We are now less than two weeks away from when the Toronto International Film Festival tickets go on sale to the public and a mere 16 days away from the start of the actual festivities. On Tuesday morning, another slew of films were announced along with the schedule itself and a long list of celebrities set to attend the festival. I don’t know about you, but the anticipation is overwhelming me. I suppose the nervousness and excitement will dissipate somewhat when I actually know what screenings I will be attending, or it could skyrocket even higher. Either way, this is shaping up to be one hell of a festival!
Now, for those attending, or those simply who’d like to know what’s going on and when, you can find the full schedule by clicking here.
FInal Film List and Programmes:
If you’d like to know what films are playing at the festival, you can click here for the entire list or click the TIFF button in the main menu at the top of this page. You can also find all the programmes offered by the festival by clicking here. Essentially, all films screening at the festival are divided into groups for attendees to better understand what type of genre and themes the film will contain.
Perhaps the most exciting news released Tuesday morning was the endless list of celebrities ready to attend the festival. Amongst the names are Benedict Cumberbatch, Meryl Streep, Rebecca Hall, Josh Broliin, Alan RIckman, Clive Owen, Kate Winslet, Jennifer Aniston, Mark Ruffalo, Elizabeth Olsen, Scarlett Johansson, Hugh Jackman, Tom Hiddleston, Joseph Gordon-Levitt, Nicholas Cage, Jennifer Garner, Joel Edgerton, Ben Foster, Anton Yelchin, Liam Neeson, James McAvoy, Nicole Kidman, Felicity Jones, Ed Harris, Spike Jonze, Melissa George, Paul Giamatti, Idris Elba, Chiwetel Ejiofor, Sarah Gadon, Colin Firth, Michael Fassbender, Jesse Eisenberg, Sandra Bullock, Chris Hemsworth, Mila Kunis, Jessica Chastain, Jake Gyllenhaal, Ralph Fiennes, Jude Law, Tom Wilkinson, Mia Waikowska, Owen Wilson, Steve McQueen, Jason Reitman, Keanu Reeves, Keira Knightley, Matthew McConaughey, Ti West, Eli Roth, Daniel Radcliffe, Julia Roberts, Reese Witherspoon, Sarah Paulson, Oliva Wilde, Mike Myers, James Franco, Adrien Brody, Marion Cotillard, and Thandie Newton, just to name what I feel to be the most important. And honestly, I couldn’t type any more names. There is a bunch more on the list you can find here. Also, these are just the people confirmed thus far, it is expected that the likes of George Clooney and Brad Pitt, amongst others will be attending.
Jason Reitman’s Live Read:
You can find all the information below, provided by the TIFF website.
The Festival proudly welcomes back Jason Reitman’s Live Read — a unique event in which classic movie scripts are read by contemporary actors. With no rehearsal, the actors come together for a one-take read-through with Reitman narrating stage direction. In 2012, the Festival welcomed Reitman and an all-star cast — including Bryan Cranston, Christina Hendricks, Adam Driver, Sarah Gadon and George Stroumboulopoulos — for a live table read of Alan Ball’s screenplay for American Beauty. This year, Reitman is back with a surprise script from a modern classic and a new cast at the Ryerson Theatre on Friday, September 6. Details, including cast and script, for the 2013 Live Read event will be announced in early September.
New this year, audiences are invited to be part of the action with two official Festival selections and two special screenings presented in spectacular IMAX. The two films will be Alfonso Cuaron’s “Gravity” and Keanu Reeves “Man of Tai Chi.”
Next Wave and Manifesto Announced:
You can find another plethora of titles announced by clicking here.
New Galas and Special Presentations:
Metallica Through the Never: Nimród Antal, Canada/USA, World Premiere
Dane DeHaan (The Place Beyond the Pines) stars as a Metallica roadie dispatched to hell and back in this mind-blowing mash-up of concert film and post-apocalyptic adventure, presented in IMAX 3D.
The Wizard of Oz: Victor Fleming, USA, World Premiere
Experience Judy Garland’s over-the-rainbow adventure in vivid new detail with this IMAX 3D presentation of Victor Fleming’s family classic.
10th Midnight Madness Film Unveiled:
Witching & Bitching:
Fleeing through the impenetrable forests of the Basque countryside after a jewel heist, a hapless band of robbers runs afoul of a coven of witches, in this madcap supernatural spectacle from Spanish genre specialist Alex de la Iglesia (The Last Circus).
Okay then, that’ll do it for the pre-TIFF announcements. The Cinema Monster will be covering the festival in full, providing reviews, news, and Q and A’s as often as possible, make sure to follow our website to keep up with the festival. Also, follow The Cinema Monster on Twitter (@cinema_monster) and Facebook for up-to-the-minute news and posts, not to mention special pictures and videos provided by me from the screenings. Have a great week!
Hello all, just a brief post today outlining the Toronto International Film Festival’s newest additions announced Tuesday afternoon. For reference, you can check out all of The CInema Monster’s post regarding the festival thus far by clicking on TIFF in the main menu at the top of this page. Also, be sure to follow The CInema Monster on Twitter (@cinema_monster) and Facebook for up to the minute festival news, reviews, and Q and A’s. Now, below you’ll find what I feel to be the highlights of this newest batch. If you’d like to check out all the films announced thus far, click here. And in addition to the newly presented galas and special presentations, announced Tuesday afternoon were films in the Contemporary World Cinema, Contemporary World Speakers, Wavelengths, and TIFF Kids categories. You can see the full list of those films here.
Child of God
The latest from actor-turned-filmmaker James Franco is adapted from characteristically tough and violent Cormac McCarthy novel that draws the director’s ambitions into disturbing terrain as it explores the rituals and desperation of the Southern US’s rural poor.
The Face of Love
Five years after the death of her beloved husband Garrett (Ed Harris), Nikki (Annette Bening) meets a man who seems to be his exact double. Ari Posen directs this emotionally thorny drama about how we cope with loss, live in the moment, and ultimately move forward. The film also stars Robin Williams.
Clive Owen and Billy Crudup lead a powerhouse cast — including Mila Kunis, Marion Cotillard and Matthias Schoenaerts (Rust and Bone) — as a pair of brothers on opposite sides of the law in Guillaume Canet’s English-language remake of the gritty, 1970s-set crime drama Les liens du sang. The film also stars Zoe Saldana and James Caan.
How I Live Now
Saoirse Ronan (Hanna) stars in this adaptation of Meg Rosoff’s award-winning near-future novel about an American teenager sent to live with her family in Britain on the eve of the Third World War, directed by Kevin McDonald (The Last King of Scotland).
The Wind Rises
This decade-spanning epic from maestro Hayao Miyazaki is his most unique films to date, inspired by the true stories of Jiro Horikoshi, visionary designer of one the most beautiful airplanes in history — the famed Zero fighter — and the poet Tatsuo Hori, whose verses are brought to life by the vivid animation of Studio Ghibli.
Establishing an exquisite symmetry between its smart, at times raunchy hilarity and disheartening insight into humanities innermost feelings. Forgetting Sarah Marshall is a true romantic-comedy that is leaps and bounds beyond the genre’s usual trash. First time director Nicholas Stoller does a sublime job and manages to squeeze every last drop of comedic aptitude and emotional range from his tenacious cast. Using the tranquil and breathtaking Hawaii as its backdrop. Forgetting Sarah Marshall is always easy on the eyes whether it’s the scenery or cast, except for one, unexpected and exposed incident ;). Nonetheless, the authentic and unflinching look into the deterioration of relationships that writer Jason Segel has conjured up is something we’ve all experienced at one point or another. Which ultimately allows the audience to laugh uncontrollably at our own vulnerability and self-pity.
Peter Bretter (Segel), a composer, is in a five year relationship with actress Sarah Marshall (Bell). Upon returning home from a shoot, Sarah ends the relationship with Peter. Unable to cope with the abrupt ending, Peter decides to go on a vacation to Hawaii. At the resort, Peter soon meets Rachel (Kunis), the hotel concierge. Upon finding out that Sarah and her new boyfriend Aldous Snow (Brand) are also staying at the resort, Peter begins to follow them around. Taking advice from his brother, Peter begins spending time with Rachel and the two develop feelings for one another. Soon, Sarah becomes jealous of Peter and Rachel and the two couples set out to destroy the other.
What is most assuring about Forgetting Sarah Marshall is that even though it technically has Apatow written all over it. Aside from the producing credit, the film actually has little to no connection with him. I’m not discrediting Apatow, far from it. I’m very fond of his style and pictures. I am simply stating that the future of the genre looks a little brighter when he isn’t the only name in the game. Directed by Stoller and written by Segel. Forgetting Sarah Marshall has an abundance of fresh faces to bolster a sparse breed. It is excessively difficult to depict real-life scenarios and the ones who can are few and far between. Now, with a slew of up-and-comers that have this capability. Cinema doesn’t appear to be losing all meaning and depth. What Segel and Stoller have created is much bigger than they realize.
Whether it is the witty, clever, or sheer idiotic humour. Jason Segel, best known for his role as Marshall in How I Met Your Mother, displays his ingenuity in spades. Although, it isn’t always his keen eye for laughs that makes the viewers insides ache. His ability to evoke an endless source of empathy, joy, sadness, spite, essentially all the relevance of existence is masterful. In coordination with the aforementioned Nicholas Stoller. Segel is able to form a cohesiveness around Forgetting Sarah Marshall that almost makes it free from error. As for Stoller, who’s direction as a first-timer is remarkable, makes up for any faltering. You’d wouldn’t figure it was his initiation into directing considering how accomplished his form behind the camera is. Together, the two create a formidable duo who’s next collaboration is much anticipated.
I don’t really know the reason why I love this film. Essentially right from the get go I was smitten. Perhaps that I happened to be in a similar situation around the time of its release intoxicated me, but I digress. Forgetting Sarah Marshall’s sweet and funny cast really completes the film. Featuring Jason Segel, Kristen Bell, Mila Kunis, and Russell Brand. Without this complimenting foursome, Forgetting Sarah Marshall’s ageless story would not have the emotion, hilarity, or flare in its potency. The film also features hilarious cameos from Bill Hader and Jonah Hill.
If I’m being completely honest, to say that my respect for Kunis and Bell was restricted would be putting it lightly. In my defence, this film was released in 2008 and Black Swan hadn’t been released yet. Since then, my admiration for the two has grown significantly, thanks in large part to Forgetting Sarah Marshall. Cards on the table, Bell really hasn’t impressed me since. Now that she’s proven she has the chops, I expect more from her and she continues to do these idiotic romantic comedies. Regardless, Bell is extravagant in the film and deserves better than what she’s getting. As for Kunis, well, she really steals the show. Conveying such emotional range and this flirty charm, one can’t help but fall for her, easily the best performance in the film.
It’s hard to imagine a time when Russell Brand wasn’t everywhere, but in 2008, this was the case. Until Forgetting Sarah Marshall, Brand pretty much flew under-the-radar. This was easily the role that launched Brand into a respectable actor and after following it up with Stoller’s next film, Get Him to the Greek, Brand proves it was no fluke. Finally, Jason Segel, who pulls double duty as the lead and writer of the film. Really gets a chance to assert himself amongst comedy’s best and doesn’t waste the opportunity. Segel’s performance is second only to Kunis, who honestly has the better written role. Segel does a superb job exuding the melancholic stupidity that usual accompanies heartbreak. Not to mention a series of sequences that allows him to showcase his dramatic skills. Overall, Forgetting Sarah Marshall’s cast is nearly faultless in their portrayals.
Outrageously funny and undeniably heartfelt. Forgetting Sarah Marshall is a romantic comedy for the ages.
Forgetting Sarah Marshall: 8.5 out of 10.