TIFF 2014 is finally upon us! With that in mind, I present to you my schedule for the festivities. For up-to-the-minute coverage, reviews, media, Q and A, etc…make sure to follow me on twitter (@cinema_monster).
The 50 Year Argument: Martin Scorsese, David Tedeschi
Premium Screening with co-director Martin Scorsese in attendance.
Martin Scorsese co-directs this documentary tribute to the New York Review of Books, whose six-decade history saw it frequently on the frontlines of cultural and political debate.
’71: Yann Demange
In the divided city of Belfast at the height of The Troubles, a rookie British soldier (Jack O’Connell, Starred Up) finds himself separated from his unit and lost in IRA-controlled territory.
99 Homes: Ramin Bahrani
Premium Screening with Michael Shannon, Andrew Garfield, and director Ramin Bahrani in attendance.
Desperate to save his family home, an unemployed construction worker (Andrew Garfield) joins an unscrupulous realtor (Michael Shannon) in the dirty business of foreclosing on the disenfranchised.
Clouds of Sils Maria: Olivier Assayas
A veteran stage star (Juliette Binoche) turns to her assistant (Kristen Stewart) for solace as she jousts with an arrogant younger actress (Chloë Grace Moretz).
The Drop: Michael R. Roskam
A Brooklyn bartender finds himself caught between the cops and a crew of Chechen mobsters, in this gritty crime drama starring Tom Hardy, Matthias Schoenaerts (Rust & Bone), Noomi Rapace and the late, great James Gandolfini.
The Guest: Adam Wingard
Premium Screening with Dan Stevens and writer-director duo Simon Barrett and Adam Wingard in attendance.
Writer-director duo Simon Barrett and Adam Wingard (A Horrible Way to Die, You’re Next) serve up a slick, eighties-style action thriller with this story of a mysterious and devastatingly charming visitor (Downton Abbey’s Dan Stevens) who arrives at the home of a bereaved family claiming to be the best friend of their dead son.
The Imitation Game: Morten Tyldum
Premium Screening with Benedict Cumberbatch, Keira Knightley, Matthew Goode, and director Morten Tyldum in attendance.
Benedict Cumberbatch stars as brilliant Cambridge mathematician, cryptanalyst and pioneering computer scientist Alan Turing, who spearheaded the Enigma code-breaking operation during World War II and was later persecuted by the British government for his homosexuality.
Laggies: Lynn Shelton
Premium Screening with Chloe Grace Moretz, Keira Knightley, and Sam Rockwell in attendance.
Following a dismal high school reunion and a disastrous proposal of marriage, a going-nowhere twentysomething (Keira Knightley) falls in with a carefree teenager (Chloë Grace Moretz) and takes a week off to reassess her life. Co-starring Sam Rockwell (Moon).
Maps to the Stars: David Cronenberg
Julianne Moore, Mia Wasikowska, John Cusack, Sarah Gadon, and Robert Pattinson star in this acidulous vision of Tinseltown from Canadian master David Cronenberg.
Nightcrawler: Dan Gilroy
A drifter and petty thief (Jake Gyllenhaal) joins the nocturnal legions of scuzzy freelance photographers who scour the city for gruesome crime-scene footage, in this gripping portrait of the dark side of L.A. from veteran screenwriter and first-time director Dan Gilroy.
The Theory of Everything: James Marsh
While students at Cambridge, Stephen Hawking (Eddie Redmayne, Les Misérables) and Jane (Felicity Jones, The Invisible Woman) fall deeply in love. His earth-shattering diagnosis leads him to embark on his ambitious study of the nature of time with Jane fighting tirelessly by his side, in this moving adaptation of Jane Hawking’s memoir from Academy Award-winning director James Marsh (Man on Wire).
Which film are you most looking forward to at TIFF 2014? Be sure to let me know what your thoughts on the festival and my schedule are below!
Dennis Villeneuve’s latest, “Enemy,” is seemingly shrouded in secrecy. Amongst the remnants of Villeneuve’s last film, high-profile crime-thriller “Prisoners,” this mysterious piece of suspenseful anti-existentialism took form and emerged from the shadows. Blending staggeringly beautiful camerawork, the lovely Toronto skyline muddled in a glowing haze, and marvellously haunting performances from the entire cast, “Enemy” quite handily manages to stimulate, stump, and shock. With Hitchcock-like suspense, an atmosphere akin to classic David Lynch, and a skin-crawling metamorphosis that would make Kafka proud. “Enemy” stands not only as a sufficiently fulfilling thriller, but a nerve-shredding, confident, worthy art-house piece in the ranks of its inspirations.
A flick that’s as much an exercise in problem solving as it is a piece of art, a lot like a puzzle or a mathematical game of deciphering a pattern or code. “Enemy” is about as complex as they come, never ceasing to challenge the viewer with a barrage of variables, twists and turns. It’s an equation comprised of shapeless pieces that intertwine to form a web on the grandest scale.
Based on “The Double” by Jose Saramago, “Enemy” was adapted for the screen by Javier Gullon and directed by the aforementioned Dennis Villeneuve. Shot on location in Toronto, this modern-day fable stars Jake Gyllenhaal in a dual role, Melanie Laurent, and Sarah Gadon.
Adam (Gyllenhaal) is a history professor who is slowly becoming more and more disinterested in the world and people surrounding him. Even his girlfriend Mary (Laurent) can’t seem to hold his attention outside of the bedroom in his gloomy, run-down apartment. On a recommendation, Adam decides to pick up a local film at a nearby video store, perhaps a last attempt at salvaging his humanity. Later that night, while Mary sleeps alone in the next room, Adam has reluctantly become entranced by the low-budget flick. Then, while lost in a deep sleep, Adam has a dream heavily influenced by the movie, so much so that Adam begins to see himself in the picture. Awakening frightened, he revisits the film to find that it wasn’t himself he was seeing in his dream, but an extra that resembles himself exactly. Stunned, Adam becomes obsessed with his look-alike and eventually searches out his identical being.
Anthony (Gyllenhaal) is an aspiring actor who is expecting his first child with his lovely wife Helen (Gadon). The two are looking for a fresh start after some turbulence early on in their relationship. Having recently moved to a respectable apartment, one could conclude that this new place of residence is a symbol of their relationship’s rejuvenation. One day, Helen receives a bizarre phone call from someone who sounds exactly like her husband Anthony. As days pass, the phone calls persist, which Anthony now handles in private. Letting speculation get the best of her, Helen demands Anthony reveal the nature of the calls. Anthony informs his wife that it is nothing but a bizarre man claiming to be a big fan of his films. Fully aware of the trust issues his marriage has sustained, Anthony decides to keep the true nature of the calls from his wife, that Adam is on the other end, clamouring to be Anthony’s doppelgänger.
I know it may appear as if I’ve somewhat spoiled the film with the previous summarization, but I assure you, the information I’ve provided you with is merely the premise. I’ve barely begun to scratch the surface of “Enemy” and that’s the way it’ll have to stay in order for you, the reader, to thoroughly experience and discover its depths. That being said, I can tell you that what follows will undoubtedly leave a fair amount of viewers on the opposite side of the fence. “Enemy” is a complex, intricate beast that’ll leave you begging for a second viewing. It’ll keep you up at night, reading, thinking about every aspect of its veiled misdirection, dialogue, and symbolism. You won’t be able to view “Enemy” and then simply sit it on a shelf, it requires ambitious follow-up.
While I can’t reveal “Enemy’s” secrets, I can describe to you Dennis Villeneuve’s mastery is on display throughout this film. However, if I’m to be honest, this is the first film of Villeneuve’s I’ve seen. That being said, after viewing “Enemy,” I can assure you his catalogue is on my radar.
Now, what I found most impressive is Villeneuve’s ability to shift seamlessly from the large-scale stuff down to the minuscule. Through his lens, we span across a luminous smog and an achromatic pallet that has Toronto looking menacing and infinite. Then, a few shots down the road, we’re locked, engulfed in a dark and dreary apartment, watching two men and their identities crumble under what defines them, or lack there of. Villeneuve somehow manages to create this rapidly rising claustrophobia through intimate settings and predicaments, like travelling on a streetcar or partaking in compassionate sex. A vulnerable helplessness, inescapability that gives us a distinct vantage point to our own importance and insignificance that is truly remarkable. Without question some of the finest camerawork and direction I’ve ever seen.
It’s always a visual treat for viewers when an actor tackles multiple roles in a film, and quite a challenge for the one who has undertaken it. Still, I feel most filmmakers and actors haven’t fully capitalized on the double premise…until now.
On one hand, sitting on a motorcycle sporting a devilishly handsome and intimidating beard while wearing a black leather jacket, we have Jake Gyllenhaal’s Anthony. A cold, pretentious, opportunistic predator bordering narcissistic. Conversely, lounging around his crappy apartment, unkempt, grading papers, and forcing himself on his girlfriend, we have Gyllenhaal’s Adam. A pessimist and reluctant narcissist, who’s soul just might still be salvageable. Two vastly different characters comprised of a single man’s brilliance. Gyllenhaal, who’s wowed us in the past with “Donnie Darko” and “Source Code,” gives a career defining performance…twice. Even if you find yourself flabbergasted, obsessed, or just plain infuriated by “Enemy,” there’s no denying Gyllenhaal’s triumph.
The characters of Mary and Helen are a level of bizarre all on their own, mirroring one another, although not to the same extent of Adam and Anthony. Melanie Laurent (Mary), arguably portraying the sanest character in the film, does what she can with her limited dialogue and screen time. Had Mary been more crucial to the story instead of merely being an oblivious pawn, Laurent would have been allowed to stun as we should expect. Nonetheless, Laurent is as radiant and invested as always. Sarah Gadon (Helen) has drawn possibly the most intriguing character in the film, which I cannot explain due to spoilers. Regardless, this gorgeous rising star continues to improve and hone her craft while building a very respectable repertoire. Immaculate performances by the entire ensemble, through and through.
Featuring a transfixing musical score, stunning visuals, immensely impressive performances, and dread that reaches its pinnacle at the terrifying ending. “Enemy” is a taut, entertaining, slow-burning thriller that we’ll be discussing and revisiting for a good, long while.
Enemy: 9 out of 10.
We are now less than two weeks away from when the Toronto International Film Festival tickets go on sale to the public and a mere 16 days away from the start of the actual festivities. On Tuesday morning, another slew of films were announced along with the schedule itself and a long list of celebrities set to attend the festival. I don’t know about you, but the anticipation is overwhelming me. I suppose the nervousness and excitement will dissipate somewhat when I actually know what screenings I will be attending, or it could skyrocket even higher. Either way, this is shaping up to be one hell of a festival!
Now, for those attending, or those simply who’d like to know what’s going on and when, you can find the full schedule by clicking here.
FInal Film List and Programmes:
If you’d like to know what films are playing at the festival, you can click here for the entire list or click the TIFF button in the main menu at the top of this page. You can also find all the programmes offered by the festival by clicking here. Essentially, all films screening at the festival are divided into groups for attendees to better understand what type of genre and themes the film will contain.
Perhaps the most exciting news released Tuesday morning was the endless list of celebrities ready to attend the festival. Amongst the names are Benedict Cumberbatch, Meryl Streep, Rebecca Hall, Josh Broliin, Alan RIckman, Clive Owen, Kate Winslet, Jennifer Aniston, Mark Ruffalo, Elizabeth Olsen, Scarlett Johansson, Hugh Jackman, Tom Hiddleston, Joseph Gordon-Levitt, Nicholas Cage, Jennifer Garner, Joel Edgerton, Ben Foster, Anton Yelchin, Liam Neeson, James McAvoy, Nicole Kidman, Felicity Jones, Ed Harris, Spike Jonze, Melissa George, Paul Giamatti, Idris Elba, Chiwetel Ejiofor, Sarah Gadon, Colin Firth, Michael Fassbender, Jesse Eisenberg, Sandra Bullock, Chris Hemsworth, Mila Kunis, Jessica Chastain, Jake Gyllenhaal, Ralph Fiennes, Jude Law, Tom Wilkinson, Mia Waikowska, Owen Wilson, Steve McQueen, Jason Reitman, Keanu Reeves, Keira Knightley, Matthew McConaughey, Ti West, Eli Roth, Daniel Radcliffe, Julia Roberts, Reese Witherspoon, Sarah Paulson, Oliva Wilde, Mike Myers, James Franco, Adrien Brody, Marion Cotillard, and Thandie Newton, just to name what I feel to be the most important. And honestly, I couldn’t type any more names. There is a bunch more on the list you can find here. Also, these are just the people confirmed thus far, it is expected that the likes of George Clooney and Brad Pitt, amongst others will be attending.
Jason Reitman’s Live Read:
You can find all the information below, provided by the TIFF website.
The Festival proudly welcomes back Jason Reitman’s Live Read — a unique event in which classic movie scripts are read by contemporary actors. With no rehearsal, the actors come together for a one-take read-through with Reitman narrating stage direction. In 2012, the Festival welcomed Reitman and an all-star cast — including Bryan Cranston, Christina Hendricks, Adam Driver, Sarah Gadon and George Stroumboulopoulos — for a live table read of Alan Ball’s screenplay for American Beauty. This year, Reitman is back with a surprise script from a modern classic and a new cast at the Ryerson Theatre on Friday, September 6. Details, including cast and script, for the 2013 Live Read event will be announced in early September.
New this year, audiences are invited to be part of the action with two official Festival selections and two special screenings presented in spectacular IMAX. The two films will be Alfonso Cuaron’s “Gravity” and Keanu Reeves “Man of Tai Chi.”
Next Wave and Manifesto Announced:
You can find another plethora of titles announced by clicking here.
New Galas and Special Presentations:
Metallica Through the Never: Nimród Antal, Canada/USA, World Premiere
Dane DeHaan (The Place Beyond the Pines) stars as a Metallica roadie dispatched to hell and back in this mind-blowing mash-up of concert film and post-apocalyptic adventure, presented in IMAX 3D.
The Wizard of Oz: Victor Fleming, USA, World Premiere
Experience Judy Garland’s over-the-rainbow adventure in vivid new detail with this IMAX 3D presentation of Victor Fleming’s family classic.
10th Midnight Madness Film Unveiled:
Witching & Bitching:
Fleeing through the impenetrable forests of the Basque countryside after a jewel heist, a hapless band of robbers runs afoul of a coven of witches, in this madcap supernatural spectacle from Spanish genre specialist Alex de la Iglesia (The Last Circus).
Okay then, that’ll do it for the pre-TIFF announcements. The Cinema Monster will be covering the festival in full, providing reviews, news, and Q and A’s as often as possible, make sure to follow our website to keep up with the festival. Also, follow The Cinema Monster on Twitter (@cinema_monster) and Facebook for up-to-the-minute news and posts, not to mention special pictures and videos provided by me from the screenings. Have a great week!