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TIFF 2014: My Screenings

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TIFF 2014 is finally upon us! With that in mind, I present to you my schedule for the festivities. For up-to-the-minute coverage, reviews, media, Q and A, etc…make sure to follow me on twitter (@cinema_monster).

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The 50 Year Argument: Martin Scorsese, David Tedeschi

Premium Screening with co-director Martin Scorsese in attendance.

Martin Scorsese co-directs this documentary tribute to the New York Review of Books, whose six-decade history saw it frequently on the frontlines of cultural and political debate.

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’71: Yann Demange

In the divided city of Belfast at the height of The Troubles, a rookie British soldier (Jack O’Connell, Starred Up) finds himself separated from his unit and lost in IRA-controlled territory.

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99 Homes: Ramin Bahrani

Premium Screening with Michael Shannon, Andrew Garfield, and director Ramin Bahrani in attendance.

Desperate to save his family home, an unemployed construction worker (Andrew Garfield) joins an unscrupulous realtor (Michael Shannon) in the dirty business of foreclosing on the disenfranchised.

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Clouds of Sils Maria: Olivier Assayas

A veteran stage star (Juliette Binoche) turns to her assistant (Kristen Stewart) for solace as she jousts with an arrogant younger actress (Chloë Grace Moretz).

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The Drop: Michael R. Roskam

A Brooklyn bartender finds himself caught between the cops and a crew of Chechen mobsters, in this gritty crime drama starring Tom Hardy, Matthias Schoenaerts (Rust & Bone), Noomi Rapace and the late, great James Gandolfini.

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The Guest: Adam Wingard

Premium Screening with Dan Stevens and writer-director duo Simon Barrett and Adam Wingard in attendance.

Writer-director duo Simon Barrett and Adam Wingard (A Horrible Way to Die, You’re Next) serve up a slick, eighties-style action thriller with this story of a mysterious and devastatingly charming visitor (Downton Abbey’s Dan Stevens) who arrives at the home of a bereaved family claiming to be the best friend of their dead son.

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The Imitation Game: Morten Tyldum

Premium Screening with Benedict Cumberbatch, Keira Knightley, Matthew Goode, and director Morten Tyldum in attendance.

Benedict Cumberbatch stars as brilliant Cambridge mathematician, cryptanalyst and pioneering computer scientist Alan Turing, who spearheaded the Enigma code-breaking operation during World War II and was later persecuted by the British government for his homosexuality.

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Laggies: Lynn Shelton

Premium Screening with Chloe Grace Moretz, Keira Knightley, and Sam Rockwell in attendance.

Following a dismal high school reunion and a disastrous proposal of marriage, a going-nowhere twentysomething (Keira Knightley) falls in with a carefree teenager (Chloë Grace Moretz) and takes a week off to reassess her life. Co-starring Sam Rockwell (Moon).

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Maps to the Stars: David Cronenberg

Julianne Moore, Mia Wasikowska, John Cusack, Sarah Gadon, and Robert Pattinson star in this acidulous vision of Tinseltown from Canadian master David Cronenberg.

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Nightcrawler: Dan Gilroy

A drifter and petty thief (Jake Gyllenhaal) joins the nocturnal legions of scuzzy freelance photographers who scour the city for gruesome crime-scene footage, in this gripping portrait of the dark side of L.A. from veteran screenwriter and first-time director Dan Gilroy.

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The Theory of Everything: James Marsh

While students at Cambridge, Stephen Hawking (Eddie Redmayne, Les Misérables) and Jane (Felicity Jones, The Invisible Woman) fall deeply in love. His earth-shattering diagnosis leads him to embark on his ambitious study of the nature of time with Jane fighting tirelessly by his side, in this moving adaptation of Jane Hawking’s memoir from Academy Award-winning director James Marsh (Man on Wire).

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Which film are you most looking forward to at TIFF 2014? Be sure to let me know what your thoughts on the festival and my schedule are below!

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Top 10 Male Actors Who’ve Never Won An Oscar

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As far as being acknowledged for a piece of work goes, an Oscar nomination is easily one of the most difficult to earn. That being said, year after year, there are front runners. The same, familiar faces we, as cinephiles, have come to expect great things from. And every year, as sure as the seasons change, one of these remarkable actors is fortunate enough to capture the gold statue. The talented men below, are not one of these lucky individuals. For whatever reason, the 10 men listed below can’t seem to close the deal. Granted, it isn’t for a lack of effort or quality, neither is it due to some misguided bias. It just so happens that every performance they’ve given that has eventually earned them this elusive recognition, has been trumped by another individual. Now, we may not unanimously agree on the winner yearly, but one thing we can all agree on, is the men listed below, should have some Oscar gold on their shelves.

The way I concluded on how to compile this top 10 is simple. Each actor mentioned in the top 10 has a performance I feel should have earned them an Oscar win. A lot of the men listed have been nominated, some more than once. Nonetheless, have yet to take home the hardware. As for the “still time” and “honourable mentions,” they might not have been nominated previously, but I still feel will win an Oscar in my lifetime.

Still Time:

Ryan Gosling, Michael Fassbender, Cillian Murphy, Benedict Cumberbatch, Tom Hardy, Michael Shannon.

Honourable Mentions:

Johnny Depp, John Travolta, Viggo Mortensen, Vincent Cassel, Harrison Ford, Jim Carrey, Ian McKellan, Joaquin Phoenix, Patrick Stewart.

Now, without further ado, let’s get into it!

10: Ed Harris – The Truman Show

A four-time Oscar nominee, Ed Harris just can’t seem to get the respect he deserves or be able to catch a break.

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9: Edward Norton – American History X

“Fight Club,” “Moonrise Kingdom,” and “American History X,” Edward Norton has no shortage of great performances under his belt. Now, if he could just get that elusive win, we could all cross him off of our lists.

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8: Bill Murray – Lost in Translation

His best chance to win the golden statue may have already passed with the release of “Lost in Translation.” But who knows, maybe he can surprise us once more and finally grab a victory.

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7: Tom Cruise – Jerry McGuire

All Cruise craziness aside, he has stared in numerous films that should have garnered him at least one Oscar win, if not more.

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6: Sam Rockwell – Moon

Many of you may not agree with this choice. Nonetheless, I feel Sam Rockwell has given the performance of our lifetime in “Moon” and should have been at least recognized for it, in my opinion, he should have been given the Oscar hands down.

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5: Samuel L. Jackson – Pulp Fiction

Really? How did Jackson not win an Oscar for his performance in “Pulp Fiction?”

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4: Liam Neeson – Schindler’s List

Another no-brainer. Liam Neeson is an outstanding actor, yet has not earned an Oscar.

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3: Gary Oldman – Tinker Tailor Soldier Spy

One of the most illustrious actors on this list, Mr. Oldman has only been nominated once. While it should have been more, his performance in “Tinker Tailor Soldier Spy” should have gotten him the win.

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2: Brad Pitt – 12 Monkeys

Now we are getting into ridiculousness. Take your pick, Pitt should have multiple Oscar wins, but has yet to receive his first, utterly insane.

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1: Leonardo DiCaprio – The Aviator

Arguably one of the best actors to ever grace the big screen. Leonardo DiCaprio has yet to win an Oscar. WIth a plethora of performances that should have gotten him at least one win. We, as cinephiles can only hope he will be recognized for his work sometime in the near future.

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Alright, that’ll do it for this week’s top 10, I sincerely hope you all enjoyed it. As always, if you feel I overlooked an actor or listed one that should have excluded from this list, please leave all comments and questions below. Everyone have an outstanding weekend!

The Way Way Back (2013)

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This coming-of-ager isn’t in search of uncharted territory, purposely I might add, but it doesn’t stand on the shoulders of its predecessors either…rather, “The Way Way Back” is in search of genre perfection. Although it journeys a road that many have travelled before, it is able to rise above the clichés and worn-out tendencies of the genre to deliver a thoroughly enjoyable romp, that’s more importantly, memorable. “The Way Way Back” is an honest dramedy driven by sentimentality and visceral characters. Benefiting in large part from its creators Jim Rash and Nat Faxon’s ability to infuse wit and charm into the films progressive structure that frequently exhibits intelligence and ingenuity. And complimented by a cast with no shortage of exuberance, quirkiness, and comedic timing. “The Way Way Back” is as funny and sweet as it is saddening.

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Duncan (James) is a 14-year-old who is forced to vacation with his mother Pam (Collette) and her new boyfriend Trent (Carrell) at his summer home. Struggling to find where he fits in with this new family and place, Duncan travels to the local water park daily where he makes an unexpected friend in Owen (Rockwell). Eventually garnering a job, Duncan slowly gains more confidence and becomes smitten with his next-door neighbour Susanna (Robb), Betty’s (Janney) daughter. Upon meeting fresh and exuberant characters such as Kip (Corddry), Caitlyn (Rudolph), Lewis (Rash), and Roddy (Faxon), Duncan finally begins to find his place.

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In the near future, when “The Way Way Back” is brought up in conversation, one will say “they don’t make ’em like that anymore.” Granted, prior to its release the same was said about past masterpieces of the genre…well…not anymore. “The Way Way Back” is an immaculate concoction of humour, poignancy, and charismatic characters that is decidedly satisfying. While there is a certain level of familiarity in its themes, “The Way Way Back” distinguishes itself from other genre triumphs. It’d be easy to categorize it as a movie about summer love, but upon dissection, it doesn’t orbit around this premise, far from it. Obviously, there is a connection between two young outcasts who happen to fall hard for one another. But, this isn’t the only relationship the audience is subjected to.

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“The Way Way Back” puts enough separation between and adds its own unique twist on the importance of guided growth and finding one’s own way. These days, rarely is a film about a mid-teen’s summer adventure into self-exploration and identity discovery as authentic and rewarding as “The Way Way Back.” In addition, scribe’s Faxon and Rash are able to delve into several side-stories that tell tales of characters that are equally as complex and compelling. Despite the fact that there are few films about the importance of father-figures, and even fewer done well. “The Way Way Back” has a heartwarming take on finding a kindred mentor that resonates infinitely. It is becoming increasingly difficult to pull-off films of this nature because it is near-impossible to falsify such universal elements. Thankfully, “The Way Way Back” isn’t trying to fool anyone.

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“The Way Way Back” is similar to 2009s rom-com “Adventureland.” And like that film, it is understood that no one jumps straight into the deep-end, it is a gradual process, baby steps. Rash and Faxon understand this well, which is why “The Way Way Back” is so utterly convincing and effective. This is Rash and Faxon’s directorial debuts respectively and second collaboration as writers, their inception coming in 2011 with “The Descendants.”  The duo do an excellent job both behind the camera and on paper. They are able to stay away from others footprints and instead, make their own. While both have enjoyed mildly successful acting careers, it appears that the two have a much brighter future as filmmakers. It is a common misconception that switching from acting or writing to directing is simple. Once you’re able to comprehend the talent and effort it takes to be the one in control behind the camera, the easier it will be to appreciate Rash and Faxon’s work here.

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Whether they’re working at the local water-park or looking to escape from themselves. The characters of this classic summer flick are all looking to outrun their problems. Which I’m sure they’ll all attest to being a lot harder than it appears. “The Way Way Back” has a superb cast that perform nothing short of superlatively. Starring Sam Rockwell, Steve Carrell, Alison Janney, Rob Corddry, Toni Collette, AnnaSophia Robb, Maya Rudolph, and Liam James. There is no weak spot amongst this group.

With a cast that features comedy heavyweights such as Steve Carrell and Rob Corddry, you’d figure it’d be one of them getting all the laughs, but you’d be wrong. It is Alison Janney who’s bursting with effervescence and drunken candour. She does a spectacular job easing the tension and occasionally prying melancholic eyes away from disheartening realizations. Corddry is his usual eccentric self but adds a surprising dramatic facet to his sparsely used character. Toni Collette portrays a single parent executing her best intentions faultlessly. One feels equal amounts of empathy for her just as much as her directionless child, about as truthful of a performance that you’ll find. Maya Rudolph continues to be underused and underrated and her performance here is more irrefutable proof. AnnaSophia Robb, although given minimal dialogue uses her screen time wisely and her innocence sticks with you long after the film finishes.

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Without question, the star of “The Way Way Back” is Sam Rockwell. Blending his endless flare, strong emotional control, and hilarious mannerisms. Rockwell delivers a truly heartfelt, gut-wrenchingly honest, and vulnerable performance that ranks as one of his best to date. Perhaps the most intriguing portrayal in the film however is brought to life by Steve Carrell. Who parts ways with his typical roles based upon being the underdog and good intentions to create an antagonist the audience can full-heartedly despise. And finally, Liam James, who undoubtedly breaks through and is ready for bigger and better things. He perfectly encapsulates the witty, endearing, confused state circumstance has bound him to and exudes it effortlessly.

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“The Way Way Back” is an honest yarn. There is no happy ending or depressing ending…just indifference, maturity, and growth. True of life, we do not know what’s going to happen and everything that has already happened serves as nothing but a mould. Nonetheless, “The Way Way Back” is as honest, enthralling, and disheartening as they come, but I wouldn’t have it any other way.

The Way Way Back: 9 out of 10.

Matchstick Men (2003)

Sorry guys, this will be another quick post as I am beyond exhausted. I hope each and every one of you had a great weekend. Also, I want to thank you all for your continued support of my site through these difficult first few months :).

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A light, delicate, well managed thriller sporting outstanding performances from its three leads. Matchstick Men may deviate from Ridley Scott’s genre sweet spot, nonetheless is proof of Scott’s ability to handle a variety of themes. Never having an issue keeping the attention of its audience through a paced, yet deliberate build to a clever, heart wrenching finale. Matchstick Men might be a tad predictable and sentimental in its delivery, but not so much as to hamper its psychological advantage. Reaping the benefits of its lulling nature and jolting the viewer with heavy doses of harsh realities and unforeseen twists. Matchstick Men never takes itself too seriously which would usually be a death sentence for most thrillers. But Scott and company manage to obtain the best of both sides. Starring Nicolas Cage, Sam Rockwell, and Alison Lohman. Matchstick Men’s cast are as absurd as they are grounded, which is a terrific mix for a film of this caliber.

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Roy (Cage) is a con artist living in Los Angeles. Working with his protege Frank (Rockwell), the two own and operate a fake lottery, selling water filtration systems to vulnerable victims. Roy suffers from a variety of mental illnesses such as OCD, agoraphobia, and an aggressive tic disorder. Roy eventually attends therapy and receives medication in return for his visits. During a session, Roy unveils information about a past relationship and the possibility of him being a father. When Roy convinces his therapist to contact his past lover, he learns his has a 14 year old daughter named Angela (Lohman). Just as Angela and Roy start to conduct a meaningful relationship, an opportunity arises to con a wealthy businessman out of a lot of money.

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The story may be foreseeable to an extent. However, Matchstick Men separates itself from the litter of horrifically cliched psychological thrillers with unfathomable emotional depth and a criminally artistic muse portrayed by exceedingly loveable cons. Ridley Scott takes a break from shooting the vastness of space and ancient ruins to remain in place on Earth. Although the plot is still relatively uncommon and extravagant. The core of it is something sensible and every viewer can empathize with. Whether you’re dealing with parenting issues, mental illness, or self preservation, Scott manages to extract the human element in an inhumane story. Scott’s terrific filming and camera techniques mastered to capture large scale cinema transfers to the simplicity of struggling to comprehend reality.

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Nicolas Cage perhaps gives the performance of his career with his lead roles in Adaptation being the closest comparison. Cage portrays a severely delusional con artist suffering from extensive OCD and loneliness. Every twitch, tweak, and repetition is carefully calculated and delivered with impeccable timing. What is truly remarkable about his portrayal of this socially challenged individual is the authenticity he brings to the role. It’s nice to see Sam Rockwell somewhat break free of his typical roles to inhabit the body of the antagonist for Matchstick Men. There is something about his mannerisms that always seems to draw the viewers attention to him, he acts like a magnet. Alison Lohman does an outstanding job capturing the disorientation and angst of a boundless teen hanging on to her sanity by a thread.

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With its tremendous cast, incalculable plot, and firm direction from Scott. Matchstick Men is a psychological thriller that should impress even die hard fans of his more ambitious pictures.

Matchstick Men: 8 out of 10.

Top 10 Films of 2013 Predicted

To make the directive of this list clear. The films contained are what myself and cinema2033 believe to be the best hopes for cinema in 2013. Again, these are our preferential films, not that of the general viewing public. We are simply predicting what we think will be our favourite or preferred films of the year. We will be creating a separate list with what we believe to be the most anticipated films of 2013. That list will be our perceived notions from discussing and judging the amount of publicity, budget, and overall excitement of the general public. Without further delay, Enjoy another chapter of our top 10 series.

Let’s begin this list with the honourable mentions. Stoker, A Single Shot, The Look of Love, American Hustle, Don Jon, Ain’t Them Bodies Saints, The Fifth Estate, Out of the Furnace, Kill Your Darlings, and Before Midnight. We would also like to insert Terrence Malick’s 2013 film, even though its cast, story, and release date are kind of up in the air at the moment.

10: Inside Llewyn Davis. Directed and written by the Coen brothers and starring Carey Mulligan, Oscar Isaac, Garrett Hedlund, and John Goodman. Inside Llewyn Davis is sure to be another Coen brother smash.

9: Mud. Written and Directed by Jeff Nichols, the mind behind Shotgun Stories and the hauntingly epic Take Shelter. Mud stars Matthew McConaughey, Reese Witherspoon, and Michael Shannon.

8: Trance. The new film from the brilliant Danny Boyle. Trance is a mind-bending thrill ride featuring outstanding performances from James McAvoy and Vincent Cassel.

7: The Counselor. Based on Cormac McCarthy’s incredible novel and helmed by none other than Ridley Scott. With its outstanding cast that features Brad Pitt, Michael Fassbender, and Javier Bardem. The Counselor is ripe with genius and ready for viewing.

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6: The Place Beyond the Pines. Directed by Derek Cianfrance and starring Ryan Gosling, Bradley Cooper, Rose Byrne, and Ben Mendelsohn. The Place Beyond the Pines is an intricate gem.

5: The Way, Way Back. What seems to be an endearing coming of age romantic comedy. The Way, Way Back looks to have another outstanding performance from Sam Rockwell and an unusual role for Steve Carrell.

4: Nymphomaniac. Directed by the creative and controversial Lars von Trier. Nymphomaniac appears to be a fresh take on sexual addiction with Shia LaBeouf, Charlotte Gainsbourg, and Stellan Skarsgard leading the way.

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3: The Wolf of Wall Street. Directed by Martin Scorsese and starring Leonardo DiCaprio, need I say more?

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2: Only God Forgives. The Duo of Gosling and Refn appear to be stealing the spotlight from Scorsese and DiCaprio, and rightfully so. This follow up to their 2011 hit Drive is one of the most anticipated releases of 2013.

1: Twelve Years a Slave. Steve McQueen, director of Hunger and Shame, teams up once again with Michael Fassbender for this mid-1800 slavery epic. Also starring Benedict Cumberbatch, Brad Pitt, and Scoot McNairy. Twelve Years a Slave has all the key facets to take top spot as our best film of 2013 predicted.

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If you think we overlooked a film or made a grave error on our list, please comment below. Also, if you have recommendations for future top 10’s, don’t hesitate to let us know.

Seven Psychopaths (2012)

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The impeccable placement of incoherent rants and misplaced attempts of psychotic sincerity are no doubt Seven Psychopaths strong traits. But it is the idiotic gangsters, lazy thieves, and the disgruntled writer that Martin McDonough embellishes to serve a hilarious, malicious endearment dependent on the compatibility of one another that is truly a brilliant malfunction. Scribed in the same manner or at least running along a similar wavelength, stunningly I might add. Seven Psychopaths draws serious reflections to Charlie Kaufman’s screenplay Adaptation. Featuring Sam Rockwell, Christopher Walken, Woody Harrelson, Colin Farrell, and directed as well as written by the aforementioned Martin McDonough. Seven Psychopaths is a grisly rendition (even if it is melodramatic), of the comedic struggles that accompany being a writer in our current society.

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Marty (Farrell) is struggling with his unfinished, overdue script entitled “Seven Psychopaths.” Unwilling to accept help from his close friend Billy (Rockwell), Marty continues on his alcohol fuelled destructive path. Upon arguing with his girlfriend Kaya (Cornish), Marty has no choice but to seek shelter at Billy’s house. Taking this as a sign that Marty needs assistance, Billy issues an add in a local magazine regarding Marty’s search for psychopaths to star in his script. All the while Billy and Hans (Walken) conduct a thrifty business in which they steal dogs from their owners in hopes of returning them when an reward has been issued. Unknowingly, Billy and Hans accidentally steal the dog of a psychotic mobster named Charlie (Harrelson), who is desperately searching for the dog using any means necessary.

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The desert portion of Seven Psychopaths is by far the most comedic and brilliant. While Rockwell, Walken, and Farrell diverge from one another and succumb to their own demons. The expansive shots of the vast desert at night clashing with each characters emotion and obscurity is oddly epic. Seven Psychopaths has one of the best assembled casts of 2012. By a wide margin, the most intriguing psychopath is Sam Rockwell. His version of a conscientious, loyal, honest murderer is a phenomenal revaluation. Rockwell shows his satirical severeness, yet also comedic aura that he hasn’t performed this admirably since Confessions of a Dangerous Mind. If it wasn’t for Rockwell, Walken would have controlled all of the viewers gazes. Christopher Walken surface is rock solid but his interior is molten emotions. One of Walken’s best performances to date, he is funny, smart, and intimidating. Woody Harrelson matches the laugh output of his fellow cast members as well as out performing their insanity. Big kudos to McDonough for his original script and firm hand behind the camera. The panoramic shots of the desert and skylines are exceptional. However, McDonough’s clever and witty dialogue would be useless if it didn’t have this outlandish and eccentric cast to relay it.

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Seven Psychopaths: 8 out of 10.

Top 10 Films of 2012

We might be a bit late to this particular list’s party, but better now than never. This was a difficult list to compile, lots of great pictures to chose from. But myself (monster1711) and my bud (cinema2033) think we’ve created a diverse and respectable list. If you feel that we overlooked a certain film or have any suggestions for future top 10’s, please comment below. Without further anticipation, let’s get started.

10. Looper. Easily the best science fiction film of the year. Featuring terrific performances from Joseph Gordon-Levitt and Bruce Willis, Looper is a brain scrambler that will leave you stunned.

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9. The Cabin in the Woods. Speaking of brain scramblers. The Cabin in the Woods is definitely the most bizarre film of the year. Mixing the hilarious and terrifying elements of horror and poking fun at them, it is sure to be a cult favourite.

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8. Skyfall. Quite possibly the best Bond film to ever grace the big screen. Skyfall is witty, charming, and one hell of a ride. With towering performances from Daniel Craig and Javier Bardem, Skyfall is not to be missed.

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7. Seven Psychopaths. Another entry into Martin McDonagh’s violent comedies. Seven Psychopaths is full of violence, hilarity, and outstanding performances from Sam Rockwell and Christopher Walken.

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6. Argo. Winner of the 2012 Oscar for best picture, need we say more? Directed and starring Ben Affleck, Argo is history come alive.

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5. Silver Linings Playbook. Thought by many to be the best picture of 2012. Silver Linings Playbook is another solid outing from David O. Russell and features a return to form for Robert De Niro. Not to mention the emergence of Bradley Cooper and Jennifer Lawrence as real acting heavyweights.

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4. On The Road. Possibly the most controversial film on the list, On The Road left audiences divided. Based on Jack Kerouac’s generation defining novel. On The Road features entrancing performances from Sam Riley, Garrett Hedlund, and especially the lovely Kristen Stewart.

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3. Django Unchained. The second chapter in Tarantino’s yet to be finished history trilogy. Django Unchained landed Christoph Waltz another supporting actor Oscar. Also starring Jamie Foxx, Samuel L. Jackson, and a deliciously evil performance from Leonardo DiCaprio, Django Unchained is violently hilarious.

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2. Zero Dark Thirty. Best picture nominee Zero Dark Thirty is brought to you by the creators of The Hurt Locker. There really isn’t anything else that needs to be said. Incredibly tense, monumental performances, and impeccably scripted. Zero Dark Thirty is an unstoppable force.

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1. The Dark Knight Rises. The conclusion to the Dark Knight trilogy, directed by the brilliant Christopher Nolan. With Tom Hardy as Bane, The Dark Knight Rises has the best villain performance of the year. Including an unmatchable cast and an epic finale no one saw coming, The Dark Knight Rises might be the greatest comic book adapted film in the history of cinema.

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Honourable Mentions. Lincoln, Sightseers, Prometheus, The Avengers, The Hobbit: An Unexpected Journey, End of Watch.

Moon (2009)

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One of the most eerily stunning science fiction dramas of all time. Moon is a superb cosmic journey with unique circumstance and family drama at its core. Directed by Duncan Jones, who is emerging as an unstoppable force in the sci-fi genre with this directorial debut and his follow up, Source Code. Moon is bolstered by Sam Rockwell’s towering performance of a homesick mining astronaut on the dark side of the moon. Moon also features Kevin Spacey as the voice of GERTY, a friendly computer who assists in the running of the lunar base, as well as serving as company to Rockwell’s character.

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Sam Bell (Rockwell) is counting down the final weeks until the three year contract he agreed to with Lunar Industries expires. Bell, who is silently lonely, longs to return to Earth and be with his wife and daughter. Bell is the only employee aboard the base aside from an intelligent, speaking computer named GERTY (Spacey). With direct communication to Earth disabled, Bell may only send and receive messages, no live contact. Bell is used to transport helium-3 harvested from the moon back to Earth. Helium-3 is the most abundant, clean, sustainable resource used to provide the Earth with energy. On a casual venture to perform maintenance to one of the harvesters, Bell accidentally crashes into the machine. When Bell wakes, he is faced with painful symptoms and slowly comes to the realization that he may not be alone.

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As angelic as it is depressing, Moon soars over its low budget to bring a thought provoking, universal epic to the big screen. Sublime directing from Duncan Jones turns this one man show (performed perfectly by Rockwell) into a multidimensional, emotional roller coaster. Capturing the grand scale of space and the significant details in our insignificant lives (in comparison). Jones achieves incredible feats with limited resources. Without playing the role of spoiler, Rockwell gives a must see performance, in my opinion, one of the best ever. Rockwell distinguishes his character from content, optimistic to severely blurred and in authentic anguish. Unfathomable range and literal pain is the best way I can describe Rockwell’s acting in Moon.

Moon: 9 out of 10.