesn’t come across as pretentious but is instead warm hearted, funny and occasionally touching with great performances given by Nicholas Cage, Meryl Streep and Chris Cooper. I cannot recommend Adaptation enough.
What an outstanding list. A BIG thank you to James for contributing his list this week. Remember, check out the criteria for submitting your own list above. Have a great weekend!
We are now less than two weeks away from when the Toronto International Film Festival tickets go on sale to the public and a mere 16 days away from the start of the actual festivities. On Tuesday morning, another slew of films were announced along with the schedule itself and a long list of celebrities set to attend the festival. I don’t know about you, but the anticipation is overwhelming me. I suppose the nervousness and excitement will dissipate somewhat when I actually know what screenings I will be attending, or it could skyrocket even higher. Either way, this is shaping up to be one hell of a festival!
Now, for those attending, or those simply who’d like to know what’s going on and when, you can find the full schedule by clicking here.
FInal Film List and Programmes:
If you’d like to know what films are playing at the festival, you can click here for the entire list or click the TIFF button in the main menu at the top of this page. You can also find all the programmes offered by the festival by clicking here. Essentially, all films screening at the festival are divided into groups for attendees to better understand what type of genre and themes the film will contain.
Perhaps the most exciting news released Tuesday morning was the endless list of celebrities ready to attend the festival. Amongst the names are Benedict Cumberbatch, Meryl Streep, Rebecca Hall, Josh Broliin, Alan RIckman, Clive Owen, Kate Winslet, Jennifer Aniston, Mark Ruffalo, Elizabeth Olsen, Scarlett Johansson, Hugh Jackman, Tom Hiddleston, Joseph Gordon-Levitt, Nicholas Cage, Jennifer Garner, Joel Edgerton, Ben Foster, Anton Yelchin, Liam Neeson, James McAvoy, Nicole Kidman, Felicity Jones, Ed Harris, Spike Jonze, Melissa George, Paul Giamatti, Idris Elba, Chiwetel Ejiofor, Sarah Gadon, Colin Firth, Michael Fassbender, Jesse Eisenberg, Sandra Bullock, Chris Hemsworth, Mila Kunis, Jessica Chastain, Jake Gyllenhaal, Ralph Fiennes, Jude Law, Tom Wilkinson, Mia Waikowska, Owen Wilson, Steve McQueen, Jason Reitman, Keanu Reeves, Keira Knightley, Matthew McConaughey, Ti West, Eli Roth, Daniel Radcliffe, Julia Roberts, Reese Witherspoon, Sarah Paulson, Oliva Wilde, Mike Myers, James Franco, Adrien Brody, Marion Cotillard, and Thandie Newton, just to name what I feel to be the most important. And honestly, I couldn’t type any more names. There is a bunch more on the list you can find here. Also, these are just the people confirmed thus far, it is expected that the likes of George Clooney and Brad Pitt, amongst others will be attending.
Jason Reitman’s Live Read:
You can find all the information below, provided by the TIFF website.
The Festival proudly welcomes back Jason Reitman’s Live Read — a unique event in which classic movie scripts are read by contemporary actors. With no rehearsal, the actors come together for a one-take read-through with Reitman narrating stage direction. In 2012, the Festival welcomed Reitman and an all-star cast — including Bryan Cranston, Christina Hendricks, Adam Driver, Sarah Gadon and George Stroumboulopoulos — for a live table read of Alan Ball’s screenplay for American Beauty. This year, Reitman is back with a surprise script from a modern classic and a new cast at the Ryerson Theatre on Friday, September 6. Details, including cast and script, for the 2013 Live Read event will be announced in early September.
New this year, audiences are invited to be part of the action with two official Festival selections and two special screenings presented in spectacular IMAX. The two films will be Alfonso Cuaron’s “Gravity” and Keanu Reeves “Man of Tai Chi.”
Next Wave and Manifesto Announced:
You can find another plethora of titles announced by clicking here.
New Galas and Special Presentations:
Metallica Through the Never: Nimród Antal, Canada/USA, World Premiere
Dane DeHaan (The Place Beyond the Pines) stars as a Metallica roadie dispatched to hell and back in this mind-blowing mash-up of concert film and post-apocalyptic adventure, presented in IMAX 3D.
The Wizard of Oz: Victor Fleming, USA, World Premiere
Experience Judy Garland’s over-the-rainbow adventure in vivid new detail with this IMAX 3D presentation of Victor Fleming’s family classic.
10th Midnight Madness Film Unveiled:
Witching & Bitching:
Fleeing through the impenetrable forests of the Basque countryside after a jewel heist, a hapless band of robbers runs afoul of a coven of witches, in this madcap supernatural spectacle from Spanish genre specialist Alex de la Iglesia (The Last Circus).
Okay then, that’ll do it for the pre-TIFF announcements. The Cinema Monster will be covering the festival in full, providing reviews, news, and Q and A’s as often as possible, make sure to follow our website to keep up with the festival. Also, follow The Cinema Monster on Twitter (@cinema_monster) and Facebook for up-to-the-minute news and posts, not to mention special pictures and videos provided by me from the screenings. Have a great week!
Leaving a lot for the imagination to ponder and envy. Woody Allen’s clever, insightful, magical Midnight in Paris is what fantasies are made of. Full of inspiration and romance, Allen returns to top form with this gem. Venturing through time, showcasing the who’s who in arts and literature, Midnight in Paris is an enjoyable history lesson. Garnering four Oscar nominations in 2012 and earning a victory for best original screenplay, Midnight in Paris is ripe with invention and individuality. Reviving the likes of Earnest Hemingway, F. Scott Fitzgerald, and T. S. Elliot, amongst other countless, unrivalled talents. Midnight in Paris is a writers wet dream. Leading the way through the wormhole is Owen Wilson who is supported by the beautiful and talented Rachel McAdams. Midnight in Paris also features terrific supporting performances from Michael Sheen, Tom Hiddleston, Adrien Brody, and the effervescent Marion Cotillard. Directed and written by the aforementioned Woody Allen, Midnight in Paris’s hallowed glow emits a calming, entrancing warmth.
Gil (Wilson) and Inez (McAdams) tag-along on their parents business trip to Paris. Gil, who is a successful writer in Hollywood would like to make a change and begin writing novels. At first glance, he falls in love with Paris and insists he and Inez move their permanently. Inez does not agree with Gil’s infatuation with Paris or his notion that the 1920’s is the golden age. Gil is left alone for the night when Inez goes dancing with her friends. Gil decides to take a walk through Paris at midnight hoping it will spark his imagination. When the unthinkable happens, Gil is transported into a world filled with his wildest fantasies. This might be the break Gil is looking for, but it also might destroy his relationship with Inez.
Allen’s satirical, ironic twists on the rom-com genre have never been more intoxicating. Blending the feverish, impulsive, hopeless romance and the disheartening reality of its lowering priority level amongst our social and political commercialism is ingenious. Allen hasn’t conceived a story this idealistic and unique since his 2008 release of Vicky Christina Barcelona. In that span of three years, he released two films, both misses. However, all is forgiven and forgotten with Midnight in Paris. I’ll contently digest the bad in order to obtain the good, and this good is an acquired and particular taste. Midnight in Paris’s easygoing, eccentric, fruitful completeness is a pleasant sedative that lulls the viewer into the bewildering perplexity of cinemas intended stupefaction.
Midnight in Paris might cater to a certain level of expectancy, which might be off putting to some. It is fully plausible to understand how one might find Midnight in Paris presumptuous and founded upon pretentiousness. On the contrary, it has no intention of condescending to any viewer. A facet of Allen’s brilliance is the simplicity in Midnight in Paris. There is no overcompensation or unnecessary explanation for the time travelling aspect and as a viewer, among many, there is no need or desire to question the implication. Midnight in Paris is enjoyable and easily comprehended, regardless of a factual explanation. All the tools needed to connect with Midnight in Paris are traits of the human body. Laugh, weep, or spite, Midnight in Paris is one of the easiest films to adore that you’ll ever come by.
To my surprise, Owen Wilson did not earn an acting nomination at the 2012 Oscars for his role in Midnight in Paris. His performance is distinguished by the subtlety of his comedic indifference radiating from slight body movements and facial expressions. This is the most effective Owen Wilson has been since 2007’s The Darjeeling Limited, possibly even further back to 2005 with Wedding Crashers. In a surprising change of pace, McAdams undertakes the role of a villain in Midnight in Paris, or maybe that’s just my interpretation. However, coming from me, someone who’s bordering adoration for McAdams is teetering towards obsession, to say that she’s the antagonist, it must be a powerful performance. Finally, Cotillard continues her North American domination with another outstanding effort. In the film, she is the reason we search for love. To sit here and nitpick the impeccable supporting performances from Hiddleston, Brody, Sheen, and Kathy Bates seems pointless. It’s hard to argue perfection when it is only on display for minutes at a time. Take their track records and my word for it, they’re terrific.
In conclusion, just to be clear, I was joking about my McAdams obsession. I simply enjoy her films and performances, as well as think about her night and day…kidding. Midnight in Paris has the comedy and emotion to back up its boastful endeavours and melancholic moments.
Midnight in Paris: 8.5 out of 10.