An old-fashioned tale of life, love, and loss set to the sunny and shadowy panoramic vistas of lovely Texas. This Terrence Malick flick…what’s that? It’s not a Terrence Malick film? But, I swear the imagery and structure are just like…okay, okay…but what about…okay! Never mind I believe you…why?…I just checked IMDB. Now, regardless of who directed it, “Ain’t Them Bodies Saints,” although overly traditional, even conventional to a fault is a remarkable reinvigoration of a classic, timeless story with universal motivations and rewards. It might be a little too lackadaisical for some and paced like a leisurely stroll. Yet, whatever it lacks in pure thrills, it more than makes up for with stunning visuals, attractive characters, and mesmerizing dialogue. It’s acted with a ton of heart and has plenty of staying-power to offer. While it wasn’t directed by the master of art-house Terrence Malick, it has all his signature trademarks and signals a promising career for director David Lowery.
How far would you be willing to go for a loved one? How much would you sacrifice for them? If any of these inquires and their periphery topics caught your attention, “Ain’t Them Bodies Saints” just might be for you. And if you know me, which you probably don’t, you’d know that the romance genre just happens to be my guilty pleasure. What can I say? I’m a hopeless romantic. Plus, you know, I am an aspiring writer, which pretty much means loving love is a necessary trait…but I digress. Now, if you’re thinking that these questions of love and devotion have been asked and explored so many times over that they’ve practically lost all meaning and don’t apply to you, this flick will definitely change your perspective. One might be able to resist the intoxication of romance on other, lesser, weakly enthusiastic occasions. But when the performances are this convincing and the setting so beautiful, it makes even the heartless get weak in the knees.
Director David Lowry’s “Ain’t Them Bodies Saints” really is quite something. An original, heartfelt take on the outlaw romance. Baring some similarities with a few of the best in this sub-genre’s canon like “Bonnie and Clyde” and Terrence Malick’s “Badlands,” which just happens to be one of my all time favourite films. Lowry’s unflinching, authentic look at a couple’s long, arduous road to reuniting is nothing short of hypnotizing and easy on the eyes, do in large part to his youthful, inventive style and endless talent. But make no mistake, it isn’t always a breeze to watch.
While not overly violent, minus a few exchanges of gunfire. The premise, the film’s characters and their collaborative progression through it to the finale is infuriating and disheartening, making “Ain’t Them Bodies Saints” difficult to stomach at times. In all honesty though, the complex emotions brought on by “Ain’t Them Bodies Saints” is astounding and very intriguing. And when it comes down to it, a small price to pay for such a thoroughly beautiful experience. Not to mention the original soundtrack, composed by Daniel Hart, which adds another transcendent layer to the delectable cinematic feast that is “Ain’t Them Bodies a Saints.”
What’s even more captivating is the invested, towering performances of the film’s three stars, Casey Affleck, Ben Foster, and Rooney Mara. If the staggering emotional depth and striking imagery doesn’t lure you in, this trio of underused and underrated talent is sure to do the trick. Mara and Affleck portray the couple who flee from the law until their introverted, romantic lifestyle is abruptly torn. Both do a phenomenal job exuding the love in their hearts and the pain it inevitably brings. Separately however, they are ruthless, strong independent sociopaths. As for Foster, who continues to stun in every role he chooses, gives another unprecedented portrayal. What’s quite perplexing and sort of ironic about the film is that Foster’s character is the most unprejudiced and passionate. Regardless though, the trio’s efforts here must be witnessed.
The performances and imagery more than make up for any faults one can find with the story. Add in some strong direction and “Ain’t Them a Bodies Saints” is a modern day “Bonnie and Clyde.”
Ain’t Them Bodies Saints: 8 out of 10.
We are now less than two weeks away from when the Toronto International Film Festival tickets go on sale to the public and a mere 16 days away from the start of the actual festivities. On Tuesday morning, another slew of films were announced along with the schedule itself and a long list of celebrities set to attend the festival. I don’t know about you, but the anticipation is overwhelming me. I suppose the nervousness and excitement will dissipate somewhat when I actually know what screenings I will be attending, or it could skyrocket even higher. Either way, this is shaping up to be one hell of a festival!
Now, for those attending, or those simply who’d like to know what’s going on and when, you can find the full schedule by clicking here.
FInal Film List and Programmes:
If you’d like to know what films are playing at the festival, you can click here for the entire list or click the TIFF button in the main menu at the top of this page. You can also find all the programmes offered by the festival by clicking here. Essentially, all films screening at the festival are divided into groups for attendees to better understand what type of genre and themes the film will contain.
Perhaps the most exciting news released Tuesday morning was the endless list of celebrities ready to attend the festival. Amongst the names are Benedict Cumberbatch, Meryl Streep, Rebecca Hall, Josh Broliin, Alan RIckman, Clive Owen, Kate Winslet, Jennifer Aniston, Mark Ruffalo, Elizabeth Olsen, Scarlett Johansson, Hugh Jackman, Tom Hiddleston, Joseph Gordon-Levitt, Nicholas Cage, Jennifer Garner, Joel Edgerton, Ben Foster, Anton Yelchin, Liam Neeson, James McAvoy, Nicole Kidman, Felicity Jones, Ed Harris, Spike Jonze, Melissa George, Paul Giamatti, Idris Elba, Chiwetel Ejiofor, Sarah Gadon, Colin Firth, Michael Fassbender, Jesse Eisenberg, Sandra Bullock, Chris Hemsworth, Mila Kunis, Jessica Chastain, Jake Gyllenhaal, Ralph Fiennes, Jude Law, Tom Wilkinson, Mia Waikowska, Owen Wilson, Steve McQueen, Jason Reitman, Keanu Reeves, Keira Knightley, Matthew McConaughey, Ti West, Eli Roth, Daniel Radcliffe, Julia Roberts, Reese Witherspoon, Sarah Paulson, Oliva Wilde, Mike Myers, James Franco, Adrien Brody, Marion Cotillard, and Thandie Newton, just to name what I feel to be the most important. And honestly, I couldn’t type any more names. There is a bunch more on the list you can find here. Also, these are just the people confirmed thus far, it is expected that the likes of George Clooney and Brad Pitt, amongst others will be attending.
Jason Reitman’s Live Read:
You can find all the information below, provided by the TIFF website.
The Festival proudly welcomes back Jason Reitman’s Live Read — a unique event in which classic movie scripts are read by contemporary actors. With no rehearsal, the actors come together for a one-take read-through with Reitman narrating stage direction. In 2012, the Festival welcomed Reitman and an all-star cast — including Bryan Cranston, Christina Hendricks, Adam Driver, Sarah Gadon and George Stroumboulopoulos — for a live table read of Alan Ball’s screenplay for American Beauty. This year, Reitman is back with a surprise script from a modern classic and a new cast at the Ryerson Theatre on Friday, September 6. Details, including cast and script, for the 2013 Live Read event will be announced in early September.
New this year, audiences are invited to be part of the action with two official Festival selections and two special screenings presented in spectacular IMAX. The two films will be Alfonso Cuaron’s “Gravity” and Keanu Reeves “Man of Tai Chi.”
Next Wave and Manifesto Announced:
You can find another plethora of titles announced by clicking here.
New Galas and Special Presentations:
Metallica Through the Never: Nimród Antal, Canada/USA, World Premiere
Dane DeHaan (The Place Beyond the Pines) stars as a Metallica roadie dispatched to hell and back in this mind-blowing mash-up of concert film and post-apocalyptic adventure, presented in IMAX 3D.
The Wizard of Oz: Victor Fleming, USA, World Premiere
Experience Judy Garland’s over-the-rainbow adventure in vivid new detail with this IMAX 3D presentation of Victor Fleming’s family classic.
10th Midnight Madness Film Unveiled:
Witching & Bitching:
Fleeing through the impenetrable forests of the Basque countryside after a jewel heist, a hapless band of robbers runs afoul of a coven of witches, in this madcap supernatural spectacle from Spanish genre specialist Alex de la Iglesia (The Last Circus).
Okay then, that’ll do it for the pre-TIFF announcements. The Cinema Monster will be covering the festival in full, providing reviews, news, and Q and A’s as often as possible, make sure to follow our website to keep up with the festival. Also, follow The Cinema Monster on Twitter (@cinema_monster) and Facebook for up-to-the-minute news and posts, not to mention special pictures and videos provided by me from the screenings. Have a great week!
Following up a revolutionary blockbuster such as “District 9” is no easy task. One that the director and writer of said film Neill Blomkamp was charged with completing. While his follow up “Elysium” might not be as avant-garde as its predecessor, it certainly doesn’t pull any punches. Granted, the story’s themes might feel a tad worn and the plot is occasionally dotted with structural and character cliches. Nonetheless, Blomkamp continues to dream big and it is this very trait which makes him so well respected and important in the filmmaking industry. Even though he still might need time to perfect capturing his immense ideals. The fact that he has continued the trend is a great sign for cinephiles. “Elysium” offers enough sci-fi thrills and ingenuity, in addition to a smart, albeit familiar socio-political message to blow summer audiences away.
In the year 2154, the wealthy have fled Earth to live on a space station orbiting our planet called Elysium. The rest of the population is left to inhabit what remains of our desolate, disease-ridden planet. Max Da Costa (Damon), an ex-con, lives in the ruins of Los Angeles working for a manufacturing company. After being exposed to a lethal amount of radiation, Max seeks the help of a fellow criminal who is dead-set on transferring Earth’s population to Elysium using any means necessary. Upon being melded with an exoskeletal device, Max, with the help of a small team sets out to infiltrate Elysium, and hopefully be completely healed by a med-pod.
Definitely the fortuitous recipient of a keen eye for stunning imagery. Whether it be natural or CGI. Neill Blomkamp exudes both effortlessly and utilizes this seemingly inherited gift to maximum effectiveness in “Elysium.” Although this tremendous talent is miraculous all on its own. The fact that he does not, like most big-budget blockbuster directors, get bogged down in the process of large-scale fabrication is perhaps more respectable and to an even further extent, more remarkable than the skill itself.
Now, this goes without saying, Blomkamp’s logical and moderate use of computer generated images by no means hampers or discredits “Elysium,” or “District 9” for that matter. Not getting caught up in the over-falsification of visuals is a testament to Blomkamp’s direction and unwavering motivation to keep the viewer just as focused on the story and its characters. Between Elysium itself, the droids, and his futuristic flying machines. Blomkamp clearly hasn’t lost his imagination or his capability to transpose his ideals to reality, regardless of how minutely imperfect the adaptation might be. Not to mention the facial reconstruction scene, which is easily the most breathtaking sequence in the film. With “Elysium,” he might not be able to hypnotize the audience as well as he did with “District 9,” but it isn’t that much of a drop off either.
Speaking of “Elysium’s” story, it might be one you’re familiar with. I mean, a dystopian future where only the rich and powerful thrive isn’t exactly a plot unheard of in cinema. However, make no mistake, Blomkamp has made this common yarn his own with some clever additions, but more importantly, with unflinching violence and pure content.
“Elysium” is what I like to call an adult blockbuster. While many high-budget summer flicks, more specifically the superhero sub-genre dull down their content and violence in order to appeal to a wider audience and simply make more revenue. There is a tradeoff and it is usually a weaker pull to more mature audiences or it is not received well by the general consensus. This is not the case with Blomkamp’s “Elysium.” There is some instances of brutal carnage, gore, and magnified violence, but it is tasteful and relevant to the story. Nor does Blomkamp dilute the more challenging aspects of the story. Now, “Elysium” might not be the mind-bender we all thought it’d be, but it’s still more intelligent than half of the films released during this season. Nothing in Blomkamp’s fictitious world exists for the sake of excess. Essentially, what you see is what you get, Blomkamp gives the audience credit and respect and receives it in return.
Perhaps the most consistent and unforgettable aspect of “Elysium” is its tremendous performances. Featuring actors of brilliance such as Matt Damon, Sharlto Copley, Jodie Foster, William Fichtner, and Alice Braga. It quickly becomes clear that no matter how typical and cliched “Elysium’s” story and script might be. The cast is undoubtedly capable of carrying a majority of the load. As far as tragically underused actors go, Alice Braga and William Fichtner continue to add fuel to the fire. Both do phenomenal jobs in supporting roles and are a beautiful contrast to one another. I must admit that I’m not a big Jodie Foster fan, but she took me by surprise. She gives an excellent performance as some form of anti-hero and truly teases the audience.
It has been proven time and time again, whether it be through box office numbers or critical acclaim. That Matt Damon is, without question, able to play the hero. So, with “Elysium,” Damon might not be challenging himself the way we might have hoped. Nonetheless, he does prove that the well hasn’t dried up. He might not be as effectively used as he was in the “Bourne” trilogy. Regardless, he exudes everything that compiles a summer action-hero. As much as I love Sharlto Copley as the protagonist in “District 9” and “Europa Report.” His antagonist portrayal is oozing with villainy. Mixing in comedic elements, sufficient hand-to-hand combat, and an unprecedented ruthlessness. Copley easily gives the best performance of the entire ensemble.
Superbly acted, mesmerizingly directed, and visually amazing. Neill Blomkamp and cast create another mildly-budgeted summer triumph that will kick you off your feet.
Elysium: 7.5 out of 10.
With a little over a month until the Toronto International Film Festival officially kicks off its 38th edition. The first batch of attending films were ceremoniously announced around 10am this morning in what is shaping up to be one of the most prolific, star-studded years in festival history!
75 films were announced Tuesday in what should become roughly 290 total, at least equalling last years output. Expect the entire Midnight Madness lineup to be released July 30, with the remaining films formally presented throughout the coming weeks. Check out the Galas here and the Special Presentations here.
The most notable from the first batch are as follows:
August: Osage County John Wells, USA, World Premiere:
August: Osage County tells the dark, hilarious and deeply touching story of the strong-willed women of the Weston family, whose lives have diverged until a family crisis brings them back to the Midwest house they grew up in, and to the dysfunctional woman who raised them. Based on Tracy Letts’ Pulitzer Prize– and Tony Award–winning 2007 play of the same name. Starring Meryl Streep, Julia Roberts, Ewan McGregor, Benedict Cumberbatch, Abigail Breslin, Sam Shepard and Chris Cooper.
The Fifth Estate Bill Condon, USA, World Premiere:
Triggering an age of high-stakes secrecy, explosive news leaks and the trafficking of classified information, WikiLeaks forever changed the game. This dramatic thriller based on real events reveals the quest to expose the deceptions and corruptions of power that turned an Internet upstart into the 21st century’s most fiercely debated organization. The story begins as WikiLeaks founder Julian Assange (Benedict Cumberbatch) and his colleague Daniel Domscheit-Berg (Daniel Brühl) team up to become underground watchdogs of the privileged and powerful. On a shoestring, they create a platform that allows whistleblowers to anonymously leak covert data, shining a light on the dark recesses of government secrets and corporate crimes. Soon, they are breaking more hard news than the world’s most legendary media organizations combined. But when Assange and Berg gain access to the biggest trove of confidential intelligence documents in U.S. history, they battle each other and a defining question of modern time: what are the costs of keeping secrets in a free society — and what are the costs of exposing them? The film also stars David Thewlis, Stanley Tucci, Laura Linney, Anthony Mackie and Dan Stevens.
Kill Your Darlings John Krokidas, USA, International Premiere:
Kill Your Darlings is the true story of friendship and murder that led to the birth of an entire generation. This is the previously untold story of murder that brought together a young Allen Ginsberg (Daniel Radcliffe), Jack Kerouac (Jack Huston), and William Burroughs (Ben Foster) at Columbia University in 1944, providing the spark that would lead to their Beat Revolution. Also stars Dane DeHaan, Michael C. Hall, David Cross, Jennifer Jason Leigh, Elizabeth Olsen, Kyra Sedgwick and John Cullum.
Mandela: Long Walk to Freedom Justin Chadwick, South Africa, World Premiere:
Mandela: Long Walk to Freedom is based on South African President Nelson Mandela’s autobiography of the same name, which chronicles his early life, coming of age, education, and 27 years in prison before working to rebuild his country’s once-segregated society. Starring Idris Elba as Nelson Mandela, and Naomie Harris as Winnie Mandela.
Rush Ron Howard, United Kingdom/Germany, International Premiere:
Two-time Academy Award winner Ron Howard (A Beautiful Mind, Frost/Nixon) teams up once again with two-time Academy Award–nominated writer Peter Morgan (Frost/Nixon, The Queen) on Rush — a spectacular big-screen re-creation of the merciless 1970s rivalry between James Hunt (Chris Hemsworth) and Niki Lauda (Daniel Brühl). Also features Olivia Wilde, Alexandra Maria Lara and Pierfrancesco Favino.
12 Years a Slave Steve McQueen, USA, World Premiere:
12 Years a Slave tells the incredible true story of Solomon Northup, a free black man from upstate New York who was kidnapped and sold into slavery in 1841 and finally freed in 1853. The story is a triumphant tale of one man’s courage and perseverance to reunite with his family that serves as an important historical and cultural marker in American history. Starring Chiwetel Ejiofor, Michael Fassbender, Benedict Cumberbatch, Paul Dano, Garret Dillahunt, Paul Giamatti, Scoot McNairy, Lupita Nyong’o, Adepero Oduye, Sarah Paulson, Brad Pitt, Michael Kenneth Williams and Alfre Woodard.
Blue Is The Warmest Color Abdellatif Kechiche, France, North American Premiere:
At 15, Adèle doesn’t question it: girls go out with boys. Her life is changed forever when she meets Emma, a young woman with blue hair, who will allow her to discover desire, to assert herself as a woman and as an adult. In front of others, Adèle grows, seeks herself, loses herself, and finds herself. Starring Léa Seydoux and Adèle Exarchopoulos.
The Disappearance of Eleanor Rigby: Him and Her Ned Benson, USA
The Disappearance of Eleanor Rigby: Him and Her is a two-part love story seen through the eyes of a New York couple trying to understand each other as they cope with personal hardship. The different perspectives of “Him” and “Her” result in two films with a unique look into one couple’s attempt to reclaim the life and love they once had. Starring Jessica Chastain, James McAvoy, Nina Arianda, Viola Davis, Bill Hader, Ciarán Hinds, Isabelle Huppert, William Hurt, and Jess Weixler.
Don Jon Joseph Gordon-Levitt, USA, Canadian Premiere:
Jon Martello (Joseph Gordon-Levitt) is a strong, handsome, good old fashioned guy. His buddies call him Don Jon due to his ability to “pull” a different woman every weekend, but even the finest fling doesn’t compare to the bliss he finds alone in front of the computer watching pornography. Barbara Sugarman (Scarlett Johansson) is a bright, beautiful, good old fashioned girl. Raised on romantic Hollywood movies, she’s determined to find her Prince Charming and ride off into the sunset. Wrestling with good old fashioned expectations of the opposite sex, Jon and Barbara struggle against a media culture full of false fantasies to try and find true intimacy in this unexpected comedy.
Gravity Alfonso Cuarón, USA/United Kingdom, North American Premiere:
Gravity is a heart-pounding thriller that pulls its audience into the infinite and unforgiving realm of deep space. Sandra Bullock plays Dr. Ryan Stone, a brilliant medical engineer accompanied on her first shuttle mission by veteran astronaut Matt Kowalsky (George Clooney). On a seemingly routine spacewalk, disaster strikes. The shuttle is destroyed, leaving Stone and Kowalsky completely alone — tethered to nothing but each other and spiraling out into the blackness. The deafening silence tells them they have lost any link to Earth… and any chance for rescue. As fear turns to panic, every gulp of air eats away at what little oxygen is left. But their only way home may be to go further out into the terrifying expanse of space.
To say that I am excited for TIFF 2013 would be a massive understatement! Can’t wait to see what other films will be joining this first wave.