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Inception (2010)

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Outlandishly complex, visually mesmerizing, and action-packed. “Inception” is an intelligent blockbuster that bursts forth from the screen with all the spectacle and wonder that makes cinema so riveting. With infinite staying-power fortified by unlimited ingenuity, an empathetic human element, and dynamism. “Inception” is easily one of the best science fiction films to ever be released, if not the best. Written and directed by the distinguished Christopher Nolan. “Inception” is a brilliant addition to his already stellar collection of highly memorable films and adds another layer of superlativeness to his stern and bright reputation. Completed by an all-star cast and an absolutely epic score from the incredibly talented Hans Zimmer. “Inception” is an unparalleled cinematic experience and regardless of its intricate story or the grandness of its heart-stopping scale, should stand the test of time (no pun intended).

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Dominic Cobb (DiCaprio) is a skilled thief who is somewhat of a master when it comes to the artistic science of extraction. Simply put, Dom can be inserted into anyones dreams and steal their most valuable secrets and information. After a failed job, Dom and his partner Arthur (Levitt) are hired by Saito (Ken Watanabe), the original target, to convince a rival company’s owner to disband his inheritance. This tactic is officially known as inception. Upon recruiting Eames (Hardy), Ariadne (Page), and a few others, the group begins plotting against their target, Robert Fischer (Murphy), unaware that Dominic is hiding a dark and possibly dangerous secret about his late wife Mal (Cotillard).

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Once again Nolan is able to top his previous efforts with a completely unique and bewildering idea presented with his usual flare and style. Evidently, more than a few like to poke fun at “Inception” claiming its premise as idiotic, amongst other aspects they feel to be miscalculated. Nonetheless, Nolan’s ability to transcend and harness the abstract remains unrivalled and is a much needed jump-start for the currently unbalanced film industry. While the path he has carved for cinema might not be for everyone. Cinephiles and critics universally agree that Nolan is a mind like no other. Arguably the most successful, forward-thinking, genius working in film as of the moment. Nolan always pushes the envelope and upon assisting in the much needed reboot of the Superman franchise, it appears the sky’s the limit for this one of a kind filmmaker, but I digress, back to “Inception.”

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Very rarely does a film come along that proves to be a game-changer, and in every sense, “Inception” is one of these films. Whether it is the folding over of an entire city, mind-churning paradoxes, or astoundingly choreographed action sequences, “Inception” is deliciously appealing. Granted, a majority of these magical, majestic, delectable scenes take place in a fantastical realm. However it doesn’t degrade the sheer intellect, talent, and innovation infused into every single one of these miraculous scenes. And while the production value and intricacy of these aspects is enough for them to stand on their own. What truly puts “Inception” at another level is the brains that accompany the brawn. Equally matched intellectually and visually, “Inception” is its own excellent contrast. The mind and eyes receive quite the workout, yet, never has a strenuous effort felt so euphoric.

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Talk about easy on the eyes. “Inception” has the outwardly striking, abundantly accomplished, and utterly skilled cast to assist in the completing of this masterpiece. Starring the likes of Leonardo DiCaprio, Tom Hardy, Joseph Gordon-Levitt, Ellen Page, Cillian Murphy, Marion Cottilard, and Michael Cane, amongst other proficient personnel . “Inception” is undoubtedly the full package with an ensemble that knows no weakness.

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Many will deny it having seen a few of these stars in previous films, but “Inception” officially launched Tom Hardy, Joseph Gordon-Levitt, and Cillian Murphy into the mainstream. Each give a humorous and heartfelt performance that instantly made them crowd favourites. Cottilard and Page do an outstanding job grounding this flick, adding a much needed emotional element to this larger-than-life picture. What can one say about Leonardo DiCaprio, he always makes it look so effortless, and I wouldn’t have it any other way. Finally, to quote the great Mr. Nolan, “it’s always good to have a little Michael Caine in your film.”

Literally appealing to every sense, “Inception” is not to be missed by anyone in existence, cinephile or not…and how about that ending?

Inception: 9 out of 10.

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The Dark Knight Rises (2012)

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Where to begin with a film that is so entrancing and cataclysmic it sets off air raid sirens to everyone of its viewers senses. Christopher Nolan once again manages to spawn a villain more loveable than the superhero. As destructive and necessary his evil may be, Bane has a method to his madness and somehow this insanity is acceptable and cheer worthy. The scale of the entire film is stupefying and the entire ensemble is out of this world. Literally featuring one of the greatest casts ever assembled. Leading The Dark Knight Rises is Christian Bale, Anne Hathaway, Michael Caine, Tom Hardy, Gary Oldman, Marion Cotillard, Morgan Freeman, and Joseph Gordon Levitt. Directed by the previously mentioned Christopher Nolan or otherwise known as the series saviour. The Dark Knight trilogy’s beginnings may have grown from a simple comic book, but what the cast and crew have done is not that of the imagination from a few colourful pages. The trilogy has shattered stereotypes and the box office, redefined a genre, and set the bar for every comic book film to follow.

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Eight years after the events in The Dark Knight, Bruce Wayne (Bale) is a recluse trying to recover mentally and physically from his arduous battles for Gotham. At the anniversary party of Harvey Dent’s death at Bruce’s manor, a seemingly normal maid steals from Mr. Wayne’s safe and proves elusive in his attempts to capture her. Bruce later finds out that this thief is career burglar Selina Kyle (Hathaway), however he is unaware that she is the least of his problems. Commissioner Gordon (Oldman) and a hot headed cop named Blake (Levitt) out on a call run into trouble. The commissioner is taken captive by the evil force named Bane (Hardy). While dealing with his financial problems with Mr. Fox (Freeman) and Miranda Tate (Cotillard), his return to the world, and the absence of Alfred (Caine), Bruce Wayne now must deal with the terrorist, Bane.

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One would have figured it safe to assume that it would be impossible for The Dark Knight’s follow up to compete, so most would watch The Dark Knight Rises with low standards. When in actuality the bar along with our expectations should have continued to rise (no pun intended). Yes Heath Ledger’s performance was delightfully mad and morally impartial, but he wasn’t the only aspect of that great cinematic achievement. Regardless of his tragic death, would the story have continued with the Joker? Calculating the way Nolan and his crew function, I think it’s a safe bet that they would have gone in a new direction. Therefore, for any of those who dismissed the sequel without giving it a chance or those not respecting Nolan and cast. it is your loss. The Dark Knight Rises, one of the best films of all time, let alone 2012 is an electric and stirring thrill ride that is deserving of our praise, its runtime, and to hold the Batman legacy for eternity.

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The Dark Knight Rises: 9 out of 10.

The Prestige (2006)

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If you’re looking for a film that keeps you guessing, is full of tricks, and will leave you infatuated with its characters till the very end, The Prestige just might be for you. In my opinion, The Prestige is Christopher Nolan’s best and most complete film. Written by Christopher and his brother Jonathan, The Prestige is the ultimate magic trick that keeps on giving, viewing after viewing. Christian Bale (Batman Begins) leads a superb cast that includes: Hugh Jackman (X-Men), Scarlett Johansson (Lost in Translation), Michael Caine (Children of Men), and Andy Serkis (Lord of the Rings). With its nonstop twists and a script that never undermines the audiences intelligence, The Prestige is full of sacrifice, guilt, and struggle. With Nolan behind the scenes and a stellar cast up front, The Prestige is not to be missed.

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Nearing the end of the nineteenth century in London, Angier (Jackman) and Borden (Bale) are a couple of stagehands for a friend while learning some tricks as both are upcoming magicians. One night during a routine performance, Angier’s wife dies and he places the blame on Borden. Angier and Borden continue to work at their craft as enemies and competitive rivals. As both come into their own, fame begins to bestow itself upon them. Their competitions become more violent and elaborate while both attempt to sabotage the others career. When Borden perfects and begins to perform the greatest trick the world has ever seen, Angier becomes obsessed with discovering the secret and will stop at nothing to obtain it.

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In the history of cinema, I don’t believe there has ever been a rivalry quite like this. Nolan has proven with every feature he has helmed that he is the creator of instant masterpieces and the mental kick the film industry has been waiting for. With the exception of Following (1998), Nolan’s full length feature debut, The Prestige is possibly his most underrated piece. Christopher and Jonathan provide the foundation of anguish, loss, and loyalty through a clever screenplay adapted from the Christopher Priest novel of the same title. Nolan’s ability to control and manipulate his cast into the perfect tones, external movements, and emotions is unparalleled. Bale and Jackman steal the show as usual as they both hurdle head first down a mountain of regret and anger. Through a vicious competition they had no hand in starting, Caine and Johansson are remarkable as they try to decipher their loyalties and scramble to make the right decisions. The Prestige is intelligent, violent, and at times very disturbing, but is a definite must see.

The Prestige: 9 out of 10.

Just a quick note. As the blog has just been started, for now I will only be posting reviews of some of my personal favourites and lesser known pieces of film genius. Reviews for current and upcoming films will begin this weekend starting with Chan-wook Park’s Stoker.