What really counts in this post is the experiences, not the wording or grammar, etc… That’s my polite way of asking you to disregard the lazy, formulaic summaries and to focus on each, particular screening and the atmosphere each created. Also, please forgive my shoty camera work and the quality of some of the videos…
I Origins (Cast and Director Q and A):
I’m a Mike Cahill admirer. “Another Earth” blew me away and I couldn’t wait for his follow up…and it did not disappoint. Oh, and having Michael Pitt join Cahill in a post-screening Q and A was the icing on the cake.
99 Homes: (Cast and Director Q and A):
Michael Shannon, Laura Dern, and Andrew Garfield so close I could literally reach out and touch them…need I say more? Shannon is one of my all time favourite actors and the chance to hear him speak about his latest film nearly had me in tears of fortune and excitement.
Locke: (Stephen Knight Q and A):
If you know me, you know that my fandom in regards to Tom Hardy and “Peaky Blinders” knows no bounds. Naturally, having the chance to catch an advance screening of “Locke,” Hardy’s and “Peaky Blinders” creator Steven Knight’s latest collaboration, left me winded. It’s also the only time my mom has ever stepped into my world, the life of a die-hard cinephile. And the fact that she loved it in its entirety left me overjoyed.
The Imitation Game: (Cast and Crew Q and A):
Benedict Cumberbatch…in person…that is all… Oh, and Keira Knighley and Matthew Goode too.
Q and A: Part 1
The Guest: (Director/Writer/Cast Q and A):
This past year’s screening of “The Guest” during TIFF 2014’s Midnight Madness program was easily the most fun I’d had at a cinema all year. Simon Barrett and Adam Wingard are uproariously funny and extremely talented at what they do. Add in the charismatic, unbelievably charming and handsome Dan Stevens in addition to the lovely Maika Monroe, and you’ve got one hell of a theatre experience. The film itself cracks my top 10 of 2014 with ease and this screening has a lot to do with it. I hate to admit it, but having my lame-o friends undergo the craziness with me made all the difference in the world. Plus, we were the only ones to bring a beach ball! Which only added to the over-the-top atmosphere throughout the entire screening. I should probably explain… Midnight Madness is TIFF’s most out of control cinephile experience. There’s loud music beforehand, it starts at midnight, there’s the potent scent of substance abuse lingering in the air, and usually has a ball or two being tossed around. It’s essentially a rock concert that replaces the band with a film.
The 50 Year Argument: (Martin Scorsese Q and A):
This is, without question, the best experience I’ve ever had in a theatre to date, let alone 2014. Of course, any occasion that has you sitting in the presence of one of cinema’s greatest filmmakers is a monumental occurrence indeed. To be completely honest, the film, “The 50 Year Argument,” although thoroughly engaging and utterly interesting, was simply a welcomed formality, a terrific bonus. Being granted the opportunity to listen and digest Martin Scorsese discussing film and his career for an extended period of time is unlike any euphoric treat that’s ever graced itself to my presence.
Did you have a particularly awesome cinema experience this past year? Let me know in the comment section below, I’m dying to know! Also, if you haven’t contributed your voice to the latest poll, please click on Vote! in the bar above to do so…don’t make me chase you down!
TIFF 2014 is finally upon us! With that in mind, I present to you my schedule for the festivities. For up-to-the-minute coverage, reviews, media, Q and A, etc…make sure to follow me on twitter (@cinema_monster).
The 50 Year Argument: Martin Scorsese, David Tedeschi
Premium Screening with co-director Martin Scorsese in attendance.
Martin Scorsese co-directs this documentary tribute to the New York Review of Books, whose six-decade history saw it frequently on the frontlines of cultural and political debate.
’71: Yann Demange
In the divided city of Belfast at the height of The Troubles, a rookie British soldier (Jack O’Connell, Starred Up) finds himself separated from his unit and lost in IRA-controlled territory.
99 Homes: Ramin Bahrani
Premium Screening with Michael Shannon, Andrew Garfield, and director Ramin Bahrani in attendance.
Desperate to save his family home, an unemployed construction worker (Andrew Garfield) joins an unscrupulous realtor (Michael Shannon) in the dirty business of foreclosing on the disenfranchised.
Clouds of Sils Maria: Olivier Assayas
A veteran stage star (Juliette Binoche) turns to her assistant (Kristen Stewart) for solace as she jousts with an arrogant younger actress (Chloë Grace Moretz).
The Drop: Michael R. Roskam
A Brooklyn bartender finds himself caught between the cops and a crew of Chechen mobsters, in this gritty crime drama starring Tom Hardy, Matthias Schoenaerts (Rust & Bone), Noomi Rapace and the late, great James Gandolfini.
The Guest: Adam Wingard
Premium Screening with Dan Stevens and writer-director duo Simon Barrett and Adam Wingard in attendance.
Writer-director duo Simon Barrett and Adam Wingard (A Horrible Way to Die, You’re Next) serve up a slick, eighties-style action thriller with this story of a mysterious and devastatingly charming visitor (Downton Abbey’s Dan Stevens) who arrives at the home of a bereaved family claiming to be the best friend of their dead son.
The Imitation Game: Morten Tyldum
Premium Screening with Benedict Cumberbatch, Keira Knightley, Matthew Goode, and director Morten Tyldum in attendance.
Benedict Cumberbatch stars as brilliant Cambridge mathematician, cryptanalyst and pioneering computer scientist Alan Turing, who spearheaded the Enigma code-breaking operation during World War II and was later persecuted by the British government for his homosexuality.
Laggies: Lynn Shelton
Premium Screening with Chloe Grace Moretz, Keira Knightley, and Sam Rockwell in attendance.
Following a dismal high school reunion and a disastrous proposal of marriage, a going-nowhere twentysomething (Keira Knightley) falls in with a carefree teenager (Chloë Grace Moretz) and takes a week off to reassess her life. Co-starring Sam Rockwell (Moon).
Maps to the Stars: David Cronenberg
Julianne Moore, Mia Wasikowska, John Cusack, Sarah Gadon, and Robert Pattinson star in this acidulous vision of Tinseltown from Canadian master David Cronenberg.
Nightcrawler: Dan Gilroy
A drifter and petty thief (Jake Gyllenhaal) joins the nocturnal legions of scuzzy freelance photographers who scour the city for gruesome crime-scene footage, in this gripping portrait of the dark side of L.A. from veteran screenwriter and first-time director Dan Gilroy.
The Theory of Everything: James Marsh
While students at Cambridge, Stephen Hawking (Eddie Redmayne, Les Misérables) and Jane (Felicity Jones, The Invisible Woman) fall deeply in love. His earth-shattering diagnosis leads him to embark on his ambitious study of the nature of time with Jane fighting tirelessly by his side, in this moving adaptation of Jane Hawking’s memoir from Academy Award-winning director James Marsh (Man on Wire).
Which film are you most looking forward to at TIFF 2014? Be sure to let me know what your thoughts on the festival and my schedule are below!
Lined with a star-studded ensemble who illuminate this dark, grim, and violent crime-thriller. Ariel Vromen’s Scorsese-esque “The Iceman” is a taut, riveting biopic showcasing the two lives of hitman Richard Kuklinski as they begin to converge on one another. Although Vromen may not be able to create as well-written and intricate of a mafioso world to accompany the superlatively constructed and performed characters. “The Iceman” offers enough cold-bloodedness, criminality, and heart to stay a notch above in a crowded genre which earns it staying power that should burn for the foreseeable future. While things might get a little clustered at times and eventually descend into utter chaos. “The Iceman” remains quite the emotional, gritty wallop and is rooted by Vromen’s uncompromising vision and sublime performances. Which makes it one of the more memorable crime-sagas in recent memory.
During the 1960s, Richard Kuklinski (Shannon) is working as a porn technician. When his boss informs him that they will be closing the lab, Kuklinski is persuaded to change careers and become a contract killer. For a number of years, Richard gains a reputation as a cold-blooded professional, even though he raises and provides for his family, who remain kept in the dark as to what his actual profession is. When a hit goes wrong, Kuklinski is forced to lay-low, much to his distaste. Soon, he partners up with a fellow assassin as his two worlds begin to merge.
There’s no question that “The Iceman” is lifted to greater heights by the casts ability to invest and perform astoundingly. That being said, the extremely intriguing true story at its core and fascinating premise of a family man turned killer-for-hire are just too compelling to completely dismiss, even though neither is fully realized.
Based upon the novel entitled “The Iceman: The True Story of a Cold-Blooded Killer” by Anthony Bruno. This adaptation might pick and chose what events and characteristics to utilize. It even goes as far as to dilute some of the violence and more disturbing actions carried out by Kuklinski himself, not to mention the complete absence of his earlier life and experiences. Which, one could argue, works against the overall effectiveness of the film. Nonetheless, Vromen definitely makes the story his own and provides his viewers with the gist of Kuklinski’s devilish endeavours and family life. Well, at least enough to satisfy those seeking out the truth and those wanting to experience the family man turned mafia assassin premise. Regardless, Vromen’s interpretation works decently alongside the immaculate performances, despite being more of a summary. I’d recommend reading the novel and watching some documentaries about the man himself if the subject truly interests you. If not, this adaption will surely suffice.
As for Vromen behind the camera, aside from a few shaky instances, he handles the illustriousness of his high-profile cast and the immensity of the story fairly well. He even occasionally shows signs of brilliance and innovation. Undeniably, he does a phenomenal job not only capturing his performers, but assisting and magnifying their blaze and radiance. Starring the likes of Michael Shannon, Ray Liotta, Wynona Ryder, Chris Evans, James Franco, and David Schwimmer. Keeping this much talent in check and reserving enough screen time for each to be effective is truly a skill-set most directors wish they held and one Vromen should continue to deploy assertively. It’s what sends this film over the top in my honest opinion.
Between “The Place Beyond the Pines,” “Killing Them Softly,” and “The Iceman,” it’s nice to know Ray Liotta’s still got it. And like his performances in these other two films, he is incredibly intimidating and ruthless throughout the film. David Schwimmer is terrific in a limited role and James Franco, also briefly used, holds the distinction of being in the most memorable scene of the film, in my opinion anyway. Chris Evans takes a break from playing America’s hero to tackle a much smaller role. Nonetheless, gives an even more integral, respectable performance and continues to be tragically under-appreciated. Yet, all in all, Michael Shannon and Wynona Ryder steal the show. Forming a bond that is believable and authentic, their chemistry is what drives the film. Ryder hasn’t been this good in a long while. Shannon is as malicious, stoic, and visceral as ever and once again proves why he is one of the best in the business.
Remarkably performed, enthralling, and decidedly violent. “The Iceman” is a delicious crime-thriller that’s sure to win the acclaim of any cinephile, although it should’ve been handled with a bit more care.
The Iceman: 8.5 out of 10.
As far as being acknowledged for a piece of work goes, an Oscar nomination is easily one of the most difficult to earn. That being said, year after year, there are front runners. The same, familiar faces we, as cinephiles, have come to expect great things from. And every year, as sure as the seasons change, one of these remarkable actors is fortunate enough to capture the gold statue. The talented men below, are not one of these lucky individuals. For whatever reason, the 10 men listed below can’t seem to close the deal. Granted, it isn’t for a lack of effort or quality, neither is it due to some misguided bias. It just so happens that every performance they’ve given that has eventually earned them this elusive recognition, has been trumped by another individual. Now, we may not unanimously agree on the winner yearly, but one thing we can all agree on, is the men listed below, should have some Oscar gold on their shelves.
The way I concluded on how to compile this top 10 is simple. Each actor mentioned in the top 10 has a performance I feel should have earned them an Oscar win. A lot of the men listed have been nominated, some more than once. Nonetheless, have yet to take home the hardware. As for the “still time” and “honourable mentions,” they might not have been nominated previously, but I still feel will win an Oscar in my lifetime.
Ryan Gosling, Michael Fassbender, Cillian Murphy, Benedict Cumberbatch, Tom Hardy, Michael Shannon.
Johnny Depp, John Travolta, Viggo Mortensen, Vincent Cassel, Harrison Ford, Jim Carrey, Ian McKellan, Joaquin Phoenix, Patrick Stewart.
Now, without further ado, let’s get into it!
10: Ed Harris – The Truman Show
A four-time Oscar nominee, Ed Harris just can’t seem to get the respect he deserves or be able to catch a break.
9: Edward Norton – American History X
“Fight Club,” “Moonrise Kingdom,” and “American History X,” Edward Norton has no shortage of great performances under his belt. Now, if he could just get that elusive win, we could all cross him off of our lists.
8: Bill Murray – Lost in Translation
His best chance to win the golden statue may have already passed with the release of “Lost in Translation.” But who knows, maybe he can surprise us once more and finally grab a victory.
7: Tom Cruise – Jerry McGuire
All Cruise craziness aside, he has stared in numerous films that should have garnered him at least one Oscar win, if not more.
6: Sam Rockwell – Moon
Many of you may not agree with this choice. Nonetheless, I feel Sam Rockwell has given the performance of our lifetime in “Moon” and should have been at least recognized for it, in my opinion, he should have been given the Oscar hands down.
5: Samuel L. Jackson – Pulp Fiction
Really? How did Jackson not win an Oscar for his performance in “Pulp Fiction?”
4: Liam Neeson – Schindler’s List
Another no-brainer. Liam Neeson is an outstanding actor, yet has not earned an Oscar.
3: Gary Oldman – Tinker Tailor Soldier Spy
One of the most illustrious actors on this list, Mr. Oldman has only been nominated once. While it should have been more, his performance in “Tinker Tailor Soldier Spy” should have gotten him the win.
2: Brad Pitt – 12 Monkeys
Now we are getting into ridiculousness. Take your pick, Pitt should have multiple Oscar wins, but has yet to receive his first, utterly insane.
1: Leonardo DiCaprio – The Aviator
Arguably one of the best actors to ever grace the big screen. Leonardo DiCaprio has yet to win an Oscar. WIth a plethora of performances that should have gotten him at least one win. We, as cinephiles can only hope he will be recognized for his work sometime in the near future.
Alright, that’ll do it for this week’s top 10, I sincerely hope you all enjoyed it. As always, if you feel I overlooked an actor or listed one that should have excluded from this list, please leave all comments and questions below. Everyone have an outstanding weekend!
Adding much needed depth and humanity to such an illustrious character, who’s storied and intricate history is as delicate as it is powerful. “Man of Steel” has the action, heart, and nostalgia to satisfy both fanboys and newcomers alike. While it may prove to be too bombastic and interwoven for a few critics and harsh naysayers. This polarization is nothing new to the Superman franchise. Nonetheless, “Man of Steel” is a revival with such exuberance, precision and emotion, that it is nearly impossible to resist its charms. However, having been built-up, collated, and magnified with significant importance and anticipation for close to two years. “Man of Steel” was arguably set-up to disappoint and sadly but inevitably, for some this is the case. Regardless, for die-hards, cinephiles, and inner-children everywhere, including myself. “Man of Steel” was well worth the wait and is a fresh, honest, and mesmerizing take on the world’s most famous superhero.
Krypton and its inhabitants face imminent destruction due to an unstable core. To protect their new-born child, Jor-El (Crowe) and his wife Lara launch a spacecraft carrying their son Kal-El (Cavill) to Earth, in order to secure the fate of their race. Upon arriving at Earth, Kal is found and taken care of by his adopted parents Jonathan (Costner) and Martha (Lane) Kent, who rename Kal, Clark. Because of Clark’s Kryptonian physiology, he inherits superhuman abilities on Earth. Soon, Clark and the entire population of Earth are under attack from another native of Krypton.
Written by the immensely successful “Dark Knight” trilogy scribe’s David S. Goyer and Christopher Nolan. Who make sure that “Man of Steel” contains all the wonder and amazement of the cosmic superhero’s intergalactic existence, in addition to the grounded and elemental nurturing that fortified the batman re-imagining. “Man of Steel” has all the makings of another fortuitous endeavour, not only for “DC comics,” but all involved. Nolan, who also produced the flick, oversaw most of the film’s creation and was essentially present for the ideal’s birth from Goyer’s mind. Although, clearly stating that he would not direct another Batman film, or superhero film of any kind, Goyer and company had to look elsewhere for someone to helm this reboot. After a slew of high-profile names fell to the wayside, it was visionary filmmaker Zack Snyder who was officially picked to take the reigns.
Upon witnessing the triumphant boom of the Marvel franchise into multiple blockbusters and countless tangents. DC, simply put, had their work cut out for them. Looking to Christopher Nolan for a spark that would ignite a similar explosion, DC completely entrusted him with their future prosperity…and while it is decidedly easier to simplify Batman with a modern, realistic twist. It is near impossible to humanize and ground a hero who was born amongst the stars and soars through space. Be that as it may, with “Man of Steel,” Goyer and Nolan have managed to transform Superman into a dark and brooding character with a heart and mind just as strong as his physical capabilities. All in all, Nolan has been, and will continue to be the catalyst and made sure that the continuation of DC films not only goes smoothly and successfully, but will continue to thrive.
Having director Zach Snyder’s keen eye for detail and jaw-dropping flare coordinating with Nolan and Goyer’s taste for believability, soul, and consciousness makes “Man of Steel” the most unique and honest take on the superhero to ever hit the big screen. The film has an exquisite blend of fast-paced action, atmospheric imagery, and heartfelt relationships that never cease resonating. Snyder’s vision for “Man of Steel” brilliantly collaborates with Hans Zimmer’s epic, melancholic soundtrack, Nolan and Goyer’s disheartening, but bewildering script making the finished product truly something to behold. If you let critical skepticism, minor blemishes, and transitional inconsistencies tarnish the films reputation or influence your opinion, this might not be the picture for you. Take my word for it, set aside the hype and reviews, appreciate this breathtaking rebirth for what it is.
Obviously, without a cast to perfectly animate these features and hard work, the film would utterly falter, luckily, this is not the case. “Man of Steel” stars Henry Cavill in the title role, Amy Adams as the beautiful but brainy Lois Lane and acting heavyweight Michael Shannon as the blood-boiling villain, General Zod. The film’s supporting cast is equally as impressive, if not more so. Kevin Costner, Diane Lane, Russell Crowe, Laurence Fishburne and the surprising Antje Traue solidify what is an outstanding ensemble.
It’s been a while since Kevin Costner has blown any of his co-stars out of the water. Yet, aside from Cavill and Shannon, Costner is without question the most sublime and really reminds us all of his staggering talent. Diane Lane and Russell Crowe aren’t far behind, preparing Clark for the brash and brutal reality of the world’s he is now apart of. The two are formidable in their supporting roles and add another layer of brilliance to an already astounding story. As for Fishburne, who is his usual, intimidating self. One can’t help but feel letdown by his standard performance, however, his role was extremely limited. If I’m being completely honest, I had never seen Antje Traue in a film prior to “Man of Steel,” but now that I have, I am smitten. She really captures the fearless mentality of Faora and if i might add, looks quite good doing so.
Out of the three leads, I’d say that Amy Adams is the most underwhelming. Albeit, that is in comparison to Michael Shannon and Henry Cavill, so a case can be made that it’s more of a compliment than an insult. Yes, she is sweet, cute, and calm in the face of danger. I’m not implying she performed horribly, I’m stating that Lois Lane in general was somewhat underwhelming. Which should be the case considering “Man of Steel” is dealing with the origin story of the man himself, not her. The severely underrated and tragically underused Michael Shannon finally gets his due as a ruthless, violent, determined villain who’s primary goal is to guarantee the safety of his people. One can tell that Shannon has always had this dark, primal catharsis waiting to be unleashed deep down inside. Now, finally, Shannon has burst into the mainstream and will hopefully stay there. Shannon delivers a powerhouse performance.
Henry Cavill is Superman: the body, the hair, the voice, everything. I don’t know how else to put it. His acting is superlative, he clearly got in incredible shape for the picture, so he obviously invested heavily in the role. Everything about his emotional range, mannerisms, even the way the suit fits him is enough to send chills down your spine.
“Man of Steel” offers a never-ending series of heart-racing action seqeucnes that look anything but contrived or inauthentic. One thing on everyones mind prior to the film was how Cavill would look while flying, and thankfully, these segments look dignified. Snyder should gain a stronger fan-base with “Man of Steel” considering his preceding films left audiences divided to say the least. For those Superman enthusiasts, be sure to look out for a few easter-eggs throughout the film. They’re sort of like subtle nods to the audience, a way of saying thank you and we appreciate you.
For the record, I’m overjoyed that I’m struggling to convey how I feel about “Man of Steel” in this review. As with every film that is or eventually becomes an all-time favourite of mine, I have a hard time dissecting them. I think it’s because I can never quite put my finger on what I love about them. It’s just a reaction, a series of euphoric shocks to my brain. I write excessively trying to unveil the root of my fascination, but never can, that’s why this review and all others like it are so long. I think this is the best way to describe how I feel about “Man of Steel.”
Man of Steel: 8.5 out of 10.
A harrowing, instant classic that, without any doubt, blossoms into legend. Mud is a charming, captivating, irresistible coming-of-age yarn that transcends and disarms. Rich with dynamic visuals, a sweet, at times cunning script, and superlative performances from its entire cast. Mud is comprised upon an endless source of infallibility and revered assets. Filmed entirely in the state of Arkansas, rooted along the Mississippi River and its tangents. Mud’s locations are a breathtaking backdrop evoking a sense of wonder and serenity. Written and directed by up-and-comer Jeff Nichols who continues his rise to fame with this, his third full length feature. The only thing more reliant than the unsurpassable portrayals and unmatched scenery throughout Mud is Nichols sturdy, visionary direction. Despite some heavy, dark subject matter and clinging to innocence for effectiveness, Mud never loses its way.
Ellis (Sheridan) is 14 years old and lives in a houseboat on the banks of a river in Arkansas with his mother Mary Lee (Paulson) and father Senior (McKinnon). One morning, after he sneaks out past his parents, Ellis meets up with his best friend Neckbone (Lofland), who is also 14 and lives with his uncle Galen (Shannon). The boys set out to an island on the Mississippi river where Neckbone has discovered a boat stuck high in a tree, believed to have been put there by an extreme flood. Soon after climbing the tree and into the boat, they discover footprints and fresh food. Upon returning to their boat, figuring it best to leave before the inhabitant returns, they are surprised to see a rugged man fishing. The stranger, who is soon revealed to be named Mud (McConaughey), asks the boys for food in exchange for the boat in the tree. As time passes, the three become close friends and begin to trust one another. This is when Mud and the boys enter into an agreement that will change their lives forever.
Filled with the vibrancy and uncertainty of life and youth. Nichols honest take on the struggles of growing up is both refreshing and astoundingly accurate. Managing to convey the hardships and vulnerability that comes with being young and wide-eyed. Mud places the world at your feet, just to render you helpless when you reach out to grasp it. To accomplish this feat while simultaneously leaving the viewer content and without being overly sappy is stupefying. Yet, the theme most prominent and riveting in Mud deals with the emotion that leaves us confounded and in a daze, love. Stating that regardless of age, we always succumb to the idea of love and will always stumble over and sacrifice ourselves and one another for a taste of it. Mud is undeniably one of the best films of 2013 and will undoubtedly stand the test of time.
With a plethora of symbolism, lyricism, and dynamism, it’s easy to get caught up in the ripples of Mud and lose sight of its heart…If you can keep track of each, individual storyline strand, Mud has so much more to behold. For instance, the forests and rivers ingeniously resemble the appeasing exteriors of Mud’s characters. And like these peaceful settings and docile people, there are unforeseen dangers that lie beyond them. Just a quick note on Mud’s tranquil soundtrack which is composed by David Wingo, who also wrote the score for Nichols 2011 hit, Take Shelter. Wingo’s ability to match Nichols ideals with music is unparalleled and I’m overjoyed that the two continue to work with one another.
Even though Mud might not be as psychologically exhausting as Take Shelter or disconcertingly ferocious as Shotgun Stories, it is certainly just as visual and rewarding. Nichols continues to grow with each release and every single outing of his sheds a little more light into his bright, limitless future. The most reassuring and remarkable trait of Nichols films is that the newest chapter is stronger than the last. Nichols effortlessly and eloquently absorbs the natural and elemental beauty of Arkansas, the surrounding terrain, and vast skyline. There is no denying that Mud’s numerous, incredible performances and original script would be useless without Nichols keen, eccentric direction.
Finding a pair of young, close-knitted, and talented leads is imperative to Mud’s success and Nichols found them in Jacob Lofland and Tye Sheridan. Mud again reunites Nichols with Michael Shannon, who stared in both of Nichols other films, Shotgun Stories and Take Shelter. Now, even though his role is certainly smaller than the duo’s previous collaborations, Shannon is equally as effective. Also starring Matthew McConaughey, Sarah Paulson, Ray McKinnon, Reese Witherspoon, and Sam Shepard. Mud’s ensemble easily gives one of the best collective efforts of the year.
It is quite astonishing when an actor, let alone an ensemble breaks through the screen, allowing the viewer to discard the notion that what they’re watching is just a film, Mud has this effect. McKinnon and Paulson’s portrayal of a couple who’s marriage is on the rocks reaches a new level of believability. As they fight against the closing inevitability and try, relentlessly to keep their son stable regardless of their current circumstance causes a profound euphoria of respect to rush over the viewer. As for Shepard, who’s role is somewhat typical, is able to surpass its regularity with an unusually strong, aching performance. Witherspoon, who garners very little screen time, makes terrific use of her limited role. To be honest, I had very limited respect for Witherspoon as an actress, but after Mud, it has grown substantially.
However memorable and powerful the supporting casts performances may be. They are simply outdone by Mud’s three leads Jacob Lofland, Tye Sheridan, and Matthew McConaughey. As McConaughey’s stock continued to rise throughout 2011 with his roles in The Lincoln Lawyer and Bernie, it slowly became apparent that there was no stopping his rapid ascension. Following up another hit in Magic Mike with Mud, McConaughey seems to have finally found his muse. McConaughey is now gearing up for another high-profile role as he is set to star alongside Leonardo DiCaprio in Martin Scorsese’s The Wolf of Wall Street, ready for release late in 2013. There is now, no denying McConaughey’s brilliance as he recently signed on to tackle the lead in the magnificent Christopher Nolan’s next film Interstellar, which will also feature Jessica Chastain and Anne Hathaway. Thankfully, there seems to be no end in sight for the once discredited Matthew McConaughey.
Lofland and Sheridan, who were ultimately hired because of their abilities on a boat, knowledge of the area, and the time it would save not having to teach these facets to two other young leads, undoubtedly earn their spots. With a combined age that doesn’t equal some of their co-stars time of acting experience, let alone years on this planet, Lofland and Sheridan prove they’re not intimidated by underestimation. Having performed in Terrence Malick’s, The Tree of Life, Sheridan continues on his path to a fortuitous career. As for Lofland, Mud is his first full length feature, but you wouldn’t know it from his calm and confident performance. Both flourish in this highly advantageous opportunity and look to have extremely bright futures.
With its unyielding, heavenly toxic imagery, phenomenal performances, and spot-on portrayal of love, death, and youth. It may be a bit premature, but Mud has eked its way into my top 10 all time favourite films and I don’t see it falling out anytime soon. It is a must see for anyone, cinephile or not.
Mud: 9.5 out of 10.
All right, now, not to be confused with last week’s “Top 10 Films of 2013 Predicted.” This week’s Top 10 will consist of the 10 most wanted films set for release in 2013. Judged by budget, publicity, and overall excitement stemming from the general public, this Top 10 will feature, in a general sense, crowd pleasers. Without any further ado, let’s begin.
Honourable Mentions: Anchorman 2, Monsters University, The Wolverine, Elysium, Sin City 2, Kick Ass 2, Evil Dead.
10: Thor: The Dark World. The hotly anticipated follow up to 2011’s smash hit Thor. This soon to be blockbuster stars Chris Hemsworth, Natalie Portman, Idris Elba, Tom Hiddleston, and Anthony Hopkins.
9: The Great Gatsby. From visionary director Baz Luhrmann and starring a plethora of stars such as Leonardo DiCaprio, Carey Mulligan. and Jason Clarke. The Great Gatsby seems primed for stardom.
8: The Green Inferno, V/H/S 2, and The Conjuring. This is for all of you who need your horror fix, a lot like us. Coming from modern horror master such as James Wan, Eli Roth, and Adam Wingard. This trio of frightening delights is sure to leave your pants wet and in need of a wash.
The Conjuring Trailer:
V/H/S 2 Trailer:
The Green Inferno: First official picture.
7: This is the End and The World’s End. Here to get you prepared for the apocalypse are these two doomsday comedies. Brought to you by the guys behind Shaun of the Dead and Hot Fuzz. The World’s End reunites Simon Pegg, Nick Frost, and Edgar Wright. Also starring Martin Freeman, The World’s End looks like to become another cult favourite. As for This is the End, starring a multitude of comedies best such as Seth Rogen, James Franco, and Jonah Hill. This hilarious heavyweight film should be interesting to say the least.
This is the End: Red Band Trailer.
The World’s End:
6: World War Z. Brad Pitt, Zombies, and based off of Max Brooks highly addicting novel, need I say more?
5: Iron Man 3. The Third entry into the Iron Man trilogy. It features an army of iron men and Ben Kingsley as a villain. Your argument is invalid.
4: Pacific Rim. Directed by Guillermo Del Toro and starring Idris Elba. This monster vs man picture features the use of gigantic robots controlled by humans battling humongous aliens, I’m sold.
3: Man of Steel. Produced by Christopher Nolan and starring Michael Shannon as General Zod. Man of Steel is the highly anticipated reboot of the Superman franchise.
2: The Hobbit: The Desolation of Smaug. The follow up to An Unexpected Journey. Peter Jackson’s The Desolation of Smaug should be a much improved film and appease those disappointed by the first.
1: Star Trek Into Darkness. I have nothing to say, I am beyond words with anticipation. Just enjoy the trailer.
To make the directive of this list clear. The films contained are what myself and cinema2033 believe to be the best hopes for cinema in 2013. Again, these are our preferential films, not that of the general viewing public. We are simply predicting what we think will be our favourite or preferred films of the year. We will be creating a separate list with what we believe to be the most anticipated films of 2013. That list will be our perceived notions from discussing and judging the amount of publicity, budget, and overall excitement of the general public. Without further delay, Enjoy another chapter of our top 10 series.
Let’s begin this list with the honourable mentions. Stoker, A Single Shot, The Look of Love, American Hustle, Don Jon, Ain’t Them Bodies Saints, The Fifth Estate, Out of the Furnace, Kill Your Darlings, and Before Midnight. We would also like to insert Terrence Malick’s 2013 film, even though its cast, story, and release date are kind of up in the air at the moment.
10: Inside Llewyn Davis. Directed and written by the Coen brothers and starring Carey Mulligan, Oscar Isaac, Garrett Hedlund, and John Goodman. Inside Llewyn Davis is sure to be another Coen brother smash.
9: Mud. Written and Directed by Jeff Nichols, the mind behind Shotgun Stories and the hauntingly epic Take Shelter. Mud stars Matthew McConaughey, Reese Witherspoon, and Michael Shannon.
8: Trance. The new film from the brilliant Danny Boyle. Trance is a mind-bending thrill ride featuring outstanding performances from James McAvoy and Vincent Cassel.
7: The Counselor. Based on Cormac McCarthy’s incredible novel and helmed by none other than Ridley Scott. With its outstanding cast that features Brad Pitt, Michael Fassbender, and Javier Bardem. The Counselor is ripe with genius and ready for viewing.
6: The Place Beyond the Pines. Directed by Derek Cianfrance and starring Ryan Gosling, Bradley Cooper, Rose Byrne, and Ben Mendelsohn. The Place Beyond the Pines is an intricate gem.
5: The Way, Way Back. What seems to be an endearing coming of age romantic comedy. The Way, Way Back looks to have another outstanding performance from Sam Rockwell and an unusual role for Steve Carrell.
4: Nymphomaniac. Directed by the creative and controversial Lars von Trier. Nymphomaniac appears to be a fresh take on sexual addiction with Shia LaBeouf, Charlotte Gainsbourg, and Stellan Skarsgard leading the way.
3: The Wolf of Wall Street. Directed by Martin Scorsese and starring Leonardo DiCaprio, need I say more?
2: Only God Forgives. The Duo of Gosling and Refn appear to be stealing the spotlight from Scorsese and DiCaprio, and rightfully so. This follow up to their 2011 hit Drive is one of the most anticipated releases of 2013.
1: Twelve Years a Slave. Steve McQueen, director of Hunger and Shame, teams up once again with Michael Fassbender for this mid-1800 slavery epic. Also starring Benedict Cumberbatch, Brad Pitt, and Scoot McNairy. Twelve Years a Slave has all the key facets to take top spot as our best film of 2013 predicted.
If you think we overlooked a film or made a grave error on our list, please comment below. Also, if you have recommendations for future top 10’s, don’t hesitate to let us know.
A modern poetic thriller centred around a family on the verge of collapsing. Take Shelter combines apocalyptic terror and mental illness to create a constantly shifting cinematic nightmare. Directed by Jeff Nichols (Shotgun Stories), who’s much anticipated release Mud, starring Matthew McConaughey is set for theatres later this year. Take Shelter’s two bright stars are oscar nominee Michael Shannon (Revolutionary Road) and co-star, also an oscar nominated heavyweight, Jessica Chastain (Tree of Life). With layer upon layer of spirit and dread, Take Shelter succeeds in adapting a believable tale of horror and the effect the absence of mental stability has on family, career, and upon one self.
Curtis (Shannon) is a hard working father and husband who starts experiencing hallucinations and vivid nightmares. Choosing not to confide in his wife Samantha (Chastain) what is happening, Curtis’s condition worsens. When Curtis begins to hallucinate an apocalyptic storm in the future, he begins to construct an expensive, time consuming storm shelter. When social and career altering decisions are being made without consulting Samantha, Curtis’s family begins to fall apart. As he tries to deal with his illness and building the shelter, Curtis now must repair his personal relationships.
From the moment Take Shelter begins, it sets it’s hooks in you with striking images of storms and cataclysmic occurrences. Beyond any doubt, Take Shelter holds Michael Shannon’s best performance to date and one of the best of 2011. Shannon’s portrayal of a man suffering from anxiety and paranoia is stunningly accurate. Shannon completely invests himself in the character and for two hours, you forget it is just a film. Chastain is perfect as always and once again makes her performance look effortless. As far as direction, Nichols uses the power of Shannon’s acting to drive the film in majority but adds the beauty and scariness of nature to compliment the spectrum in Shannon’s character. Take Shelter is literal, exact, ambient, and resplendent, the summit of what cinema should be.
Take Shelter: 9 out of 10.