It may not be as innovative or complex as its predecessor. Yet, Star Trek Into Darkness bursts forth with a renewed source of ambition and on the shoulders of the Enterprise’s crew, successfully tackles nostalgia with a fresh, brooding twist. Capturing the wonder of space, jaw-dropping action sequences, and spectacular performances from the entire cast. Abrams and company follow up 2009’s franchise resurrection with another inconceivably epic entry into the Star Trek universe. Playing out the mystery and anticipation to full effect, Star Trek Into Darkness is bigger, louder, and surprisingly more heartfelt. Blending the perfect amount of sentiment, hilarity, and bone-snapping (reference) hand-to-hand combat, Star Trek Into Darkness doesn’t miss a beat. If the time since 2009’s smash hit has left a bit of a void in your life. Star Trek Into Darkness is sure to satisfy your Trekkie addiction, die-hard enthusiast or not.
Upon returning from a mission, the crew of the Enterprise isn’t allowed much time to rest as rogue Starfleet agent turned terrorist, John Harrison (Cumberbatch) bombs a Starfleet base in London. When Harrison flees Earth and retreats to a distant planet, Kirk (Pine) and the Enterprise are commissioned to hunt him down using any means necessary. Eventually finding Harrison on a abandoned planet, the Enterprise and its crew is attacked. Barely escaping with their lives, the crew is soon face to face with Harrison and a slew of difficult decisions that Kirk and company struggle to make.
While the primary goal of 2009’s Star Trek was to reintroduce this timeless sci-fi tale to the modern viewer, by and large. Nonetheless, the reboot was more of a rebirthing for the exceedingly long-running saga (not that I am complaining). Now, with Into Darkness, Abrams is definitely paying more of an homage to the original series that seems to set its sights on appeasing the fans of old, like myself. Coincidentally, Star Trek Into Darkness deals with more mature content as its predecessor felt more directed into pleasing a wider variety of viewers. To the dismay of Trekkies all over the world, Abrams decided to keep the villain’s identity heavily under wraps. If you happened to watch any publicity for the film, such as late night talk shows, you’d know that this secret was as vigilantly guarded as some nuclear missile silos. That being said, I fully agree with the decision as it significantly affects the storyline.
Regardless of the fact that Into Darkness isn’t as encompassing to the rules and regulations of physics and space, particularly bending them as 2009’s entry so brilliantly did. Into Darkness fixates more on the universe created by the original series and exploiting our fascination with it, as lovingly as one can. Now, dealing with these facets is sure to alienate those unfamiliar with their origin. However, it should initiate a sense of eagerness to explore Star Trek’s storied history for those who don’t have the knowledge and gives a chance for those who do an excuse to revisit.
Perhaps the most outstanding aspect of Into Darkness is the story’s growth even though there has been a four year absence. When the film begins, the audience becomes aware. We are somewhere down the road now, we’ve missed something and there is this yearning to catch up. To see the empire that is Star Trek move forward and evolve is refreshingly reassuring. J. J. Abrams singles out each member of the Enterprise’s crew, giving more scree time to each individual and digging deeper into the emotions and heart that drives them, even Cumberbatch’s character.
In addition to the original crew that consists of Chris Pine, Zachary Quinto, John Cho, Anton Yelchin, Bruce Greenwood, Zoe Saldana, Karl Urban, and Simon Pegg. Into Darkness adds Alice Eve, Benedict Cumberbatch, and Peter Weller to StarFleet…Even though each actor brings their own charisma, motivations, and vulnerability to their individual roles, there is no denying that there is only three leads amongst them, Pine, Cumberbatch, and Quinto. That being said, like any good starship, Into Darkness would be rendered useless without its crew, and this crew substantially upped their game.
Cho, Saldana, and Pegg are all fortunate recipients of increased screen time and added emotional character depth. Cho grows into a firm and steady stance, earning respect and parting ways with his comical errors from 2009’s Star Trek. Pegg and Saldana’s roles, or lack there of in Star Trek has been dealt with. Taking full advantage of the emotional intensity in their roles to showcase their diverse talents. While Greenwood’s role is somewhat diminished, he arguably gives a stronger performance. Yelchin and Urban’s importance remain unchanged except for the addition of a plethora of one liners you can’t help but laugh at. As for the new recruits, Eve and Weller make for interesting and formidable additions. Eve’s role, ripe with potent sexiness and cute arguments with Spock, is so much more. Playing the sweet, intelligent love interest of Kirk, Eve takes no nonsense. Finally, Weller’s objective remained a mirage throughout Into Darkness’s publicity, but storms in with chaotic indifference. As brash and toxic as ever, Weller is quite the surprise.
As masterful, endearing, and exhilarating the supporting casts performances may be. Benedict Cumberbatch, Chris Pine, and Zachary Quinto are light-years ahead. Let’s star with Pine, who’s face now permanently comes to mind when anyone mentions the name Kirk. Undoubtedly, Into Darkness contains Pine’s most involved, mature, heavy-hearted, and overall best performance to date. I can think of no one better to have taken over the chair. Quinto is quite the anomaly. He so elegantly, actually perfectly captures the essence that is Spock. His heartless, emotionless, and vastly superior intellect are mere surface qualities and Quinto knows this well, diving so deep into his soul that it leaves his exterior vacant. Now, where to begin with the immaculate Benedict Cumberbatch. I don’t think it is possibly for this man to do any wrong. With every role, he completely immerses himself and disappears into his characters skin, Into Darkness is no exception. Exuding every emotion necessary with pin-point precision, Cumberbatch gives one of the best villain performances in cinematic history.
Flawlessly acted, impeccably directed, and visually spectacular. The sheer immensity and heart of Star Trek Into Darkness is enough to give you shivers.
Star Trek Into Darkness: 9 out of 10.
Deceptively intricate and performed infallibly. Derek Cianfrance’s The Place Beyond the Pines is morally sound and inevitably cyclic. Encompassing a complex set of circumstances marred by incalculable chaos. The Place Beyond the Pines is irrefutable evidence that history is inescapable. Now, whether or not we chose to look upon this unavoidable repetition as beneficial, dooming, or simply as fate itself, is entirely subjected to the nature and nurture of our upbringing to the very present moment we have watched this film. Cianfrance has laid out multiple paths that we are allowed to tread along. The decision however, lies within our beliefs, karmic standpoint, and stance on true freedom. Featuring an all star cast that includes, Ryan Gosling, Ben Mendelsohn, Bruce Greenwood, Bradley Cooper, Rose Bryne, Ray Liotta, Dane DeHaan, and Eva Mendes. Cianfrance’s The Place Beyond the Pines is a highly philosophical, towering achievement in understanding the makings of a generation fuelled by loss, regret, and deprivation.
Luke (Gosling) is a talented and mischievous motorcycle stuntman who travels with a carnival, currently stopped in Schenectady, New York. Luke is trying to reconnect with his past lover named Romina (Mendes). Romina secretly gave birth to Luke’s son and neglected to tell him as he was travelling with the carnival for the past year. In order to provide for his new baby and Romina, Luke quits the carnival and commits a series of bank robberies with his friend Robin (Mendelsohn). As Luke continues to raise the stakes, the more heat he is under. After a robbery, Luke is confronted with a chase to escape the clutches of a persistent police officer named Avery Cross (Cooper). Avery is confronted with his own tribulations as he soon realizes his police force is ripe with corruption and his marriage to Jennifer (Byrne) is faltering. Fifteen years down the road, Luke and Avery’s paths continue to cross.
It is excessively challenging to navigate a film with several, individual story lines. When stitching together a film as complex as Cianfrance’s The Place Beyond the Pines, you run the risk of overbearing the audience. The multiple motivations, principles, and circumstantial elements the viewer needs to consider while deciphering impressions could very well prove too disproportionate. However, with The Place Beyond the Pines, this is not the case. Cianfrance’s ability to extract only what is essential from his cast and divide the disarray into manageable portions is a harrowing achievement. For a film that is packed with calamity and discord, there is never a feeling of disorganization. You’ll never have the urge to scramble. You’ll create a complete, unhampered opinion of the characters.
A rather unexpected fault I originally found with this film is the indifference I felt towards Bradley Cooper’s character. Then, after some time had passed, I came to the conclusion that it was and is the way I am supposed to feel towards him. It was alarming at first because of the compassion and sympathy I was able to emit for Ryan Gosling’s character. When looked at comparatively, Gosling and Cooper play relatively the same role, the only difference is they’re at opposite ends of the moral chain. Both have made grave errors in their time, do whatever is necessary to keep themselves alive, and relentlessly provide for their families. Now, some will undoubtedly share similar opinions to my own and some will relate to Cooper more earnestly then Gosling. The point is that their isn’t an issue with who’ve you found favour in.
In a similar fashion, the viewer will be polarized by Gosling’s son and Cooper’s. I generally felt a deep hatred for Cooper’s son for not respecting the opportunities and benefits he has in front of him. Conversely, Gosling’s son was very loyal and charged with an ambitious, thirsty energy. So I full heartedly despised Cooper’s son for his idiotic behaviour and not relishing what he has available to him. I’m supposed to be summarizing the casts performances, gotten a bit sidetracked. I suppose I am reviewing subconsciously and that this personal dissection is probably the best way to influence your opinion regarding this film.
In comparison to Gosling, Cooper did not measure up. For his segment, Cooper had arguably been set up for disappointment. Following up a masterful performance is never easy. However, having one of your top actors be slightly over performed by another is a great problem to have. Ben Mendelsohn has slowly creeped his way to becoming one of my favourite actors currently active. His performances in The Dark Knight Rises, Killing Them Softly, and now The Place Beyond the Pines are staggering. It seems with each outing he becomes more confident and orbited. Another actor who has had a terrific rise is Dane DeHaan. After contributing to the misunderstood Lawless and surprising Chronicle, DeHaan certainly left his mark in The Place Beyond the Pines. Rose Byrne continues to prove why she is one of the hottest actresses in cinema today. A heartbreaking performance alongside a disgruntled Cooper is no easy feat. In their limited time, Bruce Greenwood and Ray Liotta wielded their experience in spectacular fashion. It’s remarkable how Liotta can just stare at you and its almost enough to make you wet yourself in fear. In a film littered with outstanding performances, Eva Mendes is passable. Now, it isn’t as recognizable because the viewer is focused in on everything thats going on. But, this was a supreme opportunity for her to prove herself alongside these acting heavyweights and she didn’t fully grasp the chance.
Besides an impeccable effort in controlling the vast and multifaceted stories in The Place Beyond the Pines. Cianfrance infuses an enthralling atmosphere to a suggestive and emotionally dark film. With an invested and talented cast, an unprecedented script, and a director brave enough to undertake it. The Place Beyond the Pines is a rare blend of bravery, sacrifice, and judgement.
The Place Beyond the Pines: 9 out of 10.
Being able to draw fresh blood to the franchise while still appeasing those who practically have Starfleet emblems burned into their skin like birthmarks would appear daunting to say the least. Well, it just so happens that J.J Abrams put quite the strangle hold on the long running saga, revived it, breathed new life into it. A re-imagining that astonished and reached vast across the universe as an intelligent, undeniable virus that infected Trekkies new and old alike. While the effects and intricate plot provide the majority of its wonder. The real achievement is the development and portrayal of its familiar characters that is truly awe inspiring. Star Trek’s three leads Chris Pine, Zachary Quinto, and Eric Bana, as well as the supporting cast are a revelation. With an all star cast and a story so elaborate, Abrams and company boldly go where no man has gone before.
The first shots profile the early years of James Kirk (Pine) from birth to his enrolment in Starfleet. Kirk’s father George (Hemsworth) was killed in a final stand against a rogue time traveling ship looking for Spock Prime (Nimoy). Around this time, a young Vulcan named Spock (Quinto) is torn between his heritage that is split with humanity. Roughly twenty-five years later, Kirk is challenged by Christopher Pike (Greenwood) to best his father by joining Starfleet to become captain of his own ship. When the Enterprise is called into action some time later, its crew is thrust into a battle to save Earth from Nero (Bana). With the help of Scotty (Pegg), Uhura (Saldana), Sulu (Cho), Chekov (Yelchin), and Bones (Urban). Kirk and Spock must set aside their differences to rescue Captain Pike and prevent Earth from being destroyed.