I wasn’t really planning on posting a personal favourites list for 2013, but upon seeing the results of “Vote: Best of 2013” and how greatly they differed from my own, I felt it necessary to share with you all my favourite films from the past year. As for the results themselves, in which you all kindly contributed, they will be posted this Thursday, so keep an eye out for that. I’ll do my very best to keep this list short and sweet. You can find my full review for each film by clicking on the corresponding title, enjoy!
Earlier on, when this film was released, it was very much at the top of my list. However, as the year progressed and more highly-sought pictures caught my attention, Derek Cianfrance’s lovely epic just couldn’t hold on to a spot. That being said, I truly believe it has a significant amount of staying power and if any of the films listed ahead of it falter with time, “The Place Beyond the Pines” will surely make a jump into the top 10.
10: 12 Years a Slave:
Directed by skyrocketing genius Steve McQueen, creator of “Hunger” and “Shame.” “12 Years a Slave” depicts the unbelievable story of Solomon Northup, a free black man abducted and sold into slavery, where he stayed for twelve long years. Featuring a plethora of staggering performances, a tremendous musical score, and stunning, yet disturbing visuals. This flick is sure to be apart of cinema’s canon for a good, long while
9: The Hunt:
The only foreign film to make my top 10 is Thomas Vinterberg’s “The Hunt.” About a man struggling against the simplistic destruction of a rumour, this film is, without question, one of the most disturbing on the list. Starring the magnificent Mads Mikkelsen, “The Hunt” is a lock for best foreign feature this award season, for me at least.
8: All is Lost (review coming soon):
Having only become aware of this film in the recent months, its power and sheer brilliance knocked me off my feet. Following a man at sea who becomes shipwrecked and discombobulated, “All is Lost” is a magnificent triumph. Starring Robert Redford, and only him. What this film is able to achieve with limited cast, settings, and dialogue is miraculous.
7: American Hustle:
My placing of this film may surprise a few as “American Hustle” will undoubtedly be in many cinephiles top 5 films of the year. There isn’t much fault in this flick, the performances are superlative, the direction unparalleled, and its soundtrack timeless. That being said, the film’s shaky story led to its positioning here at number seven.
Up until about November, “Gravity” was very much in play to be in my top 5 films of the year. Unfortunately for Cuaron’s masterpiece however, a slew of infallible films came along and knocked it out of the top tier. Don’t be fooled though, this film is an unrivalled achievement and will be so for many years to come. The imagery, performances, and story are entrancing, not to mention the soothing musical score.
5: Drinking Buddies:
Okay, here is my shocker, went off the board with this one. All kidding aside however, the truth is “Drinking Buddies” is a masterful character study and one of the most honest, authentic, heartbreaking films you will ever witness. Featuring fantastic performances from the entire cast, Joe Swanberg’s “Drinking Buddies” managed to surprise everyone, me included, and force its way into my top 5.
Being a former musician, I can really sympathize with the lead in the Coen brothers masterpiece, “Inside Llewyn Davis.” Tossing that aside, this film is still a towering experience and undoubtedly finds itself amongst the Coen brothers best. Featuring outstanding performances and the best soundtrack of the year, “Inside Llewyn Davis” makes the list without question.
For a little while there, I thought “Her” was going to be number 1 on my list. Carrying the most original story, a breathtaking script, and spectacular performances, Spike Jonze really outdid himself with this one. People will be talking about “Her” long after the film has ended, perhaps even after humankind has ended…
Jeff Nichols “Mud” is a modern-day fable. Conveying a harsh lesson about growing up and love, this impeccable tale starring Matthew McConaughey and Tye Sheridan is my runner-up.
Scorsese and DiCaprio, enough said…no, not enough? How about Jonah Hill and stunner Margot Robbie? This flick is absolutely crazy in every sense. I didn’t hesitate for one-second putting “The Wolf of Wall Street” at the top of this list.
An unflinching look into a faltering marriage as it evolved from a chance encounter. Blue Valentine doesn’t shy away from the tribulations and although at times it may be difficult to watch, there is no arguing with the authenticity on display here. Featuring a pair of unprecedented performances of unbearable depth and astounding accuracy from its two leads. Blue Valentine is a veritable gaze into the consequences of young love and other uncontrollable emotions. Directed and written by breakthrough visionary Derek Cianfrance. This uncompromising, atypical fairytale is both heartbreaking and enlightening. Blue Valentine is as potent and persuasive as they come and should be viewed with caution. Consider your current emotional state, Blue Valentine should not be taken lightly or inconsiderately trifled with.
Dean (Gosling) is a high school dropout currently working for a New York City moving company. Cindy (Williams) is a pre-med student living at home with her parents and grandmother. Upon meeting by change, both fall in love with one another immediately. Cindy soon discovers she is pregnant and there is a distinct possibility it is from a previously relationship. Regardless, Cindy and Dean rush into marriage. Fast forwarding roughly five years, we now see the evolution of their relationship, their struggles, and the growth of their daughter. Dean currently works as a painter while Cindy is a nurse. As their lives continue to progress, the more they distance from one another and begin to crumble under their youthful, reckless decisions.
Despite a staggering amount of sadness and sacrifice. At times, Blue Valentine is equally as pleasant and rewarding. Trying not to weigh the viewer down with a significant amount of melancholy that is relentlessly constant, as well as boasting a pair of portrayals that are strong enough to bring its viewers to tears. Blue Valentine never loses direction and always keeps its heart beating for all the right reasons. While most films would falter under the restriction of having only two characters carry the story throughout, Blue Valentine always keeps its content fresh and progressive. Cianfrance provides a grounded, realistic entry into a genre that seems to continuously, albeit unsuccessfully shoot for sky and easily lose sight of what really matters, thankfully Blue Valentine is not the norm.
Cianfrance’s direction is near impossible to critique. When you’re able to snag a harrowing tale of utter sadness and regret, let alone a few moments through a lens, you’ve hit your stride. Cianfrance pulls double duty in Blue Valentine as he also scribes the screenplay. The main reason why Blue Valentine succeeds is its faultless attention to detail. This is directly related to Cianfrance’s outstanding script and heart-bursting direction.
However powerful and poignant Cianfrance’s script and direction may be, Blue Valentine would be lost without its two leads. Starring Ryan Gosling and Michelle Williams as inwardly star-crossed lovers on the verge of catastrophe, Blue Valentine makes the most of its stars remarkable chemistry. Not only undergoing significant changes to their personalities and characteristics. Gosling and Williams outward appearances are shifted to accommodate their roles exhausting demands. While it may not always be pretty to look at. Gosling and Williams construct a formidable, more importantly believable relationship that isn’t your typical “happily ever after.” Gosling beautiful acts the growing frustration in reaction to Williams indifference of their relationship. In summary, It is exceedingly difficult to review their performances separate from one another because they are so connected.
Never hiding the foundations weaknesses and cracks or the fading sparks. Blue Valentine is a realistic romance that will render your insides torn and eyes far from dry.
Blue Valentine: 8 out of 10.
C’mon guys, we all know the truth. As cinephiles, we are apart of a very select group that don’t joke around about movies, unless they’re directed by Michael Bay. The sad truth is that not everyone is as inclined to obsess over cinema as we are. At times they can’t differentiate what is a truly good film and which is bad. After recently speaking to people I know at random about the film industry, I realized that not a lot of people are familiar with the actors on screen, let alone the people behind the camera. This list is for all of you out there who have better things to do than compile a cinematic top 10, essentially those who have a life, unlike me.
This list isn’t about household names like Martin Scorsese or Steven Spielberg. This list is about the up and comers, those who’ve solidified a base for themselves and that we look forward to seeing add and build on top of it. Again, as always this is my personal list, not the opinion of the general public. So, let’s get started.
10: James Wan.
Why you should know him: Saw (2004) and Insidious (2010).
What to expect from him: The Conjuring (2013) and Insidious: Chapter 2 (2013).
9: Ben Wheatley.
Why you should know him: Sightseers (2012) and Kill List (2011).
What to expect from him: A Field in England (2013).
8: Rian Johnson.
Why you should know him: Looper (2012).
What to expect from him: Nothing in the works as of the moment.
7: Joss Whedon.
Why you should know him. The Avengers (2012) and Much Ado About Nothing (2012).
What to expect from him: The Avengers 2 (2015).
6: Edgar Wright.
Why you should know him: Shaun of the Dead (2004) and Hot Fuzz (2007).
What to expect from him: The World’s End (2013) and Ant-Man (2015).
5: Derek Cianfrance.
Why you should know him: Blue Valentine (2010) and The Place Beyond the Pines (2012).
What to expect from him: Nothing scheduled as of the moment.
4: Duncan Jones.
Why you should know him: Moon (2009) and Source Code (2011).
What to expect from him: Warcraft (2015).
3: Nicolas Winding Refn.
Why you should know him: Bronson (2008) and Drive (2011).
What to expect from him: Only God Forgives (2013).
2: Steve McQueen.
Why you should know him: Hunger (2008) and Shame (2011).
What to expect from him: Twelve Years a Slave (2013).
1: Jeff Nichols.
Why you should know him: Shotgun Stories (2007) and Take Shelter (2011).
What to expect from him: Mud (2012-2013).
If you feel that I’ve overlooked someone or have an issue with the top 10 feel free to comment below. Actually if you have anything to say comment below. Have a good weekend :).
Deceptively intricate and performed infallibly. Derek Cianfrance’s The Place Beyond the Pines is morally sound and inevitably cyclic. Encompassing a complex set of circumstances marred by incalculable chaos. The Place Beyond the Pines is irrefutable evidence that history is inescapable. Now, whether or not we chose to look upon this unavoidable repetition as beneficial, dooming, or simply as fate itself, is entirely subjected to the nature and nurture of our upbringing to the very present moment we have watched this film. Cianfrance has laid out multiple paths that we are allowed to tread along. The decision however, lies within our beliefs, karmic standpoint, and stance on true freedom. Featuring an all star cast that includes, Ryan Gosling, Ben Mendelsohn, Bruce Greenwood, Bradley Cooper, Rose Bryne, Ray Liotta, Dane DeHaan, and Eva Mendes. Cianfrance’s The Place Beyond the Pines is a highly philosophical, towering achievement in understanding the makings of a generation fuelled by loss, regret, and deprivation.
Luke (Gosling) is a talented and mischievous motorcycle stuntman who travels with a carnival, currently stopped in Schenectady, New York. Luke is trying to reconnect with his past lover named Romina (Mendes). Romina secretly gave birth to Luke’s son and neglected to tell him as he was travelling with the carnival for the past year. In order to provide for his new baby and Romina, Luke quits the carnival and commits a series of bank robberies with his friend Robin (Mendelsohn). As Luke continues to raise the stakes, the more heat he is under. After a robbery, Luke is confronted with a chase to escape the clutches of a persistent police officer named Avery Cross (Cooper). Avery is confronted with his own tribulations as he soon realizes his police force is ripe with corruption and his marriage to Jennifer (Byrne) is faltering. Fifteen years down the road, Luke and Avery’s paths continue to cross.
It is excessively challenging to navigate a film with several, individual story lines. When stitching together a film as complex as Cianfrance’s The Place Beyond the Pines, you run the risk of overbearing the audience. The multiple motivations, principles, and circumstantial elements the viewer needs to consider while deciphering impressions could very well prove too disproportionate. However, with The Place Beyond the Pines, this is not the case. Cianfrance’s ability to extract only what is essential from his cast and divide the disarray into manageable portions is a harrowing achievement. For a film that is packed with calamity and discord, there is never a feeling of disorganization. You’ll never have the urge to scramble. You’ll create a complete, unhampered opinion of the characters.
A rather unexpected fault I originally found with this film is the indifference I felt towards Bradley Cooper’s character. Then, after some time had passed, I came to the conclusion that it was and is the way I am supposed to feel towards him. It was alarming at first because of the compassion and sympathy I was able to emit for Ryan Gosling’s character. When looked at comparatively, Gosling and Cooper play relatively the same role, the only difference is they’re at opposite ends of the moral chain. Both have made grave errors in their time, do whatever is necessary to keep themselves alive, and relentlessly provide for their families. Now, some will undoubtedly share similar opinions to my own and some will relate to Cooper more earnestly then Gosling. The point is that their isn’t an issue with who’ve you found favour in.
In a similar fashion, the viewer will be polarized by Gosling’s son and Cooper’s. I generally felt a deep hatred for Cooper’s son for not respecting the opportunities and benefits he has in front of him. Conversely, Gosling’s son was very loyal and charged with an ambitious, thirsty energy. So I full heartedly despised Cooper’s son for his idiotic behaviour and not relishing what he has available to him. I’m supposed to be summarizing the casts performances, gotten a bit sidetracked. I suppose I am reviewing subconsciously and that this personal dissection is probably the best way to influence your opinion regarding this film.
In comparison to Gosling, Cooper did not measure up. For his segment, Cooper had arguably been set up for disappointment. Following up a masterful performance is never easy. However, having one of your top actors be slightly over performed by another is a great problem to have. Ben Mendelsohn has slowly creeped his way to becoming one of my favourite actors currently active. His performances in The Dark Knight Rises, Killing Them Softly, and now The Place Beyond the Pines are staggering. It seems with each outing he becomes more confident and orbited. Another actor who has had a terrific rise is Dane DeHaan. After contributing to the misunderstood Lawless and surprising Chronicle, DeHaan certainly left his mark in The Place Beyond the Pines. Rose Byrne continues to prove why she is one of the hottest actresses in cinema today. A heartbreaking performance alongside a disgruntled Cooper is no easy feat. In their limited time, Bruce Greenwood and Ray Liotta wielded their experience in spectacular fashion. It’s remarkable how Liotta can just stare at you and its almost enough to make you wet yourself in fear. In a film littered with outstanding performances, Eva Mendes is passable. Now, it isn’t as recognizable because the viewer is focused in on everything thats going on. But, this was a supreme opportunity for her to prove herself alongside these acting heavyweights and she didn’t fully grasp the chance.
Besides an impeccable effort in controlling the vast and multifaceted stories in The Place Beyond the Pines. Cianfrance infuses an enthralling atmosphere to a suggestive and emotionally dark film. With an invested and talented cast, an unprecedented script, and a director brave enough to undertake it. The Place Beyond the Pines is a rare blend of bravery, sacrifice, and judgement.
The Place Beyond the Pines: 9 out of 10.
To make the directive of this list clear. The films contained are what myself and cinema2033 believe to be the best hopes for cinema in 2013. Again, these are our preferential films, not that of the general viewing public. We are simply predicting what we think will be our favourite or preferred films of the year. We will be creating a separate list with what we believe to be the most anticipated films of 2013. That list will be our perceived notions from discussing and judging the amount of publicity, budget, and overall excitement of the general public. Without further delay, Enjoy another chapter of our top 10 series.
Let’s begin this list with the honourable mentions. Stoker, A Single Shot, The Look of Love, American Hustle, Don Jon, Ain’t Them Bodies Saints, The Fifth Estate, Out of the Furnace, Kill Your Darlings, and Before Midnight. We would also like to insert Terrence Malick’s 2013 film, even though its cast, story, and release date are kind of up in the air at the moment.
10: Inside Llewyn Davis. Directed and written by the Coen brothers and starring Carey Mulligan, Oscar Isaac, Garrett Hedlund, and John Goodman. Inside Llewyn Davis is sure to be another Coen brother smash.
9: Mud. Written and Directed by Jeff Nichols, the mind behind Shotgun Stories and the hauntingly epic Take Shelter. Mud stars Matthew McConaughey, Reese Witherspoon, and Michael Shannon.
8: Trance. The new film from the brilliant Danny Boyle. Trance is a mind-bending thrill ride featuring outstanding performances from James McAvoy and Vincent Cassel.
7: The Counselor. Based on Cormac McCarthy’s incredible novel and helmed by none other than Ridley Scott. With its outstanding cast that features Brad Pitt, Michael Fassbender, and Javier Bardem. The Counselor is ripe with genius and ready for viewing.
6: The Place Beyond the Pines. Directed by Derek Cianfrance and starring Ryan Gosling, Bradley Cooper, Rose Byrne, and Ben Mendelsohn. The Place Beyond the Pines is an intricate gem.
5: The Way, Way Back. What seems to be an endearing coming of age romantic comedy. The Way, Way Back looks to have another outstanding performance from Sam Rockwell and an unusual role for Steve Carrell.
4: Nymphomaniac. Directed by the creative and controversial Lars von Trier. Nymphomaniac appears to be a fresh take on sexual addiction with Shia LaBeouf, Charlotte Gainsbourg, and Stellan Skarsgard leading the way.
3: The Wolf of Wall Street. Directed by Martin Scorsese and starring Leonardo DiCaprio, need I say more?
2: Only God Forgives. The Duo of Gosling and Refn appear to be stealing the spotlight from Scorsese and DiCaprio, and rightfully so. This follow up to their 2011 hit Drive is one of the most anticipated releases of 2013.
1: Twelve Years a Slave. Steve McQueen, director of Hunger and Shame, teams up once again with Michael Fassbender for this mid-1800 slavery epic. Also starring Benedict Cumberbatch, Brad Pitt, and Scoot McNairy. Twelve Years a Slave has all the key facets to take top spot as our best film of 2013 predicted.
If you think we overlooked a film or made a grave error on our list, please comment below. Also, if you have recommendations for future top 10’s, don’t hesitate to let us know.