As I’m sure most of you have already been briefed in regards to my, let’s call it…halfhearted hatred and disinterested disconnect towards the comedy genre, I’ll spare you the agony of sitting through another directionless, yet passionate speech. Now, comedy in film isn’t good for much, but it does occasionally allow me to rant harshly and aimlessly, that is if I can make it through one of these dreadful, contrived, structureless abominations that miraculously find funding and a wide-release…but I digress. As I was saying, I don’t get many opportunities to publish posts that display my opinion raw and unedited. That being said, when I do get the chance to speak unrefined, it’s usually a comedy film that’ll feel the brunt of my coarse, critical onslaught. And for some reason, I feel that readers appreciate brutal honesty, so without further delay, let’s get into “Neighbours!”
Drugs, nudity, vulgarity, and a preposterous plot? There must be a new Seth Rogen film out! Seriously though, all kidding aside I do love Rogen. He’s a talented, intelligent, honest Canadian boy and back in 2007, when I was at the height of my teenage years, “Superbad” and “Knocked Up” defined popular culture. Since then however, to say he’s been struggling would be putting it lightly in my opinion, of course that’s with the exception of the brilliant film “50/50.” I don’t know what happened, either I grew up or his shtick became all too familiar. Whatever it was, I haven’t been excited to see a Rogen film in a good, long while. Nevertheless, with early reviews holding strong and a cast that with respectable merit, I decided to give “Neighbours” a chance. Do I regret it, you ask? Well I’m not exactly thrilled whenever I make a mistake, but the film has some respectable qualities and memorable moments? I put a question mark as I’m not exactly confident that this statement will hold up with the passage of time…or for the duration of this review…
With “Neighbours'” incessant awareness campaign set to overkill, I’m not sure there are many who don’t know the film’s plot and selling points. Nonetheless, for those of you who have been fortunate enough to escape the film’s black hole of mediocrity, you’ve managed to save a significant amount of hilarity for the actually viewing of the film, granted you view it at all. Yes, a sizeable chunk of the film’s most memorable, hilarious scenes are plastered all over the internet and television for free, so enjoy. Now, essentially “Neighbours” is a tale of two childish, unfulfilled men at different stages in their lives trying to prevail and dominate over the other. Yes, that’s the premise and yes, it is as immature in its delivery as it is script-wise. In layman’s terms, a frat somehow manages to move into a quiet neighbourhood and soon is at war with their new neighbours.
Directed by Nicholas Stoller (Forgetting Sarah Marshall, Get Him to the Greek), and starring, apart from Seth Rogen, the lovely and immensely talented Rose Byrne, Zac Efron, and Dave Franco, “Neighbours,” on paper, should have been a laugh riot, not a measly chuckle and whimper. Apart from a few laughs, the film offers nothing of value cinematically. I’m sure the ladies will get a kick out of Efron shirtless, hell, even the male section of the film’s audience will see more of Rose Byrne than preferred, but these aren’t exactly facets to be proud of.
The film would have been infinitely better if they actually focused on the maturing aspect of birthing a child. After the all, the entire film is symbolic of couples rushing into parenthood. Stoller and Rogen are usually geniuses when it comes to displaying the emotional, consequential side of their comedies, but completely ignore that element in “Neighbours.”
I do assume it’s a positive that Rogen hasn’t been this effective in a while and that Efron has never been so charismatic, but in all fairness, their track records aren’t exactly top-notch of late. In Efron’s case, we really don’t have a resume to begin with. Byrne is as beautiful and entrancing as ever, but the vulgar humour doesn’t fit her well. Not surprisingly, the underrated Dave Franco truly steals the show here with his comedic prowess and impeccable impression of Robert De Niro.
Look, It’s not that I’m pretentious or hate laughter, far from it. I simply prefer subtle, intelligent, timely, sympathetic, relatable humour rather than an alternative that consists of the raunchy, idiotic, unfathomable approach of modern comedy, you know what I’m talking about, films like “Neighbours” or Adam Sandler abortions. I know that sounds conceded, even ostentatious, but honest to god that’s my preference. However, that doesn’t mean I don’t appreciate the dirty, unflinching, harsh, truthful approach of today’s comedians. It’s just, I find that humour occurs so naturally and fluidly that it is nearly impossible to capture true hilarity on demand for the sake of cinema. Additionally, where films of other genres rely on dialogue, performances, story, direction, cinematography, music, etc…comedy films, for the majority, solely depend on the appeal and material of its leading cast members, and “Neighbours” doesn’t meet any of the aforementioned criteria wholeheartedly.
It’s extremely hard for me to write-up a post regarding comedy as I’m sure you can tell by the incoherence and simplicity of this article, not to mention the uncomfortable feeling that washed over you as it continued, so I’ll just end it. “Neighbours” is about as good as purely comedic films get nowadays, sadly. Without much stimulation and an abundance of unintelligent humour, I can guarantee this film will be a distant memory in the not too distant future. I might be a little to bias and it seems as if I’m having a little too much fun ripping comedy apart. If it’s any consolation, the film is watchable and consistently has your attention, which is a huge bonus when considering the state of current comedy films. It might not be as bad as I’m making it seem, but not by much.
Neighbours: 6 out of 10.
Fantastical, raunchy, and utterly insane. “This is the End” crosses over multiple genres and does so with an infinite supply of humour, sentiment, and flare. While you can expect the downright nasty and over-the-top hilarity that comes when you trap these funny, vaguely immature guys in the same room. You might also want to prepare for an abundance of heart-stopping moments and excessive, albeit comical, gore. With a plethora of high-profile cameos and a seemingly never-ending chain of body-aching laughs, that more often than not stem from stupidity and selfishness. “This is the End” is a brilliant showcase of the top-dogs in comedy and really magnifies the genre’s constant stream of disappointments. Thank heavens these guys can take a joke just as well as they give them. “This is the End” is everything you think it is, and surprisingly, so much more.
Jay Baruchel arrives in Los Angeles to spend the weekend with his old friend Seth Rogen. After getting high and hanging out all afternoon together, Seth invites Jay to James Franco’s home for a housewarming party. Afraid that Seth will ditch him at the party, Jay is very distant and unfriendly. Later on in the night, the two walk to a nearby convenience store to buy cigarettes. While rummaging through the candy and beverages, beams of blue light break through the ceiling and carry patrons into the sky. The two rush back to James’s house through the carnage and chaos that awaited them outside. When a series of unsavoury events take place soon after, the party-goers come to the realization that the apocalypse is upon them.
After the atrocious entries for “comedy of the summer” such as “The Hangover: Part 3” and “The Internship” universally and predictably failed in all their incessant and unnecessary glory, and with nothing scheduled to blow any serious smoke. “This is the End” as of the moment, is easily in the lead and front-runner to win the title outright. Obviously the restricted rating limits its financial success as it excludes a majority of the immature, loud-mouthed youth, which just so happens to be the target audience. Regardless, “This is the End” should create enough critical and box-office success to be one of the best films of the summer. Besides Guillermo del Toro’s “Pacific Rim,” “This is the End” has the potential to be the sleeper hit of the summer. With its spiritual premise, quirky cliches, and nasty, unrelenting humour. “This is the End” is that rare breed who’s staying-power is truly unlimited.
Yes, you may be able to predict a good chunk of the jokes before-hand and of course there is a substantial amount of vulgarity and sexual references, both abusive and consensual. Nonetheless, “This is the End” has a few tricks up its sleeve and part of its unforeseen effectiveness stems from its unpredictable nature. “This is the End” has a story that has been tread and retread time and time again. What makes this go-around unique is unprecedented sappiness and a heartwarming core. Through all the punch-lines down in the muck, surprisingly, there are moments of sheer joy and meaning which truly separates “This is the End” from the pack. Aside from its demented comedic taste and chummy sweetness, “This is the End” offers up a few genuine scares and brilliant CGI work, something no one expected from this buddy-comedy under the influence.
Written and directed by Seth Rogen and Evan Goldberg. “This is the End” also stars James Franco, Jonah Hill, Danny McBride, Craig Robinson, and Jay Baruchel. Now, there is no question that this group of guys know their way around a joke and how to create an endless supply of quote-worthy dialogue. Still, it is always a nice change-of-pace to see them break out the dramatic chops. Franco, without question is the most accomplished of the cast, yet plays the least grounded and sensible character. McBride and Robinson, easily the most underrated of the group, finally get another chance to showcase their talents. Rogen and Baruchel, the films two leads, form a brilliant duo who need to make amends before the apocalypse takes their lives. As for Jonah Hill, whom I love, I’ll put it this way. He is the one you least want to make it out alive.
Performed with outstanding charisma and hilarious circumstances, “This is the End” isn’t your typical doomsday flick.
This is the End: 8 out of 10.
Here is a list of the film’s cameos. let me know if I missed anybody.
Jason Segel, Channing Tatum, Rihanna, Michael Cera, Mindy Kaling, Kevin Hart, Christopher Mintz-Plasse, Paul Rudd, Aziz Ansari, Emma Watson.
Outrageously hilarious, satisfyingly poignant, and spewing with talent. Knocked up is a fresh take on the odd-couple cliche with just enough raunchiness, growth, and sweetness to win over even the most skeptical or disgruntled viewer. While it may not be sending the best message on courtship. Knocked up is a romantic comedy that has adapted to the times and through all its mishaps and immaturity, ultimately does right by convention and emotion. Taking full advantage of its sleazy premise to subtly convey socio-political themes to an uninhibited generation. Knocked up has the ideal balance of comedy, romance, and relevance to be taken seriously by its viewers while still remaining vastly entertaining. Written and directed by prolific genre advocate and veteran Judd Apatow. Knocked Up is an obscure love-story about two unexpected parents dealing with the unpredictability of life.
Ben Stone (Rogen) is a laid-back slacker who lives off funds he received as compensation for an injury he suffered earlier in his life. He lives with several roommates and works on a porn website they all own and operate. Alison Scott (Heigl), an on-air reporter, lives in the pool house of her sister home. The two meet by chance at a club and spend a night together, which ends with them having sex. After some time has passed, Alison finds out she is pregnant and is persuaded by her mother to abort the baby. Upon deciding to keep the baby, Alison informs Ben of the situation and that he is the father. What follows is an unflinching look at relationships and life.
Even though some of Apatow’s overly stereotypical and decidedly vulgar humour may turn the occasional viewer off. The timing and circumstance in which these crude, at times foreseeable jokes are delivered is undeniably impeccable and results in out-loud fits of laughter. Aside from Apatow’s comedic preferences which is, without question an acquired taste. His ability to mask the simplicity and triviality of his characters predicaments is unrivalled. It would be easy to confuse the commonness of Knocked Up as weakness and label it unintelligent. Actually, it’s quite the contrary. Apatow’s clever, insightful story showcases his diverse range. It seems that he is always making something out of nothing. Whether it’s an awkwardly shy young adult shaving his nether regions or two intoxicated adults absorbing the night life, Apatow finds the silver lining.
Apart from the fact that Apatow’s most recent efforts haven’t been as strong as his earlier work. His scripts have always remained grounded and charming, and Knocked Up is no different. The follow-up to the massively successful, The 40 Year Old Virgin. Knocked Up never loses sight of its characters aspirations or history, no matter how bizarre and sociopathic they may be. Knocked Up is Apatow’s most complete, honest, and endearing effort to date. His quirky, intelligent, and heartfelt script really puts Knocked Up a notch above the rest. However, without the right cast to accompany such odd, complex roles beaming with hilarity and emotional depth. Knocked Up would become another meaningless entry into a genre that becomes less and less respected with each new, half-assed release. Thank heavens that this is not the case.
One of the most rewarding aspects of compiling a cast with history is never having to worry about chemistry. The majority of Knocked Up’s cast has previously worked together on earlier Apatow projects such as Freaks and Geeks and The 40 Year Old Virgin. Starring Seth Rogen, Katherine Heigl, Jason Segel, Paul Rudd, Leslie Mann, and Jonah Hill. Plus a slew of other big name stars. Knocked Up has arguably one of the most prominent and comedically talented casts to ever grace a romantic comedy. Side note, there is also a hilarious cameo from James Franco.
It was quite the surprise to see the range Rogen has in his repertoire, considering he doesn’t use it very often. For Knocked Up, Rogen, without question gives the most vulnerable, believable performance. Sporting a face ripe with the fear, love, and courage. Rogen perfectly captures the unsteady eagerness of a soon-to-be parent. As for Rogen’s co-star, Katherine Heigl. She offers a splendid rendition of an individualistic, tough feminist brought to the brink of her sanity. Pushing her body mentally and physically to the limit, Heigl gives a truly outstanding performance.
With an astounding script, lively performances, and strong direction. Knocked Up is a touching romantic comedy full of hilarity.
Knocked Up: 9 out of 10.
All right, now, not to be confused with last week’s “Top 10 Films of 2013 Predicted.” This week’s Top 10 will consist of the 10 most wanted films set for release in 2013. Judged by budget, publicity, and overall excitement stemming from the general public, this Top 10 will feature, in a general sense, crowd pleasers. Without any further ado, let’s begin.
Honourable Mentions: Anchorman 2, Monsters University, The Wolverine, Elysium, Sin City 2, Kick Ass 2, Evil Dead.
10: Thor: The Dark World. The hotly anticipated follow up to 2011’s smash hit Thor. This soon to be blockbuster stars Chris Hemsworth, Natalie Portman, Idris Elba, Tom Hiddleston, and Anthony Hopkins.
9: The Great Gatsby. From visionary director Baz Luhrmann and starring a plethora of stars such as Leonardo DiCaprio, Carey Mulligan. and Jason Clarke. The Great Gatsby seems primed for stardom.
8: The Green Inferno, V/H/S 2, and The Conjuring. This is for all of you who need your horror fix, a lot like us. Coming from modern horror master such as James Wan, Eli Roth, and Adam Wingard. This trio of frightening delights is sure to leave your pants wet and in need of a wash.
The Conjuring Trailer:
V/H/S 2 Trailer:
The Green Inferno: First official picture.
7: This is the End and The World’s End. Here to get you prepared for the apocalypse are these two doomsday comedies. Brought to you by the guys behind Shaun of the Dead and Hot Fuzz. The World’s End reunites Simon Pegg, Nick Frost, and Edgar Wright. Also starring Martin Freeman, The World’s End looks like to become another cult favourite. As for This is the End, starring a multitude of comedies best such as Seth Rogen, James Franco, and Jonah Hill. This hilarious heavyweight film should be interesting to say the least.
This is the End: Red Band Trailer.
The World’s End:
6: World War Z. Brad Pitt, Zombies, and based off of Max Brooks highly addicting novel, need I say more?
5: Iron Man 3. The Third entry into the Iron Man trilogy. It features an army of iron men and Ben Kingsley as a villain. Your argument is invalid.
4: Pacific Rim. Directed by Guillermo Del Toro and starring Idris Elba. This monster vs man picture features the use of gigantic robots controlled by humans battling humongous aliens, I’m sold.
3: Man of Steel. Produced by Christopher Nolan and starring Michael Shannon as General Zod. Man of Steel is the highly anticipated reboot of the Superman franchise.
2: The Hobbit: The Desolation of Smaug. The follow up to An Unexpected Journey. Peter Jackson’s The Desolation of Smaug should be a much improved film and appease those disappointed by the first.
1: Star Trek Into Darkness. I have nothing to say, I am beyond words with anticipation. Just enjoy the trailer.