If I wasn’t already in the minority thinking that Peter Jackson was right to turn J. R. R Tolkien’s beloved, timeless classic “The Hobbit” into three films. I definitely asserted myself as an outcast raving over how formidable Jackson’s first outing “The Hobbit: An Unexpected Journey” was and how it placed the forthcoming flicks on impeccable footing. Now, we’re a year down the road, and I feel no different about it. It’s been a year between chapters, that’s a long wait, especially for an enthusiast such as myself, but the second chapter of this soon-to-be epic trilogy is finally upon us and I’ve stayed true to my fanboy title. Rushing, nervously and excitedly to my nearest theatre late Thursday night to behold the first showing of Jackson’s next masterpiece, “The Hobbit: The Desolation of Smaug” in IMAX 3D, and not just for Christopher Nolan’s “Interstellar” teaser either…that’s just a bonus. How’d I feel about the film, you ask…let’s just say, I wasn’t disappointed…
Now, I know what you’re all thinking, “this guy is supremely biased” and you’re not wrong in concluding that. You may choose to skip my review for a more neutral, honest take and I won’t hold any blame against you. But before you do, consider this. The hard truth of it is, if you can’t enjoy this, you’re probably not a fan of Jackson’s LOTR universe to being with and shouldn’t be judging it in the first place…and I never cheat my readers out of the truth and honesty. If the “The Desolation of Smaug” had flopped, believe me, I’d be the first to let you know. Thankfully however, this isn’t the case. It’s a definite improvement in nearly every aspect while also capitalizing on the errors of its predecessor, not that there were many to begin with. And despite having similar themes, Jackson is able to make the content seem fairly new and exciting. He captures a lot of the magic that made his LOTR trilogy so superlative and successful, which is, quite frankly, the most reassuring aspect for the upcoming finale and is all any good-hearted fan could ask for.
There’s a lot here that is reminiscent of the LOTR trilogy, but it’ll never be the LOTR, so let’s just get that comparison out of you head right now! If there’s one thing holding back “The Hobbit” trilogy, it’s no fault of its creators, rather, the viewers simply expecting LOTR all over again. That’ll never happen! Honestly, I consider the LOTR trilogy to be cinema’s greatest achievement. I know a lot of you will fight me on that, but that’s just how I feel. Nothing will ever live up to that comparison, so stop holding this series against it. The source material for both series differ greatly, I can’t stress that enough. If you’ve read the series, you’ll know exactly what I’m referring to. “The Hobbit” is directed to younger readers, it’s more cliched, nostalgic, simple. I wouldn’t go as far as to recommend completely cleansing your thoughts of any relation to the LOTR, simply because you’d miss out on a few awesome easter eggs and shout-outs to the original trilogy. That being said, the less you stack up Jackson’s two trilogies, the greater your experience will be.
It may end on a bit of a cliff-hanger, which hampers most middle films, but if anything, it only really sets its hooks in deeper. A nagging, stinging, aching anticipation for next year’s finale that is proves useless to try and shake. Nonetheless, let’s stick to what’s available to us now. There’s a lot of new faces presented in this sequel, but of course there’s only one newcomer on everybody’s mind. There’s no question that the highlight of “The Desolation of Smaug” is of course, Smaug himself. It’s all any die-hard Tolkien fanatic has been waiting for since the series was first announced. You’ll be waiting till roughly the last forty minutes of the film’s nearly three hour runtime for Smaug to finally appear, but when he does, you’ll find yourself watching one of the greatest cinematic achievements of 2013.
Apart from this greedy fire-breather, Orlando Bloom’s Legolas draws a substantial amount of excitement. Jumping weightless amongst the striking scenery of Middle Earth (provided by the always breathtaking New Zealand which Jackson once again utilizes to full effect) and dismissing countless foes. He might be a little more edgy than you remember, but a thrill to watch nonetheless. Luke Evans’ Bard really was a pleasant surprise. Gritty, emotional, and whole-heartedly invested, Evans truly added another complex, impressive layer to this fantastical spectacle. The final addition, Evangeline Lilly’s Tauriel still reigned supreme, for me at least. Rarely have I ever become smitten with someone so striking who could also beat me to a bloody pulp at the drop of a hat. A quick shout-out to the cast of dwarves who’ve finally been allowed to expand their emotional range. The serious tone really allows them to show off their depth instead of trotting around uttering witty, cliched catchphrases.
Smaug is played by the incomparable Benedict Cumberbatch, who, aside from giving voice to this monstrous dragon, also provides the facial expressions and movements, much like that of Andy Serkis’s Gollum. Emerging from a baffling pile of riches, it’s the dark, malicious, egotistical voice that first strikes fear into your gut as Smaug himself dances amongst the shadows. Then, when the big reveal hits, you’ll find yourself struggling to pick your jaw off the sticky cinema floor. Agile, gargantuan, and devilishly clever, Cumberbatch’s Smaug is, without question, the biggest “wow” moment of the year. As for Martin Freeman, he’s still the only young Bilbo for me. His reluctant courage and comical movements are inspiring and hilarious. You’d be hard pressed to find someone who could successfully deliver just one of those facets. Sadly, Gandalf takes a bit of a back seat on this one, but it’s Ian McKellan, it’s the role he was born to play. So those brief moments he’s present are just as rewarding and nostalgic.
“The Hobbit: The Desolation of Smaug” is another magnificent entry into Peter Jackson’s Middle Earth. The visuals are as superlative as ever. Whether it’s Smaug, the bewildering, gloomy Mirkwood and Laketown, or panoramic shots of Middle Earth, Jackson never seems to lose his form. The progression of the story isn’t a strain to endure and keeps the viewer glued with heart-racing action and genuine emotion. The dialogue doesn’t feel so contrived and each character is given more than enough importance to thrive. It still doesn’t rank with the best the LOTR trilogy has to offer, but it isn’t a steep decline either. “The Hobbit: The Desolation of Smaug” will undoubtedly stand the test of time and is a terrific set-up for next year’s big finale.
The Hobbit: The Desolation of Smaug: 9 out of 10.
As promised, this week’s top 10 will consist of what I believe to be the best cameos in cinematic history. After last week’s list of dreadful and down-right idiotic guest appearances, I think this segment could use a pick-me up, don’t you? Now, we can sit here until we’re blue in the face arguing what makes a cameo truly great. We can list the traits off one by one, subtlety, hilarity, relevance, and on, and on. Regardless, in this top 10 I believe you’ll find, like I did, that a cameo doesn’t have any criteria, they simply succeed or falter based on their own individual merit. Granted, a few of the cameos listed are quite odd, funny, incredible, memorable, and indescribable, but there are no errors. I’ve compiled this list with purpose, to be diverse, I want there to be something for everyone, and if there isn’t, please let me know.
Again, just so there are no discrepancies later on. Tom Cruise in “Tropic Thunder” will not be featured in this top 10. The image is simply a header for the top 10 and this will continue until I am able to create a suitable segment header.
As always, if you feel that I’ve overlooked a cameo or believe one was listed that shouldn’t have been, please comment below. I am always looking to improve on this segment and all feedback is welcome.
Let’s get started!
10: Tim Robbins “Anchorman”
Why?: Upon appearing in numerous films that have historical and cinematic importance, it was extremely odd to see “Andy Dufresne” chop off Luke Wilson’s arm with a machete.
9: Hugh Jackman “X-Men: First Class”
Why?: I know for some it wasn’t a surprise at all, but I had no idea it was coming and laughed my ass off like an idiot.
8: Martin Freeman “Shaun of the Dead”
Why?: Honestly, I had no idea he appeared in the film until very recently. Now that I know, I think it is possibly the coolest thing ever. Bilbo Baggins killing zombies, c’mon.
7: Will Ferrel “Wedding Crashers”
Why?: You know why, if you don’t, you’re not my friend.
6: Bruce Campbell “Spider Man” trilogy.
Why?: I know most of you didn’t like the fact I disliked Stan Lee’s numerous cameos in multiple Marvel films. And the fact that I am adding Campbell from three films in which Lee also appeared must really burn. But, c’mon, it’s Bruce Campbell…”Evil Dead”…”Army of Darkness”…you know…he’s awesome.
5: Cate Blanchett and Peter Jackson “Hot Fuzz”
Why?: Two of the most respected names in film appearing in a movie centred around a corrupt, murderous, deranged town…Yes Please!!
4: Christopher Walken “Pulp Fiction”
Why?: I don’t really know if this counts as a cameo or a supporting role…can any of you clarify this? Nonetheless, it is hilarious and inventive.
3: Bill Murray “Zombieland”
Why?: IT’S BILL FUCKING MURRAY!!
2: Martin Scorsese “Taxi Driver”
Why?: It is one of my all time favourite Scorsese scenes, just incredible.
1: Ralph Fiennes “The Hurt Locker”
Why?: Can anyone clarify this as a cameo or supporting role? Anyway, I am a huge Ralph Fiennes fan and this cameo is pure brilliance.
I hope you all enjoyed this week’s top 10. If you feel I’ve overlooked a cameo or placed one in the top 10 that shouldn’t be there, feel free to comment below. Everyone have a great weekend!
If there is one thing Peter Jackson does better than anyone else, it’s large scale cinema. After concurring the Lord of the Rings trilogy in impeccable fashion, Jackson shifted his gaze to an ambitious remake of the 1933 classic, King Kong. Now, his much anticipated journey through another of J.R.R Tolkien’s masterpieces, The Hobbit, is just beginning. The first chapter in his imaginative trilogy, Jackson picks up right where he left off in the Lord of the Rings. This kind, bold, and immense outing reaffirms Jackson’s ability to handle delicate literature with charisma and flare while still being able to extract the emotion and personality needed to completely capture the audience. Starring Ian McKellen, Martin Freeman, and Richard Armitage, The Hobbit: An Unexpected Journey is a spectacle to behold.
A Hobbit named Bilbo Baggins (Freeman) is smoking, off in thought when he is approached by a tall, intimidating figure. The cloaked man is revealed to be Gandalf the Grey (McKellen) who urges Mr. Baggins to partake in an adventure. Later, famished and about to sit for dinner, Bilbo is interrupted by the intrusion of a group of dwarves. Reluctantly willing to accompany the group on its journey to the lonely mountain. Bilbo is thrust into some new, exciting experiences while others are deathly and life altering. Continuing their quest, the group encounters all sorts of creatures, good and evil and begin to understand and trust one another.
Tapping into a familiar theme from the Lord of the Rings, Jackson very strongly states that no matter how small the detail or creature, the impact is still enormous. Not letting gigantic boxing mountains or the trembling inducing beauty of New Zealand overshadow the heart of the story, Jackson completes another outstanding return to Middle Earth. While most were surprised to hear that Martin Freeman would take the reigns of young Bilbo Baggins. I, after viewing Mr. Freeman countless times in the revamped Sherlock Holmes series alongside Benedict Cumberbatch (also appearing in the Hobbit trilogy), knew the role was in capable hands. What can I say? Freeman exudes the quaint, laziness lifestyle of Bilbo perfectly, as well as the quiet lust for adventure deep inside. Sir Ian McKellen returns to top form as Gandalf while Richard Armitage immerses himself along with the other dwarf cast into tough, unrecognizable brothers. The Hobbit: An Unexpected Journey stacks up well against the Fellowship of the Ring as great introductory films into their respected trilogies.
The Hobbit: An Unexpected Journey: 8.5 out of 10.